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Graines d'eau: 60x90cm sold out / 53x80 cm ed.10 Elle court,elle court la Parisienne 60x90cm ed.12/70x105cm ed.8 le sourire: 60x90 cm ed.12 / 70X105 cm ed.8 / 80x120 ed.3
Christophe Jacrot photographies
Jamie Livingston : 1 polaroid par jour pendant 18 ans, jusqu’à sa mort
Au milieu de cette période festive, voici un projet photo pas comme les autres qui nous rappelle à quel point la vie est précieuse. Jamie Livingston , photographe, réalisateur et artiste de cirque à New York, a pris une photo par jour avec son polaroid pendant 18 ans , retraçant ainsi une partie de sa vie sur feuille synthétique. Il commença à prendre des photos avec son polaroid à l’âge de 23 ans, en 1979, alors qu’il était encore au Bard College à New York. Après quelques semaines, il se rendit compte qu’il avait quasiment pris une photo par jour : il dé cida alors de poursuivre l’aventure en prenant chaque jour une nouvelle photo, et ce jusqu’à sa mort. Hugh Crawford, un ami de Jamie, a décidé de mettre en ligne une grande partie de ces photographies, sur son propre site .Les ruines de Détroit, par Yves Marchand et Romain Meffre
New York sans électricité ? Ce n’est pas tout les jours que cela arrive, et Sandy a fait des heureux parmi les photographes. C’est notamment le cas de Guillaume Gaudet qui a réalisé une série de photographies dans les rues noirs de New York. Ces images ont été prises dans les quartiers de Brooklyn et Manhattan, et donnent un nouveau visage à cette ville qui ne dort jamais.
Le blackout à New York après le passage de Sandy, par Guillaume Gaudet
Mark Fisher: Extreme Skiing (7 Photos
Gods and Beasts, de Rémi Chapeaublanc
Last Friday, April 30th, was the 35th anniversary of the Fall of Saigon and the end of the Vietnam War, and last Tuesday, May 4th, was the 40th anniversary of the shooting of protesting students at Kent State University. The Vietnam War and America's involvement in it affected the lives of millions for well over a decade, exacting a massive human cost with millions of deaths and countless injuries - both physical and mental - that plague many of those involved to this day. United States military involvement and troop strength grew rapidly after 1964 - at its highest level in 1968, with over 500,000 troops on the ground.
Vietnam, 35 years later
Faces of History – Latin America (9 photos
FotoFest’s latest exhibition Faces of History – Latin America , organized in conjunction with arts>Brookfield Properties , highlights important late 19th and early 20th Century photographers from five Latin American countries – Bolivia, Colombia, Guatemala, Mexico and Peru. Their works are a profile of change – the mass availability of photography as an instrument for personal portraiture and collective communication and the emergence of new social classes created by the industrial growth of the late 1800s and early 1900s in Latin America. The photographers and their studios were important institutions in their time, recording life across economic and social lines, from native laborers to the wealthy and politically powerful, in these bustling, turn of the century, Latin American cities. “As photographers ourselves and later founders of FotoFest, we had over 25 years working with photography in Latin America.Bruce Haley - Sunder teaser | Daylight
Featuring commentary by Andrei Codrescu and Bruce Haley, this multimedia teaser provides a sampling of work from the just-released monograph Sunder. Produced between 1994 and 2002, the images in SUNDER sweep the viewer along on a far-reaching journey through numerous former USSR and Iron Curtain countries, stopping at landscapes of ruin and moments of grace in equal measure. Haley's explorations were intuitive, responding to a deep curiosity to taste the last drops of the would-be Utopian ideology that dominated global politics during the first thirty years of his life. Using black and white film, the notion of remnants and transition would sustain Haley's photographic investigation for some eight years. The resulting images present a stark perspective of the collapse of the communist empire.All photos © Bruce Haley. From 1994 to 2002, Robert Capa Gold Medal recipient Bruce Haley traversed the former Soviet Bloc, photographing war-torn settlements, disfigured industrial sites, and rural landscapes and isolated villages seemingly frozen in time. He combined this disparate subject matter, shot in both 35mm and panoramic formats, in his new monograph, Sunder, just published jointly by Daylight Books and Charta Art Books .
Empire Torn Asunder (9 Photos
Abelardo Morell: Camera Obscura (8 photos
All photos © Abelardo Morell. Above: Photographed with a tent camera on a rooftop capturing the view view of the Brooklyn Bridge. Abelardo Morell’s camera obscura technique has taken him from photographing his own living room to interiors across the globe.Jim Sanborn sait manier la lumière pour réaliser ces paysages où des formes géométriques se superposent au relief. Ce photographe américain utilise une puissante lumière artificielle qu’il projette sur un paysage naturel (roches, murs, dune) afin de re-dessiner leur surface, à l’aide de formes géométriques. <img class="size-full wp-image-10219" title="GreenRiverUtahProjectedLight-1" src="http://phototrend.fr/wp-content/uploads/2011/12/GreenRiverUtahProjectedLight-1.jpeg" alt="" width="638" height="504" />
Les projections topographiques de Jim Sanborn
Swen Prim est un photographe de publicité qui s’est fait connaitre avec des photos extrêmement retouchées.
» La photo surréaliste de Sven Prim
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