BRETON - GOT WELL SOON. BMW TATE Live Performance Room - Pablo Bronstein. Mikado - La Fille Du Soleil - Clip Officiel. Snowtime. Li Hongbo: Statues in Motion. Kirin J Callinan - Way To War. OVERGLOW - RETROFUTURISTIC ARTWORK. Highrise. Jaakko Eino Kalevi: No End. Illuminated Code from Space. L’artiste italienne Haari Tesla fait le lien entre l’infiniment petit et l’infiniment grand en confrontant deux univers qui se ressemblent quand on les observe : celui des micro-organismes et de l’espace.
Le rendu donne l’impression de voir des nébuleuses, supernovas et galaxies. Une plongée astrale à découvrir. Yoram Roth Photography. INFRAMEN by Nir Arieli. To be a dancer is to work your body to the breaking point.
In my project “Inframen”, I created a series of portraits using an infrared technique that reveals details that are under the subject’s abused skin. I am taking the dancers out of their roles as performers and revealing personal intimate individuals. Through these subtle and surreal portraits, I aim to continue my studies of contemporary male dancers, peeling the physical shield and exposing fragile human beings – The scars show on their skin and through their eyes. Visit Nir Arieli You might also like Comments Michael Dachstein Inspiration junkie :) Near Infrared video - Google Search. Video Inspiration #2 – Wiggle Stereoscopy. First 3D Camera-Shift Music Video: This music video for the song “Doubtful Comforts” by Blue Roses is the first music video to use this wiggle stereoscopy technique to create a 3D effect that does not require special glasses to view.
Rather than use special glasses to provide two perspectives, wiggle stereoscopy alternates quickly between two perspectives in the image or video itself. While it’s probably the simplest 3D technique, many find it nauseating. I personally really like the simplicity of the video, the black and white visuals goes really well with the music track and the dark forest location sets a gloomy yet uncertain mood. Not to mention the three masked figures that seem to be worshiping this white triangular shape. For the first video using this effect I think A Nice Idea Every Day (company behind the makings of the music video) have really pulled this off very well and something that interests me a lot! Like this: Like Loading... My first try with a color infrared film... by frauspatzi. 16mm Infrared Film Sequence. Huge Natural Zincite Under UV Light. Melted - We are Enfant Terrible (videoclip)
Cupp Cave - White Out. Young Echo - Jupiter Rise. Cupp Cave - Kid's A Loner. Brice Bischoff. Emby Alexander - Drag The Long Way Home. "SIXTEEN SALTINES" The Knife - Pass This On. The Knife - A Tooth For An Eye - Official video. Flume - "More Than You Thought" Now This Is How You Use A Go Pro at AWSM.com. My GoPro Array. Using GoPro Camera Arrays For A Live Bullet-Time Effect. Marc Donahue from Permagrin Films has been busy since his production of Dream Music, which got over 2 million views on YouTube.
Most recently, Marc has been experimenting with GoPro camera arrays for a unique effect, most similar to bullet-time like in the Matrix. Click on to see the final video and read an interview with the man behind the lens. You can follow more of Marc’s work at his Vimeo page, where he has plenty of interesting videos, as well as behind the scenes pieces on his productions using Dynamic Perception motion timelpase rigs and other fun stuff.
Here is the final video: Fstoppers: What GoPro models were you using, and did you use the GoPro app to control them? Marc: GoPro sent me 15 Hero 2‘s that had hero 3 processors in them. Fstoppers: How many GoPros were in your main array? Marc: I used 15 GoPros. Fstoppers: What did you do to sync your cameras together? Marc: I used Pluraleyes to sync the audio. Fstoppers: Post production must have been tedious! Related In "Gear" Gemstones - Google Search.