ART

Les prêts sur l'art croissent - Les Echos. Social Rebsamen quitte la rue de Grenelle sur un échec Le ministre du Travail, François Rebsamen, remettra sa démission le 19 août. Depuis son arrivée, il y a seize mois, la France compte 200.000 chômeurs de plus. Politique Qui succédera à François Rebsamen ? Le ministre du Travail quittera ses fonctions le 19 août mais assurera l’intérim jusqu’à la nomination de son successeur. Rebsamen redevient maire de Dijon Le ministre du Travail démissionnera de son poste le 19 août pour se conformer à l’article 4 de la charte de déontologie des membres du gouvernement sur le...

TÊTU sur Twitter : "PHOTOS. Les corps urbains de Jérôme Lobato #art #sexy #photo #homoérotisme... NERIM ADMIN PANEL : BIENVENUE SUR VOTRE SERVEUR. Jérôme Lobato est un passionné d’architecture, ce photographe puise son inspiration dans la peinture et la musique électronique. Son travail met en scène la sensualité des corps masculins dans une atmosphère à la fois austère, urbaine et poétique. Ses prises de vues sont notamment caractérisées par une lumière blanche, contribuant à la création des ambiances surréelles qui lui sont propres, et à l’homo-érotisme évident. Après avoir collaboré avec le monde de la mode (Dior, Raf Simons, Galliano) et la presse magazine (Vogue, WAD, un grand dossier dans le numéro 201 de TÊTU), il met actuellement ses images en vente sur la galerie en ligne à la Catch Gallery.

Voir les images – certaines sont réservées à un public averti : Les lecteurs de Têtu.com bénéficient d’une réduction de -20% sur l’ensemble de catch-gallery.com. The Agency At The End Of Civilisation. Geminicat7 : 'The Coffee Grinder', by Bernard ... Your Paintings - The Coffee Grinder. Your paintings Uncovering the nation's art collection In association with The Public Catalogue Foundation The Coffee Grinder by Bernard de Hoog A Dutch interior scene with a woman wearing clogs sitting grinding coffee with a girl at her side. An open window on the left illuminates the scene. Where to see this painting? McLean Museum and Art GalleryNot all paintings are on display. More on this painting Accession number: Acquisition method: gift from the Trustees of the Stuart Anderson Caird Bequest, 1970 Additional information Print a copy of this painting Art Detective Do you know anything about this painting?

Add to my collection photo credit: McLean Museum and Art Gallery – Inverclyde Council More about image copyright Credits and copyright information Click to zoom More paintings by Bernard de Hoog A Dutch Interior Dutch Interior Interior with a Mother and Child ... See all (8) Share this page Share this page This page contains information from our partners, the Public Catalogue Foundation.

Close. Saturation (formerly Visual Whispers) << / data.saturation Date: 2013-11-13 Technology: Processing, Twitter4j library, Twitter Stream API, Max6 & Gen Role: Designer, Coder, Freak DOWNLOAD THE SYNOPSIS WITH DETAILS As PDF This project explores the low signal/noise ratio character of social networks through a poetic audio-visual piece using Twitter.

Description / Synopsis data.saturation is an audio-visual immersive & minimalist digital piece. From the deepest, dark and oppressive silence to the brightest light and grainy noise, data.saturation accumulates bits of information from social networks and displays them progressively, making the aggregation and overlapping more visible as time passes. Data.saturation is a statement about how our world is over saturated by data flow and the loss of meaning. Data.saturation also addresses the notion of Time. It represents the destruction of the meaning when social networks’ noise become too much high. Here is a (short) extract of the piece running. Technical bits. Gordon Matta Clark - Conical Intersect #art ... | Maps - Cartography. REGARDS SUR LE NUMERIQUE | Un artiste numérique, c'est quoi ? (2) – Rencontre avec David Guez | confettis. Animation et gamification pour Arte en 2013 ?

Le LEEM nous fait découvrir le métier de chercheur à travers un nouveau webdocumentaire → Le LEEM mat en ligne ce mois-ci un nouveau webdocumentaire à portée pédagogique. Ce webdoc est le troisième de la série. Les précédents traitaient de « La fabrication du médicament […] Thinglink, une solution astucieuse pour rendre vos images interactives et les partager → ThingLink est une solution (site internet et application mobile) qui vous permet d’associer de la vidéo, du texte, des images à différents points d’une photographie. Un événement dédié au Transmédia dans le cadre de la Semaine Digitale de Bordeaux → Du 25 au 31 mars 2013, la Ville de Bordeaux organise la semaine digitale 3ème édition #sdbx3 avec une série de manifestations et d’événements variés ouverts au grand public comme […] Une campagne de recrutement on-line pour Kick-Ass 2 → Universal Studios mènent aujourd’hui campagne pour vous inviter à rejoindre leur équipe de justiciers. Unframed The LACMA Blog. Artcritical.

