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OpenStreetMap. By Piuarch - Blog - Abraham Garcia. Milan-based practice Piuarch is the leading company to that put together such a comprehensive building 'Bentini headquarters'.

by Piuarch - Blog - Abraham Garcia

The building is located in faenza, of Ravenna, Italy. The offices compromises two parallel buildings, one for employees and a warehouse for archives and services. The Bentini headquarters by PIUARCH in Faenza, Ravenna, Italy. The Bentini headquarters by PIUARCH in Faenza, Ravenna, Italy.

The Bentini headquarters by PIUARCH in Faenza, Ravenna, Italy

Photography by Andrea Martiradonna. ‘The new Bentini Headquarters makes its entrance into the community of Faenza as a landmark of architectural quality while, at the same time, blending into and interacting with the countryside and surrounding hills. The project stands out for its linearity. Bentini Headquarters / Piuarch. Architects: Piuarch Location: Faenza, Ravenna, Italia Design Team: Francesco Fresa, Germán Fuenmayor, Gino Garbellini, Monica Tricario Built area: 6,500 sqm Client: Bentini S.p.a.

Bentini Headquarters / Piuarch

Year: 2009–2011 Photographs: Andrea Martiradonna The new administrative and operational headquarters of Bentini Building & Engineering is in Faenza, set in a sparsely populated area where the landscape is strongly characterized by the presence of farmland. The office building consists of a single, linear volume set back from the road, and has been designed according to the highest standards of quality, combining great flexibility of the interior spaces with a simple and well-organized floor plan on different levels. The top floor can be utilized for events and conferences also by the local residents, offering townspeople an opportunity to experience the space of the company that opens onto the city that hosts it.

Piuarch website. Illustrated Maps. Denis Wood’s Dissertation – I Don’t Want To But I Will (PDF) I Don’t Want To But I Will: Title Page of Denis Wood’s Dissertation Throughout graduate school I heard tales of the Denis Wood’s outrageous dissertation, curiously titled I Don’t Want To But I Will. Of particular interest are the scathing Acknowledgments, where Denis took his advisors to task. A worn copy of the Acknowledgments was passed among grad students as a bit of intellectual contraband. But the content was what was most important. It’s a crazy dissertation. The Maps of Piri Reis. Alastair Cassell – Online Portfolio. Mathew Borrett - Home. The Cypress Trees are Talking Now: House 2. In my investigation into house I have come across a few main desires for housing: easenotease, iconnoticon, commoditynotcommodity, and appearanceprocess.

The Cypress Trees are Talking Now: House 2

This section of my investigation deals with all of these, but mostly with the fourth. Many homes are bought or sold based on appearance, "I'm a millionaire, I can't live in a trailer park! " or "That house is just another McMansion, I want something designed well. " Taking the latter statement to the extreme we come upon houses that are in some ways unlivable but are designed to the nines. Based on Dillon's recommendation I've focused on Eisenman's variants to explore this issue more. Giornale Nuovo: Steingruber’s Alphabet. Steingruber’s Alphabet The book about Johann Theodor de Bry’s Neiw Kunstliches Alphabet that I mentioned a couple of weeks ago was one of a set of four alphabet-themed volumes by Joseph Kiermeier-Debre and Fritz Franz Vogel that I’d purchased via abebooks from Bücher Thöne of Greven, Nordrhein-Westfalen, Germany.

Giornale Nuovo: Steingruber’s Alphabet

These were originally published by Ravensburger in 1997-98, and seem to have since been re-issued by Urania-Verlag, of Stuttgart. The other three volumes were concerned with the calligraphic alphabet of Paulus Franck, the Alfabeto Pittorico of Antonio Basoli, and the Architectonisches Alphabeth of Johann David Steingruber. It is from this last book that the present images are scanned: In Steingruber’s alphabet, published in 1773, each letter of the alphabet is made into a plan of a palatial building. Baumschlager Eberle. MarketLab by Amador, Batista, Varandas, Santana. Students: Ana Sofia Amador, Gonçalo Batista, João Gama Varandas , Mariana Santana University: Faculdade de Arquitectura de Lisboa – UTL, Portugal Location: Paris, France Cooking, like architecture, manifests itself in building.

MarketLab by Amador, Batista, Varandas, Santana

The cook, like the architect, draws on an infinite array of creative resources which make it possible to create wonders from basic construction materials. KATIE FAULKNER. MATSYS.


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