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Brahma-ambisonic. The Brahma microphone is a high quality electrets based, phase accurate, ambisonics microphone that captures the true 3-dimensional representation of an acoustical ambience.


It owes its design to an original paper on Ambisonics written by Michael Gerzon and Peter Craven in the 1970's. Due to technological and price limitations it has not seen wide-spread use, until now. Affordable ambisonics is arguably the most exciting new development in the field of audio recording, and we are hopeful that the Brahma Microphones will give a wide array of professionals the opportunity of experimenting and utilising its unique possibilities. Milab SRND 360. The SRND 360 is an innovative, versatile and very compact single-unit surround microphone that records up to six channels simultaneously using only three microphone capsules.

Milab SRND 360

A separate processing unit uses the signals from the microphone to create three additional "virtual" capsules in-between the physical ones. The result is six cardioid pickup patterns at 60 degree spacing which can be mixed down to a number of different formats, e.g. 5.1, 6.1 or 2.1. MK-012 Figure of 8 Microphone. Core Sound — TetraMic. (Last updated 11/01/2016) November 1, 2016: We are currently shipping TetraMics roughly two weeks from receiving an order.

Core Sound — TetraMic

Core Sound is pleased to offer its groundbreaking TetraMic, the first portable, single point, stereo & surround sound Ambisonic soundfield microphone to be available for under $1000 (TetraMic alone), or under $1350 fully configured for most multi-track recorders and audio interfaces. Individually calibrated, each TetraMic is the finest performing microphone of its type in the world. Compare its performance to similar soundfield microphones selling for $3000 or more and you'll be quite amazed. SoundField Digital Surround Sound Microphone Systems. Visual Virtual Microphone - VST. TetraProc and TetraCal screenshots. TetraCal's frequency and phase response display, showing W,X,Y response for a front and a left source.

TetraProc and TetraCal screenshots

A few things should be noted about these plots. This is a raw technical measurement result, not one that has been doctored to look good for a sales brochure. You should know the difference if you have ever measured a mic yourself. If correctly interpreted this picture shows how very good the result is, but some aspects need to be explained. * The wobbling LF response for X and Y, and the apparent rise at the extreme LF end are an artefact of the measurement method. . * The dip for X,Y at 12.5 kHz, (and the corresponding phase response) is typical for any tetrahedral microphone at the two source directions shown in this figure. AmbiDec - Screenshots. Kokkini Zita - Linux Audio. Libzita-resampler is a C++ library for resampling audio signals.

Kokkini Zita - Linux Audio

It is designed to be used within a real-time processing context, to be fast, and to provide high-quality sample rate conversion. The library operates on signals represented in single-precision floating point format. For multichannel operation both the input and output signals are assumed to be stored as interleaved samples. The API allows a trade-off between quality and CPU load. AmbiX v0.2.2 – Ambisonic plug-in suite. University of York VST Ambisonic Tools. For use in multi-channel capable VST hosts such as Nuendo 1.5 (and above), AudioMulch, Bidule etc.

University of York VST Ambisonic Tools

Usage: B-Mic is a 64-bit double precision ambisonics processor optimised for sound quality . In Nuendo, it should be used in the master effects section, positioned prior to the decoder, if this is in use. Inputs: AudioMulch is software for live performance, audio processing, sound design and music composition. University of York; Dept. of Music; Third Order VST Ambisonic Tools. I have now made available Alpha versions of the first a set of Third Order Ambisonic VST plugins.

University of York; Dept. of Music; Third Order VST Ambisonic Tools

I have written these as part of an ongoing research programme at Department of Music, University of York. England. They have been placed in the public domain in order to get feedback and as a service to the musical community in general, and electroacoustic musicians in particular, with two conditions; All rights in the software reside with the originator. You may use the software, without charge to you, for any reasonable and legal purpose. You may also redistribute it but you may not sell it or charge for it (except for a materials charge). Currently there are two plugins available in the Third Order range; Bpan3 Third Order Ambisonic EncoderBdec3 Programmable Third Order Ambisonic decoder These have been tested in the latest beta version of AudioMulch and in Plogue Bidule on the PC.

