Museums

<
TwitterFacebook
Get flash to fully experience Pearltrees
http://www.frieze.com/issue/article/on-nature/

Magazine | Archive | On Nature

Chris Burden Beam Drop (1984/2008) I am on a parched hilltop some 60 miles from Belo Horizonte, south-east Brazil. Steep hills roll out before me.

The Metropolitan Museum of Art, New York: metmuseum.org

http://www.metmuseum.org/ Fee includes same-day admission to the Main Building and The Cloisters museum and gardens. There is no extra charge for entrance to exhibitions.

The Getty

http://www.getty.edu/ Visiting the Getty is an unforgettable experience featuring unparalleled art collections, architecture, and gardens at two remarkable locations—the Getty Center in Los Angeles and the Getty Villa in Malibu. Admission is free.
If you are interested in reproducing images from The Museum of Modern Art web site, please visit the Image Permissions page (www.moma.org/permissions). http://www.moma.org/

MoMA | The Museum of Modern Art

http://www.palaisdetokyo.com/fo3/low/programme/

Palais de Tokyo

Fort de ses années de succès, le Palais de Tokyo devient en 2012 un des plus grands territoires dédiés à la création contemporaine en Europe.

Where dreams come true | The Art Newspaper

Lost in the jungle (from top): Matthew Barney's "De Lama Lamina" in a geodesic dome designed by Paula Zasnicoff Cardoso, Chris Burden's "Beam Drop" and Doug Aitken's "Sonic Pavilion" There is a place in the Brazilian jungle where artists are told to make their dreams come true. http://www.theartnewspaper.com/articles/Where-dreams-come-true/21858

Inhotim

Rua B, 20, Inhotim, Brumadinho, MG, Brasil 35460-000 +55 31 3571.9700 info@inhotim.org.br Horário: Terça, Quarta, Quinta e Sexta 9:30 às 16:30. Aos Sábados, Domingos e feriados de 9:30 às 17:30. http://www.inhotim.org.br/

A “subversive Disneyland” at the end of the world | The Art Newspaper

http://www.theartnewspaper.com/articles/A-%C2%93subversive-Disneyland%C2%94-at-the-end-of-the-world/21204 Tasmanian collector David Walsh owns Jenny Saville's Matrix, 1999 (above), which he describes as "one of the pieces I like most"