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by M. Allan Cooperstein, Ph.D. The literature on creativity reflects a preponderance of competing theories emphasizing empirical methodologies. Inconsistencies in defining, understanding, and investigating the creative process have been introduced through cultural and professional biases underlying theoretical assumptions.
For further development and alteration of this view put forward in this paper, see The Self and the SESMET , Journal of Consciousness Studies , 6 , No.4, pp 99-135, I know that I exist; the question is, what is this ‘I’ that I know?
Tim Bayne and David J.
First published Tue Mar 27, 2001; substantive revision Fri Aug 20, 2010 Human consciousness usually displays a striking unity. When one experiences a noise and, say, a pain, one is not conscious of the noise and then, separately, of the pain.