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[FrenchWeb Tour Toulouse] Pierre Cohen, Maire de Toulouse. Stockholm Design Lab. ECAL > Exposition «Hot Tools» les expérimentations des 2e années Master en Design de Produit : 17/04 – 22/04/12 — Atelier de Sèvres. Milan 2012: 'Hot Tools' exhibition by ECAL. 'Dusty Copper' by Jung-Cheng Su; photo by Nicolas Genta ‘Hot Tools’ was one of three exhibitions presented by ECAL/University of Art and Design Lausanne on the occasion of this year’s Salone del Mobile.

Milan 2012: 'Hot Tools' exhibition by ECAL

Showcasing the outcome of a workshop led by the acclaimed French designer Ronan Bouroullec and glassblower Matteo Gonet during which 20 Product Design (MA) students were asked to devise and build novel tools and forms which were most likely to result in an interesting, traditionally-blown glass objects, the exhibition featured eight innovative glass pieces as well as the novel devices which were employed in the production process. Watch the footage from this hugely innovative and inspiring workshop in the video below. 'Dusty Copper' by Jung-Cheng-Su; photo by Nicolas Genta ‘A crash course in glass, not to say the least, is how we could sum up this project. 'Stein' by Felix Klingmüller; photo by Nicolas Genta.

Quel design pour les défis du futur ?, Chroniques. IDM expose à “Orange vous laisse les clés 2012” Orange vous confie les clés Suite au concours Orange vous confie les clés 2012 – sur le thème de “la maison connectée du futur” – l’intégralité des projets des cinq écoles internationales de design sollicitées se sont vus exposés au lieu du design à Paris.

IDM expose à “Orange vous laisse les clés 2012”

YEAR: 2012 | LOCATION: Paris | PROJECT SCOPE: Exposition | COLLABORATION: IDM & DESIDEH. Exposition Les différents projets sont répartis selon trois thèmes, parmi lesquels les projets EnsadLab sont répartis. 1. Instant : – Projet Entre-vues 2. Immersion : – Projet Echo-Poignée – Projet Mitoyen 3. Plus d’info sur le site d’Orange Entre’vues’ Estelle Meissonnier Audrey Sovignet from Audrey sovignet on Vimeo. Read the article about the Entre-vue project Read the article about the Mitoyen project Read the article about the Mime project. フード ワーク FOOD WORK. Konstfack - Degree Exhibition 2012 / Vårutställning 2012. Supherb Supherb is an aeroponic herb garden for domestic use.

Konstfack - Degree Exhibition 2012 / Vårutställning 2012

Aeroponics is a technique used for growing plants in an air or mist environment, therefore eliminating the need for soil, pesticides, herbicides or fertilizer. Supherb uses this technique to allow users to grow their own herbs or replant fully grown ones that have been bought from a store. Once planted, the fine mist generated by an ultrasonic fogger will enable the herbs to develop a large root surface which will allow them to absorb nutrients more efficiently.

Supherb är en aeroponisk örtträdgård för användning i hemmet. Year of birth: 1990 Place of birth: Düsseldorf, Germany. Wayfinding & signage. Tate Modern is the world’s most visited museum of modern art. An iconic new eleven-storey extension, by architects Herzog & de Meuron will create more display spaces, learning facilities, cafés, restaurants and shops. Cartlidge Levene and Studio Myerscough have been appointed to develop the wayfinding and signage for the new extension, the existing building and the surrounding landscape to ensure a single, coherent visitor experience. As part of our wayfinding strategy and design for the extended Tate Modern, we changed the level numbers in the summer of 2012, renaming them 0–6 (formerly 1–7). This forms a fundamental aspect of our strategy to improve orientation and introduce intuitive reading of the building especially when entering at the popular river entrance (now renamed level 1).

The new level numbering system also anticipates the opening of the new extension which will create a ‘street’ running through the Turbine Hall from north to south. Quel mobilier urbain pour la ville numérique ? Cinq questions à Vincent Autin, créateur d’iGirouette. Mais c’est quoi, le mobilier urbain de la ville numérique ?

Quel mobilier urbain pour la ville numérique ? Cinq questions à Vincent Autin, créateur d’iGirouette

Épineuse question. Est-ce la l’invention d’un mobilier inédit et communiquant, donc « forcément » intelligent ? Ou plutôt la réinvention du mobilier existant, par le truchement du digital ou mieux, du hacking urbain ? Evidemment, notre vision de la ville astucieuse nous fait préférer ces deux dernières options. Pour autant, faut-il refuser tout mobilier urbain innovant ? C’est le cas d’iGirouette, porté par l’agence Biin. Patrick blanc murs v g taux. Céline Merhand & Anaïs Morel. Zieharsofika, Meike Harde.