Tutoriels, ressources et inspiration sur l'art digital, l'illustration, le digital painting et le webdesign. Corentin Chevanne – Portfolio. GDquest. Florian De Gesincourt, Concept Artist et Directeur Artistique : un souffle de liberté (créatif) Je suis addict à la vie de freelance. […] J’aime le risque et surtout j’aime ma liberté. — En partenariat avec Tuto.com Aujourd’hui, retrouvons Florian De Gesincourt.
Il est freelance, Concept Artist et Directeur Artistique récemment basé à Barcelone. Parmi ses spécialités : le concept design, l’illustration d’environnement pour les films, jeux vidéo et jeux de cartes. Ses principaux clients sont Wizards of The Coast (cartes Magic The Gathering), Donjons & Dragons, et Ubisoft (Tom Clancy, The Division). Pour commencer, peux-tu te présenter et revenir sur ton parcours plutôt singulier ?
J’ai mis beaucoup de temps à savoir ce que je souhaitais faire dans la vie. Après avoir eu mon diplôme, je suis allé à Paris, travailler dans la publicité, mais la crise de 2009 faisant rage, je n’ai pas pu garder mon emploi… C’était une bonne chose au final car j’ai obtenu un emploi dans la publicité à Dubaï, moi qui adore voyager, j’ai sauté sur l’occasion. ArtStation. MATTE PAINTING and CO' Get started with Corel Painter X3. Favoured by artists who want the look and feel of traditional art without the empty tubes of paints or stacks of canvases, Corel Painter is digital art studio software for traditionally inclined creatives.
For Painter X3, released this July, Corel worked with artists to make this the most intuitive version yet. As well as emulating traditional art mediums like watercolour, oils, chalk and pastels - with the help of pressure-sensitive brushes - there are new tools aimed to attract the concept artist and illustrators that have traditionally chosen Photoshop. Whether you want to manipulate photos into fine art, or want to harness the randomness of wet paint and smudged acrylics, this is our guide to getting started with Painter X3... 01. Getting started Painting starts with a blank canvas, and whether you want to use Painter’s default canvas sizes, or create your own in inches or pixels, it’s as straightforward as Ctrl+N. 02. Selecting the right brush is simple. 03. 04. 05. 06. 07. 08. 09.
// LayerPaint.com - 2d artists homepage with fresh 2d industry news // Making Of The Village by Marc Simonetti. Watch the exclusive making of The Village cover by Marc Simonetti with the entire live painting sessions recap, more of 8 hours of video, showing the entire creative process of the artist Part 1: Part 2: Part 3: Making Of The Village by Marc Simonetti.
How to add colors to a grayscale painting by Stanley Lau - Photoshop, Tutorials. Enjoy a free video tutorial by Stanley Lau on How to add colors to a grayscale painting.
How to add colors to a grayscale painting by Stanley Lau. // LayerPaint.com - 2d artists homepage with fresh 2d industry news // How to Paint Realistic Eyes. Thu 27th Mar 2014, by Linda Bergkvist | Tutorial Painting Realistic Eyes by Linda Bergkvist has been one of our most popular tutorials.
Its 18 tips and tricks to create the "windows to the soul" are timeless. This week we dusted it off and gave it a polish for the many artists who will want to include these priceless steps into their workflow. The eye is probably the most catching thing about the human face. It's where we're looking when we're talking to people. Step 1 Let us start with a blank piece of paper, only make it flesh coloured instead. Common mistakes: Using a colour that is too saturated or too grey, a colour that is too orange or too pink. Step 2 Sketch a simple eye. Common mistakes: Forgetting the lower lid. Step 3. Digital Painting. 6 heures de travail sous Photoshop ont été nécessaires pour finaliser cette illustration.
J’ai effectué la colorisation avec des outils simples et quelques calques. La Peinture numérique est une forme d’art émergente dans laquelle les techniques traditionnelles telles que le crayon, le fusain, les acryliques, l’aquarelle, la peinture à l’huile, l’empâtement, et toutes les couleurs sont appliquées à l’aide d’outils numériques, au moyen d’un programme informatique offrant une toile virtuelle et des outils spécifiques au logiciel.