Fábrica de Sonhos - ilhas. Fábrica de Sonhos The Lisbon Architecture Triennale launched in 2013 a competition to universities all around the world (Millenium BCP Universities Award). They invited students to put foward a programmatic intervention in Triennal headquarters in Lisbon (Sinel Palace) that would respond to the theme “Close, closer”. We build up a multidisciplinary team with product designers, architects and graphic designers to answer to the Triennal theme, ‘Close, closer’, turning it around and asking: What is far from us?
What is far from Lisbon? From Portugal? From the world? We got to the conclusion that what is far, is the ability to dream. We started collecting dreams in a digital platform* and in Lisbon’s streets and then transformed them into images which were projected in an installation at the Sinel Palace between 12th – 29th Sep.‘13. * www.colectivoinventado.com Collecting Dreams in Lisbon Installation in Sinel Palace. Main : LEA PORSAGER. Anders Bojen & Kristoffer Ørum. Topographies of the Insignificant. Aperture Foundation - Photography Publisher and Center for the Photography Community. Artspace - Contemporary Art for Sale From The World's Best Artists. Www.dominiquepetrin.com. PASCALE MARTHINE TAYOU official website. CHECKED BAGGAGE : Christien Meindertsma.
VORES KUNST. Text by Eva Steen Christensen: The Site/The Square The history of the villa house goes back to 1908, when it was built as an employee residence for Flintholm, the old power station that is now converted into a whole new neighbourhood. The first time I saw "The Yellow House", it was still inhabited. The square in front of the villa house was the garden. The Sculpture The movement in the sculpture, together with its crystalline form, creates what you could call "a geometric or Cubist draping" with associations with Baroque costumes. Red Trees By changing the plants in the bed from green to red-leafed plants, the repetition of the colour will connect the red bannister of the stairs and the large series of benches with the much smaller sculpture. The title "Final Scene" The final scene is a concept we know from the theatre but also from life.
The stone’s heavy mass is in movement away from its foundation and, from beneath, a new floating world comes into view. Signal to Noise: 14/12/2013—19/1/2014 - Underverk. MIDDLE EAST: Philipp Gallon - NAU Gallery. MIDDLE EAST Philipp Gallon 27th of November - 28th of December 2013 Philipp Gallon portrays in his exhibition “Middle East” the perception and understanding of a place influenced by received ideas and an overflow of visual effects in media. Gallon investigates the possibility to probe an individual interpretation of his work in aspire to give a rise to the relationship between the photograph, its originator and the receiver, questioning how its bearings can affect and alter the viewers vision. The photographic series “No Place” was published as a book in 2012 and of which we have chosen to display 15 photographs in the exhibition. The work can be described as an account of a daily life in a region that is depicted in Western media as occupied by disturbance, conflicts and religious fanaticism.
Philipp Gallon (b. 1979) is a German photographic artist based in Stockholm, Sweden. Breaking And Entering - Nick van Woert. Ann Woo, Photographer. Juno Calypso | Joyce II. Popcorn Venus, 2012 60x35 inch c type 12 Reasons You're Tired All The Time, 2013 60x40 inch C Type photograph Reconstituted Meat Slices, 2013 60x40 inch c type Artificial Sweetener, 2012 30x20 inch c type A Modern Hallucination Disenchanted Simulation, 2013 60 x 40 inch c type.
Haiku. M HKA KERRY JAMES MARSHALL. Zijn, nu substantiële, oeuvre geeft zijn visie op de complexiteit van de Afro-Amerikaanse situatie, samen met de aanhoudende kwesties van rassenpolitiek, culturele weergave en sociale emancipatie. In een poging om de zwarte identiteit en beelden van westerse idealen te verzoenen, plaatst Marshall beide in zijn schilderijen, die determinaties van de zwarte identiteit belichten binnen een historisch kader en in de context van de huidige sociaal-politieke situatie. Marshall pakt ook de geschiedenis van de kunst aan: hij streeft ernaar om wat hij omschrijft als de 'leemte in de beeldenbank' te vullen met zijn werk, terwijl hij pertinente vragen opwerpt over hoe het kunstensysteem zichzelf in stand houdt en de daarmee samenhangende problemen van legitimatie, macht en marginalisering.
Schilderen is eigenlijk maar één facet van een buitengewoon veelvormige praktijk die ook beeldhouwkunst, fotografie, installatie, collage, video, prints en animatiefilm omvat. Tekst door Luc Tuymans. Artforum.com / home.