CENTRE FOR THE AESTHETIC REVOLUTION. Pinterest. Strata. Tour Paris 13. Growing Chairs: Spider's Thread by Tokujin Yoshioka. Exhibition view Tokujin Yoshioka is at it again in a new solo exhibition called TOKUJIN YOSHIOKA_Crystallize at the Museum of Contemporary Art Tokyo featuring chairs and sculptures grown like a spider’s web.
A series of chairs that will be part of the exhibition were inspired by the Ryunosuke Akutagawa story, The Spider’s Thread, in which the spider becomes the salvation and hope of a lowly criminal trapped in hell. Pays Imaginaire (PaysImaginaire) sur Twitter. Atelier 3D couleur (Atelier3DC) sur Twitter. Miyoko Shida - Rigolo. Martine besseteaux (bemartine) on Pinterest. 3D Printed Nóize Chair Designed by Sound Waves. Estúdio Guto Requena is an architecture and design office at São Paulo, Brazil that aims at the reflection on cyberculture and digital poetic narratives in design.
The Nóize Chairs were developed in 2012 by Estudio Guto Requena as a fusion between 3D models and digital sound files made from mobile recordings on the streets of São Paulo. The infusion of city voices and suburban noises are forever embedded into the form of the Giraffe Chair, designed by Lina Bo Bardi, Marcelo Ferraz and Marcelo Suzuki in 1987.
9th ArchiLab: Naturalizing Architecture Symposiums. Currently on view at the FRAC Centre in Orléans, ArchiLab 2013 introduces the latest progress in terms of research in digital architecture and its interaction with the sciences, permitted by the simulation of growth phenomena in the living world.
The problematics of ArchiLab 2013, involving digital architecture and the sciences, will be broached at an international symposium which will bring together ten exhibited architects. They will present their latest research, dealing with changes occurring in the very concept of nature and ecology. The symposium will take place on October 24th-25th, and will be broadcasted live at ArchDaily (starting at 9:30AM CET, 3:30AM EDT) .
No Body, Gianpaolo Pagni expose ses tampons. Du 17/10 au 23/11/2013 / Galerie modulab, Metz.
Taking On A Graphic Dimension. The forthcoming book Masterclass: Graphic Design is the next title in our series that showcases master’s degree courses from some of the world’s leading graduate schools.
The book features graphic design and visual communications courses. Here we share some graduate graphic design projects that caught our eye, and in an upcoming article we will share work related to visual communications. Frsh Pavilion. As part of the 9-day highly-experimental Architectural Association’s Beijing Visiting School (tutored by Christoph Klemmt and Rolando Rodriguez-Leal), students of all backgrounds sharing an inspiring eagerness to actively shape the future of architecture were asked to design and manufacture an articulated architectural artefact.
The Frsh pavilion appears to result from a series of explorations addressing alternative approaches, techniques and methodologies in the arts and applied sciences realm. Universal Everything and You by Universal Everything. A two-part installation in London’s Science Museum turns the Media Space – the museum’s new photography and art gallery – into an interactive audio-visual experience.
Presence and 1000 Hands both take cues from line drawings and are brought together through sound and light. In 1000 Hands, visitors are invited to interact with the exhibition by creating line drawings on a smart phone app. These illustrations are then translated into growing and evolving forms that are projected onto multiple curved screens and accompanied by a constantly changing soundtrack. Kok (matthijs357) on Pinterest. Pinterest. Pinterest. CITE DU DESIGN. SCI-FI / CLOG. Turn the bend and the foreignness of the thing reveals itself, with its gunmetal-colored facade, surfaces jutting at oblique angles, and curves and lines that suggest automotive racing streaks or cooling pipes at a power-generation facility.
It would fit right in with a fleet of Star Destroyers blasting some unfortunate rebel ship with turbolasers. — The Atlantic Cities’ John Metcalfe, describing Zaha Hadid’s Library and Learning Center in Vienna When architecture and Sci-Fi are mentioned in the same breath, it’s usually only to achieve an amusing, surface-level comparison.
Zaha’s library? A “Star Destroyer.” OMA’s Casa da Música? Enter CLOG: SCI-FI. More than a mere “matter of imagery” In the introduction, the editors set up the central argument of SCI-FI: AD Classics: La Sagrada Familia / Antoni Gaudi. Construction of the Temple Expiatori de la Sagrada Família began in 1882, more than a century ago.
The temple is still under construction, with completion expected in 2026. It is perhaps the best known structure of Catalan Modernisme, drawing over three million visitors annually. David Behringer, Author at Design Milk. Six Degrees. “Whose Terms?
A Glossary for Social Practice,” Part 1/3 Lately, in the Department of Education, we’ve been considering how various indexes, particularly the glossary form, might be used to get specific about subjects that warrant further critical attention. Case in point is the recent collective glossary-building… Read more “Shop Talk: Archiving Performance” INTRODUCING THE NEW SERIES “SHOP TALK” “Shop Talk” is a new series on Six Degrees that examines institutional practices within art organizations through critical dialogues initiated by Six Degrees editors. “The Neoliberal Institution of Culture and the Critique of Culturalization” Interdisciplinary Dialogues: Synergy Between Creative Forces. Discussions Cover Image: Chris Burden, 1 Ton Crane Truck, 2009. Restored 1964 F350 Ford crane truck with one-ton cast-iron weight. SOUNDINGS. Soundings: A Contemporary ScoreAugust 10–November 3, 2013 MoMA's first major exhibition of sound art presents work by 16 of the most innovative contemporary artists working with sound.
