writing
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Annie Dillard, "Notes For Young Writers"
After I left Chapel Hill, I thought of many things I wish I'd said to you. Here are some of them. Dedicate (donate, give all) your life to something larger than yourself and pleasure to the largest thing you can: to God, to relieving suffering, to contributing to knowledge, to adding to literature, or something else. Happiness lies this way, and it beats pleasure hollow.What Radiohead's 'Name Your Price' Download Experiment Means for Filmmakers
When Radiohead dropped the curtain on their "name your own price" experiment, many media commentators and music industry execs were quick to pronounce it a failure. For those who aren't Radiohead fans, or indeed, never heard about it, the experiment involved the band making available their latest album, "In Rainbows" available as a download from their web site. Fans were asked to specify the price they were prepared to pay to get the album - a price from nothing up to whatever the individual felt it was worth. According to a report by research company comScore - disputed by Radiohead themselves, but in the absence of official figures, comScore are sticking to their guns - less than 40% of people who downloaded the album actually paid for it; most - over 60% - chose the to take it for free. Of those who did pay for it, the bulk opted to pay less than USD $4, although there were reports of some overzealous (or overgenerous?)
Novel Writing Tips & Fundamentals – Storyfix.com
It’s good to find an edge. Something extracted from the vast wealth of storytelling tips, techniques, principles and strategies already on your radar. Something that is rarely talked about. Yet when you know what it is, you see it everywhere. The nice thing about this little kernel of literary gold is that makes virtually any story better. Even stories in which setting , in a more obvious context, isn’t all that critical.
Notes on "On Writing for Comics"
Back in 1988, Kurt Busiek was putting together what he called Ad Astra , an anthology of original science fiction stories in comic book format set in a shared universe in which humanity was beginning its spread beyond the planet Earth. It would later see life as Open Space . Because he wanted this project to really work as SF, Kurt wanted to bring in SF authors to do true SF. Most of those authors had never worked in comics, and Kurt wrote "On Writing for Comics" as a tutorial to help ease the transition from the pure prose of written SF to the largely visual world of comics. Some caveats: The memo largely covers script format, but contains some advice on how to think in comic book terms.
Pablo Picasso’s The Kiss 1969 On Monday’s post we talked about the importance of craft in the new paradigm , yet there seems to be some assumptions floating around that I feel are flawed, and we need to talk about those today. We are artists, and the ONLY one who can develop and mature an artist is…the artist.
Kristen Lamb's Blog
Writer Unboxed » The Elements of Awe
Who spreads stories and why? Sociologists at the University of Pennsylvania have been studying data provided by The New York Times showing which of the paper’s articles are the most often e-mailed. Their conclusions have some relevance for fiction writers because they reveal what it is about stories that probably generate word of mouth. This month and next I’m going to discuss these elements and show how you can apply them in your novels.
Livia Blackburne: Author Blogging: You're Doing it Wrong, but John Locke's Figured it Out
Thanks to everyone for the thoughtful comments on author blogging and whether or not it’s a good use of time. If you haven't already, you might want to drop by . As a quick recap, my beef with author blogging is that writers rarely keep target audience in mind. They’re writing fiction for kids, thriller lovers, or [insert some other reader profile], but they turn around and blog exclusively for writers.The "New Author Platform" - What you need to know
The author platform isn’t what it used to be. A new definition is emerging, based on the reality that in the 21st century, readers don’t depend on the Today Show or the feature pages of the New York Times to find a new book to read. By definition, the old model of the author platform was the writer’s public visibility and reputation that the publisher’s publicity department used to promote and sell the book. During the many years I signed up authors as an acquiring editor at Simon & Schuster, Bantam, Wiley and elsewhere, I did indeed look hard at the writer’s platform, and favored authors with high gloss visibility in the national media, big buzz for recent accomplishments, an Ivy League affiliation with maybe a Nobel Prize thrown in for good measure.
Written by Poul Anderson [This essay was published some years ago and is very difficult to find now, which is why I asked Poul to let me publish it on the Web. He points out that a few things have changed since he wrote it — the essay mentions the Soviet Union, for example, but does not mention navigation satellites — and that he has had some arguments from a few readers about one detail or another. But "there isn't time now to go into all that," he says, "and anyway, I never claimed infallibility.
On Thud and Blunder
By Cory Doctorow at 6:31 am Friday, Aug 5 Michael Moorcock's tips for writing complete adventure novels in three days are the fruit of his early career, when he was writing novels (including his Elric classics) in three to ten days each. The advice comes from the opening chapter of the out-of-print Michael Moorcock: Death Is No Obstacle , which consists of interviews Moorcock conducted with Colin Greenwood. It's really good insight into how you can take mechanical plots and plot-devices and use them to make a book charge forward at a rate of knots, and still hang many different kinds of story, insight, and language off of them. * "[The formula is] The Maltese Falcon.
Write an adventure novel in three days, the Michael Moorcock way – Boing Boing
This article is the first part of a series about one of my favorite writers, Michael Moorcock, which will culminate in an interview with the man himself. In the early days of Michael Moorcock's 50-plus-years career, when he was living paycheck-to-paycheck, he wrote a whole slew of action-adventure sword-and-sorcery novels very, very quickly, including his most famous books about the tortured anti-hero Elric. In 1992, he published a collection of interviews conducted by Colin Greenland called Michael Moorcock: Death is No Obstacle , in which he discusses his writing method.
How to Write a Book in Three Days: Lessons from Michael Moorcock | Wet Asphalt
If you’re an author and you started out thinking you’d publish traditionally (i.e. find an agent who would then find you a huge multi-book contract with a major publisher, thus ensuring you could quit your day job and write full time for the rest of your life), you probably heard it was a bad idea to write a series. Because, the conventional wisdom goes, if you don’t sell the first one, how on earth are you going to sell the second, third, etc.? Well, you aren’t. So they say don’t work on a series until you’re sure you have a publisher.
E-book Endeavors » Blog Archive » Pros and Cons of Writing a Series
Write to Done | Unmissable articles on writing
Our mind is often the one that needs the most convincing that our writing is worthwhile. This is because our mind is hard-wired to protect us from any possible danger. You see, in order to protect us, our mind initially perceives anything it encounters as a threat—including your writing. If this sounds strange, and kind of primitive, as if your mind is trying to protect you from a tiger hiding behind a tree in a jungle—then you’re absolutely right. Your mind is still pretty primordial. So, your job as a writer is to hack into this primordial, hunter-gatherer mind, and update its software so that your mind works for you.Linchpin will be the last book I publish in a traditional way. One of the poxes on an author's otherwise blessed life is people who ask, "what's your next book," even if some of them haven't read the last one. ( Jeff did, of course). To answer your question, this book is my next book. I think the ideas in Linchpin are my life's work, and I'm going to figure out the best way to spread those ideas, in whatever form they take. I also have some new, smaller projects in the works, and no doubt some bigger ones around the corner. [PS the best analysis of this whole thing, particularly the punchline is by Mitch .]