Film and Politics
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Nosferatu (Eine Symphonie des Grauens) (1921 Germany 70 mins) Source : NLA/CAC Prod Co : Praha-Film G.m.b.H.
Roger Ebert / September 28, 1997
In the period of Germany’s Weimar Republic, a unique and volatile pre- and post-war era within a window of less than 20 years, the German people were experiencing a torrent of new ideological, social, and political views. What was once normal was giving away to the new and unusual; what was typically viewed as quintessentially German was now being inundated by outside influences, by strange and foreign people and their imported cultural baggage.
The Cabinet of Dr.
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The Umbrellas of Cherbourg ( Les Parapluies de Cherbourg , 1964, France 35mm 91mins)
Conversations with History : Institute of International Studies, UC Berkeley This interview is part of the Institute's "Conversations with History" series, and uses Internet technology to share with the public Berkeley's distinction as a global forum for ideas. Welcome to a Conversation with History.
Mattie Ross (Hailee Steinfeld) and U.S.
Movie critic Dan Gagliasso doesn’t like the Coen brothers’ remake of the Henry Hathaway-John Wayne “True Grit.”
Jean-Luc Godard changed the course of film history with his debut Breathless (1960) and then again when he capped an unprecedented seven-year run with his 14th feature, Weekend .
By Roger Ebert / April 11, 1969 Year after year, Jean-Luc Godard has been chipping away at the language of cinema.