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Digital Storytelling Resources

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What is a Copyright? Copyright Basics. Copyright Education User Rights, Section 107 Music Video. Miss Unaware: "The Copyright Criminal" R Partner: Learn about copyright basics. Margaret Stewart: How YouTube thinks about copyright. Storyboarding Your Film. Before you create your film storyboards, you have to perform certain tasks and make certain decisions. First, begin by evaluating your screenplay and picturing it in terms of separate shots that can be visually translated into individual storyboard panels. Then you determine what makes up each shot and also which images need to be storyboarded and which ones don't. After you start storyboarding, you'll need to determine whether you're shooting for a TV movie or a theatrical release, which will ultimately affect the frame dimensions of your panels. Breaking down your script The task of turning your screenplay into a film can be very overwhelming. Evaluating each shot You have several elements to consider when preparing your storyboards.

What is the location setting? Creating a shot list After you determine what makes up each shot, decide whether you want to storyboard every shot or just the ones that require special planning, like action or special effects. Constructing storyboard panels 1. What Are Storyboards? What Are Storyboards? Storyboarding, or picture writing, is the origin of all written languages, used by ancient cultures before text evolved and as a natural bridge to text. The Chinese language was built using pictographs.

Egyptians used storyboards, or hieroglyphics, first etched in stone and later written on papyrus, to organize a complex society and to rule the ancient world. Look at any comic strip and you’ll see picture writing in action. Storyboards appear in many forms, from emerging literacy books to emergency instructions on airplaces to technical textbooks. Stick Pictures and Text The low-tech storyboards I use in the classroom are designed to show students a clear path to text. It is the logical sequencing power of storyboards, combined with the hands-on engagement of drawing, that makes these tools work for learners.

Teachers long comfortable with teaching almost exclusively with text often ask, “What if a student is reluctant to draw?” Path to Text Simple Is Best. The Secret's in the Storyboard. Hitchcock is notorious for having used them. Spielberg has been known to hire armies of artists to create them, and, as filmmakers and educators, you can use them too. In fact, if you don't, you could be opening yourself up to problems you might not otherwise have. We're talking, of course, about visualizing your film before you shoot by creating a storyboard. Film is, after all, a visual medium, and the storyboard is the most often used tool for getting a sense of how an idea will work before filming takes place. Storyboarding involves drawing still, comic book-like images of what you want your final scenes to look like.

It is used as a guideline for smooth filming on set, as well as a template for the pre-production editing process. Why storyboard? Alfred Hitchcock was well known for storyboarding every shot of his classic films. Who can forget the shower sequence from Psycho, its every shot communicating a new terror? How do I get started? Choose something short.

Turn Anything Into a Screenplay. From Wired How-To Wiki If you follow the advice of screenwriting guru Robert McKee, almost anything can be made into a great story — even, say, Slashdot, the site run by Rob Malda (aka CmdrTaco). 1. Create a protagonist. CmdrTaco lives on Netopia, where his people, an enslaved race called the Bots, are forced to feed information into the Great OS. 2. 3. 4. 5. 6. All humor aside, contemporary screenplays are pretty standard in style. A Computer Any word processor will do, but you'll have to tweak it to get the right margins and tab spacing. Once you have your finalized draft, you'll probably want to get to know the screenwriting process. The spec script is usually the hard copy you would show interested movie executives.

Don't get too attached to your spec script. Once everyone is happy with it, the script becomes a "shooting" script. Additional Resources: Scriptwriting software | Adobe Story. SimplyScripts - Movie Scripts and Screenplays. Scriptlist. Plotbot: Collaborative Screenwriting. Scripped - Free Screenwriting Software. ScriptBuddy - Screenwriting Software. Scriptwriting and Storyboarding in Sarapiquí. This is Script Writing by Jessica Bosch & Andrea Haverdink (2012) Pro Tips for Script Writing. Writing a Script.mov. TALES FROM THE SCRIPT. How To Tell A Story: Quick-Learn Storytelling Techniques!

Screenwriting 101: How To Write a Screenplay – The Script Lab. For a truly effective screenplay, you must know your characters backwards and forward. In screenwriting, the moment you begin to imagine character relationships - how your character deals with his parents, his siblings, his coworkers, and all that - you start to explore the world of your story, and suddenly scenes begin to emerge. As you research your character (context, culture, occupation), creating details (attitudes, values, emotions), developing backstory (physiology, sociology, psychology), and establishing personality and behavior, you start putting the character in different situations in your mind, and you begin to imagine him or her in the most mundane and most exciting moments of his life.

The courage to deal with the trivial and banalities is something you should develop. Frank Daniel, the former chair of the Film Division at Columbia University and past dean of the School of Cinema-Television at USC, echos the point in five simple words: “A story starts with character.” Digital Storytelling Site. This series of webinars will introduce you to the tools and processes for building simple digital stories, provide you with access to free desktop or web-based tools, and enable you to share what you have learned from your participation in the Teach21 program.

In the process of creating your own digital stories, you will learn how your students can do the same to enhance their learning. What is a digital story (or narrative)? A digital story is a a 2-to-4 minute digital video clip, most often told in first person narrative, recorded with your own voice, illustrated mostly with still images, and with an optional music track to add emotional tone. Digital narratives can be powerful tools for reflection, told by students or programs.

Digital Storytelling is the modern expression of the ancient art of storytelling. Notes and Reflections. How to Create Simple Digital Stories. Digital Storyteller. Digital Storytelling in Language Arts Authors: Glen Bull & Sara Kajder Introduction This introduction to digital storytelling in language arts is adapted from an article published in Learning and Leading with Technology.

The PDF of the original article can also be downloaded: Digital Storytelling in Language Arts (pdf) A digital story consists of a series of still images that are combined with a narrated soundtrack to tell a story. The Wellsprings of Digital Stories Digital storytelling as we practice and teach it grew out of the work of Joe Lambert and Dana Atchley at the Center for Digital Storytelling at U.C.

We have adapted their work for school settings. The second technical advance is the ubiquitous presence of digital cameras and digital images. While technical advances have made digital storytelling practical in today’s schools, connections to the language arts classroom are grounded in the curriculum. Seven Elements of Effective Digital Stories 1. 2. 3. 4. 5. 6. 7. Summary Authors.

Seven Elements of Digital Storytelling - UVa-SHANTI Wiki Collaborations. The following is a description of the seven elements of digital storytelling as told by Kenneth Warren The point of view element focuses on both the story’s purpose and perspective of the author. The purpose of a story or narrative can be to inform the listener about a specific idea or phenomena, or it could inspire the listener to action. These stories can be first-person personal and reflective or third-person historical and analytical. 2.

The dramatic question is the key inquiry that holds the listener’s attention. 3. Each story, or narrative, should include an aspect of emotiona content that connects to its listeners’ feelings and evokes a response, whether visceral or subliminal. 4. The narrator’s voice is a gift that must not be taken for granted, but rather recognized and nurtured as it is the vehicle that delivers the story’s message. 5. A digital story should be no longer than three minutes. 6. Pacing is connected to the inflection, cadence and clarity of an author’s voice. 7. 7 ELEMENTS OF DIGITAL STORYTELLING. Element #7 - Pacing.