Ursula Sprecher & Andi Cortellini - Fotografie - Freizeitfreunde: Merriment Pipe-Smokers' Club. Yannik Willing Photography - Roadside. Alexia Cayre » Berry Blossoms Blue. Chocolate City, USA. OUT OF FOCUS. — JULIEN MIGNOT - PHOTOGRAPHE — Ibán Ramón Photography. Nicolas Savary : [ L’âge critique ] Filip Dujardin Photography. Mémoire d'oubliés : Georges Pacheco.
Renaud Duval : Berlin (III) : Archivage. Jordi Ruiz Cirera - Photographer. Anne Golaz Photographe - bio. Born in Switzerland in 1983, Anne Golaz graduated from the Photography School in Vevey (Switzerland) in 2008.
After a semester at the School of Visual Arts in NYC, she continued her studies in Helsinki with a Master in Photography at Aalto University of Art and Design and graduated in 2013. Her photographic approach deals mainly with the representation of rural communities and wildlife, questioning our fundamental and fragile relation with nature, animals and death. Her last work “Metsästä” (From The Woods) was exhibited for the first time in the Images Festival 2012 in Vevey, with a Broncolor lightening award and among the selection of the Swiss Photo Award 2012. Metsästä was published by Kehrer Verlag and part of the selection of the best photobooks of 2012 by the Aperture Paris Photo first book award. Anne Golaz is also part of the Finish artists collective Maanantai, and their recently exhibited and soon published project: Nine Nameless Mountains. Matthieu Gafsou - Photographie. Laura pannack photography. Aglaé BORY. Evan Baden. -= Margaret M. de Lange =-
Giacomo Brunelli. Photography / 2010. Lili Roze. Cyrille Weiner - Portfolio. Dos à la mer : geoffroy mathieu. "Dos à la mer» : Le projet urbain est toujours violent.
Mais au sein même de la ville moderne, de petites résistances s'organisent face à la standardisation des architectures, la privatisation des espaces et les réhabilitations brutales. Ce sont des corps, des gestes, des objets, des lumières, au coin d’une rue, sur un balcon ou sur un visage. Quelles qu’en soient les raisons sociologiques, économiques, politiques ou écologiques, ces zones de poésies anarchiques signent l’appartenance de ces espaces à une même aire culturelle, au monde méditerranéen. À Beyrouth ou à Marseille, à Alger, à Valence ou Tripoli, cet entêtement du faible et de l’isolé à former des poches de douceur altère profondément le paysage urbain. Entretien réalisé avec la compagnie, à l'occasion de l'exposition de janvier 2009 la compagnie, :Quels sont les prémices de « Dos à la mer ?
Geoffroy Mathieu : J’ai deux espaces d’intérêt, la ville et le milieu rural. G. G. G. G. G. G. G. G. G. Unsettled.eu. “With her series Unsettled, Isabelle Pateer does more than just witness: she proposes a metaphor of the ambiguity between progress and disenchantment.” — François Delvoye, curator Botanique Brussels “Unsettled has a multiplicity of meanings, but at the core is change.
To be Unsettled is to be in a state of change. […] Rarely are people or organizations compelled to incur change for reasons without financial gain. And even more rarely are the results of such changes actually analysed for the appropriateness of policy or actual gain.” — Harris Fogel, Associate Professor and curator “Pateer has created thoughtful imagery combining talent with a social purpose which effortlessly balances the narrative of the universal and the individual and how international capitalism touches on or even dominates people’s lives.
Mustafah Abdulaziz. La mémoire serbe du Kosovo « Philippe Brault – Documentary photography & film. Leur(s) petite(s) histoire(s) Jörg Brüggemann / Homepage. Francesco Giusti Photography. DENIS ROUVRE . PHOTOGRAPHE. Phillip Toledano - Days with My Father.