While these artists approach sound from a variety of disciplinary angles—the visual arts, architecture, performance, computer programming, and music—they share an interest in working with, rather than against or independent of, material realities and environments. These artistic responses range from architectural interventions, to visualizations of otherwise inaudible sound, to an exploration of how sound ricochets within a gallery, to a range of field recordings—including echolocating bats, abandoned buildings in Chernobyl, 59 bells in New York City, and a sugar factory in Taiwan.
The diversity of these works reflects a complex and nuanced field. Yet the exhibition posits something specific: that how we listen determines what we hear. New Museum. Sun Yuan & Peng Yu Dear - Galerie Perrotin. Sun Yuan & Peng Yu Dear - Galerie Perrotin. Michael SAILSTORFER Freedom Fries am Arbeitsplatz - Galerie Perrotin. Michael SAILSTORFER Freedom Fries am Arbeitsplatz - Galerie Perrotin.
David Behringer (thetwopercent) sur Twitter. The Two Percent. The Alphabet of Damián Ortega. Damián Ortega, "Harvest", 2013 A breathtaking installation by Mexican-born artist Damián Ortega, now on view at the Gladstone Gallery in New York, requires a triple take. Upon entering, 25 twisted and suspended forms immediately inspire wonder and curiosity, both in how they float (near invisible wire hung from impressively high ceilings) and what, if anything, the forms represent. Not knowing is the first great experience of this work and I encourage you to thumb through the photos below before reading another word. Kindergarten St. Johann-Köppling / Reitmayr Architekten. Architects: Reitmayr Architekten Location: Sankt Johann-Köppling, Austria Owner: Community St.
Johann-Köppling Year: 2011 Photographs: Paul Ott From the architect. The quiet and archetypal form of the saddle roof house offers a large spatial and functional diversity inside by merging into compex room situations, the changing room heights, gallery situations and light from all directions. It is thus given spatial correlation to the concept of “Open Kindergarten”. A terrace that is situated on the south facade, mediates between group rooms and garden. Fluidity / gglab + Paulo Flores. Architects: gglab + Paulo Flores Location: Milan, Italy Design Team: Andrés Arias, José Ramón Tramoyeres, Paulo Flores, Danilo Spiga, PovilasCepaitis Luis Enrique, Diego Ordóñez, Carlos Piles, Alberto Seller, Jaume Verdeguer, Miguel Rus, Arense Zaragoza.
Consultants: Cast on Cast (parametrization, optimization and digital manufacturing) Ceramics: Ceracasa, Cerámica Decorativa, Cerámica Mayor, Natucer y Tau Cerámica. Structure: Manolo García Carpintería Artística S.L.U. CANVAS Seating by YOY. Fulvio Bonavia Photographer - OVERVIEW - 24. Curiosité (site facebook) (latropcurieuse) on Pinterest.
Past Work - Pat Boas. Curiosite. Agence Digitale Paris - Et Si Communication, Le Blog - Internet, Animation 2D/3D, Application mobile, Virale, Buzz, ... Cafe Marocchino. Friday Five with Jean-Marie Massaud. Herve-g.wery. Elisa Rivas (creaelisa) on Pinterest. Miaou_ (MiCutties) on Pinterest. F u t u r i s t i q u e. ✿ F l e u r s ✿ D a n s L a T ê t e ✿ Elisa Rivas (creaelisa) on Pinterest. Interview: Arne Hendriks, Researcher and “Father” of The Incredible Shrinking Man. The next guest in our interview series is Arne Hendriks, Dutch artist, exhibition maker, researcher and historian. He teaches at the Next Nature Lab of the Technical University in Eindhoven, Netherlands. Hendriks’s activity explores the positive transformative power of creative impulses and the importance of fundamental free scientific research.
Nuit Blanche 2013, morceaux choisis. Parmi la quantité d'évènements de cette Nuit Blanche 2013, nous vous proposons une sélection des lieux incontournables. 6 semaines de dessin créatif - À la découverte du Zentangle. 6 semaines de dessin créatif - À la découverte du Zentangle. Un jeu vidéo typographique. 9000 dessins dans le sable en Normandie. À lire sous le bon angle. Pour commencer la semaine, on vous propose « Deceptive Outward Appearance », une installation singulière, établie sur une structure en bois qui joue sur les effets d'optique. L'artiste norvégien Ole Martin Lund Bo, auteur de ce projet, fait naître des inscriptions typographiques en utilisant la technique de l'anamorphose. Ainsi il faut être placé à un endroit précis de la pièce pour pouvoir lire correctement la phrase. Les anamorphoses demandent toujours une grande précision et une capacité à projeter son œuvre dans l'espace. C'est un procédé qu'on retrouve dans différentes disciplines artistiques comme le street art, avec notamment des artistes comme Ninja1 et March 505 ou encore BoaMistura.
Le designer britannique Dan Tobin Smith a également eu recours à cette technique en 2006 pour une couverture de Creative Review. Mapping sur des objets en mouvement. London Design Festival 2013: Young Creative Poland. The Garment District by Bart Hess at Future Perfect. Reflecting In The Sculptures of John McCracken.
Frameweb - 18 September, 2013.