University of York VST Ambisonic Tools. The Music Technology Group at the University of York Department of Music are now adding new Ambisonic tools to the range already generated by the Swiss Center for Computer Music which were written by Dave Malham and Ambrose Field from the Department of Music, University of York.

University of York VST Ambisonic Tools

England. As with the earlier plugins, they have been placed in the public domain as a service to the musical community in general, and electroacoustic musicians in particular, with two conditions; All rights in the software reside with the sponsors. SoundField SurroundZone2. SoundField SurroundZone2 SurroundZone2 unlocks the information captured from any of the SoundField microphone systems and gives unprecedented control over a wide range of microphone parameters from a single intuitive user interface.

SoundField SurroundZone2

Ambisonic Studio. 5B2G • 5th Order Planar B-Format Decoder for 5.1/6.1 Surround 12 inputs (WXYZUVPQ/4C/4S/5C/5S) and 12 outputs (Left, Right, Center, Lfe, Ls, Rs, Cs, plus five dummies).

Ambisonic Studio

Native B-Format Recording. Channel Levels B-Format decoding, be it to stereo, UHJ or surround, relies on precise relative gain levels between channels. So any difference in levels between channels, whether they are present at recording or later introduced in post-production, must be taken into account before decoding. While it’s fairly easy to spot level mismatches in stereo, and to a certain extent in discrete surround sound, the impact of such mismatches in B-Format are not always unmistakably noticeable. Srs7.pdf. Engineering C700A microphone. Native B-Format Recording.

S: Thomas Chen. Thomas Chen's software Dr Thomas Chen is based in Stockton, California. He has developed exciting and powerful software for the Creamware Pulsar system, providing multiple, configurable B-format and B+ format decoding, mixing and signal manipulation subsystems. He intends to make this software available commercially, either through Creamware or direct, in the near future. Stereo UHJ to B-Format with Nuendo. The goal of this article is to provide step by step instructions for converting Ambisonic Stereo UHJ interleaved audio files to horizontal first order B-Format three channels audio stream and files.

If you're not familiar with Ambisonic surround sound technology, we suggest you read this article and this article or the Wikipedia entry first. You must also be familiar with Steinberg Nuendo. DISCLAIMER: we are not satisfied with the resulting audio output of the process suggested. Ambisonic Studio. Software. SoundField Microphones. Core Sound — TetraMic. S: Equipment.

Visual Virtual Microphone

PC/MAC DIY. Understanding Ambiophonics. Understanding and Installing an Ambiophonic System by Les Leventhal, University of Manitoba and Ralph Glasgal, Ambiophonics Institute Abstract. Richard Dobson's Home Page. Quick links: CDP Contacts. This (free) program will be available for download towards the end of February 2014. CDP Tutorial Workshops. Composers Desktop Project: Tutorial Workshop 2 For intermediate to advanced users This Download contains two Workshops: The first is How to Compose with the CDP Texture Programs. Optional Purchases. Soundshaper Pro – CDP GUI Compatible with PC ONLY Soundshaper Pro is a 'front-end', meaning that it accesses and uses the underlying CDP sound transformation and editing programs. Therefore, please note that the CDP sound transformation and editing software must be installed as well as Soundshaper Pro. CDP Software & Documentation.

CDP Multi-Channel Toolkit. How to make a *.amb file — Ambisonic Surround Sound. Ambisonics, 5.1, audio recordings. Document Actions. File Format for B-Format — Ambisonic Surround Sound. Ambisonics, 5.1, audio recordings. Document Actions. WAVE-EX and B-FORMAT. True-Multichannel-Mixing - Ambisonic Wave Files. Ambisonics. Ambisonic.Net - where surround-sound comes to life.