Yoko Ono tweete à la béarnaise. Art Review - 'William Kentridge - Five Themes' - Exploring Apartheid and Animation at Museum of Modern Art. Art Review - Whitney Biennial - Hard Economic Times Make for a Smaller Exhibition. VVORK. Sylvia Plath Homepage. Why the best British artists leave | Art and design. Run for the hills ... Chris Ofili, who left Britain to live in Trinidad. Photograph: Eamonn McCabe So here's a paradox. Constantly, the media tell us that London is this century's Manhattan or Paris, that Britain is the world's leading art capital. Yet I believe that in Manhattan in the 1960s you would actually have found artists living and working – and if Picasso had fled back to Barcelona, the Musée Picasso wouldn't have been in Paris. Art capitals are traditionally places where artists thrive. As a critic, you forget what celebrity means. Celebrity is such a small thing compared with real fame. A celebrity is someone who is "like us" – just watch all those talent shows on TV – which by definition limits their genius.

The purest expression of modern Britain's celebrity art culture, and its logical conclusion, was Antony Gormley's participatory artwork on the Fourth Plinth. No wonder the real artists run for their lives. Paul Graham Photography Archive. Billy Name’s Archive of Warhol History May Be Lost. Architecture & Art of Illusion: Mind-Boggling Wall Mural. As your eye drifts right across the image, a strange sense of vertigo arises as a dull, familiar and repetitive gray concrete-and-glass facade gives way to a mind-blowing montage of eccentric proportions – an information overload that short-circuits our built-in mental pattern recognition software (and just imagine it at full size).

No, you have not gone insane … though you might if you look too long at this giant 10-by-40-foot wall mural by EVOL, part of an art exhibition in Paris. The little potted plants in front of the ‘building’ give you some sense of scale, but not much. The combination of rough-textured surface materials, spilled gray paint and clipped window photographs make this piece convincing even up close – except for the odd outlet sticking through here or there … or most notably: the giant crunch-point created where an existing steel ceiling beam seems to have dropped in through the roof.

Gerry Judah: Art from the ruins - Features - Art. These troglodytes, whole families of them, had fled from their own ruins in southern Lebanon – bombed by the Israelis – to seek sanctuary in bigger ruins. They were there with their children and their grandparents, with a litter of precious pots and bowls and gas fires and damp bedding, gaunt in the winter cold as the rain guttered down the walls, sweating through the humid summers until the bulldozers came to drive them out.

Beirut, 1990. Berlin 1945. The irony that in the heart of Beirut, the city's Dresden-like ruins lay along streets named after the victors of an earlier, more catastrophic war – Allenby, Clemenceau, Foch, Weygand (there was once a rue Petain) – quite eluded its new occupants. The memory of the ruins of 70 years earlier clung to the bullet-holed street signs bearing these portentous names amid a new set of ruins. But destruction moves with the times. The haunted streets of Beirut were crushed beneath Ottoman lintels and French mandate balconies. London Independent Photography 21st Annual Exhibition. This year’s exhibition will be held 19th to 31st October 2009 in Cottons Atrium, Tooley Street, London Bridge SE1 2QE. Open daily 7.00am-9.00pm with free admission. Submissions were open to all LIP members and the selection celebrates the best of work over the last 12 months as chosen by our two independent selectors (Ms Magda Keaney, Curator Photography, National Portrait Gallery & Ms Susanna Brown, Curator Photography, V&A Museum).

A catalogue of all work in the exhibition IS NOW AVAILABLE FOR ORDER AT BLURB.COM The following is a preview of some selected images from the exhibition: Ms Magda Keaney, Curator Photography, National Portrait Gallery Magda Keaney is a curator and writer. Formerly a curator at the Australian National Portrait Gallery, she held a research fellowship with the photography collection at the Victoria & Albert Museum (2003) and subsequently worked with the fashion photography agency M.A.P (Management and Production). S.M.A.K. WIELS | Centre d'art contemporain. La vitesse et ses limites. La vitesse et ses limites traite de la place prépondérante qu’occupe la vitesse dans la vie moderne, dans les domaines de l’art, l’architecture, l’urbanisme, en passant par celui des arts graphiques, de l’économie et de la culture matérielle de l’ère industrielle et de celle de l’information.

Elle souligne le centième anniversaire du futurisme italien, mouvement à qui l’on doit la célèbre déclaration parue dans son manifeste inaugural : « La splendeur du monde s’est enrichie d’une beauté nouvelle : la beauté de la vitesse. » Couvrant la période de 1900 à nos jours, l’exposition explore la toute-puissance et les limites du culte de la vitesse pratiqué à l’ère moderne. Plus de 240 objets, livres, photographies, affiches publicitaires, dessins d’architecture, publications et vidéos, illustrent le discours sur la vitesse et reflètent à diverses échelles, l’apologie de la vitesse et la dénonciation implicite de l’action délétère de la rapidité sur la vie contemporaine. Jeffrey T. Rancière, The Emancipated Spectator, 20 August 2004 (4/6)

«Je ne vois pas d’opposition entre art et histoire» Une masse noire, des mains d’étrangleur, une voix épaisse et une attitude de bon vivant, le prix Turner 1999, la caméra d’or 2008 : l’artiste anglais le plus en vue est inattendu et imposant, à l’image de son film. Quelle distinction faites-vous entre vos œuvres sur pellicule et ce film ? La même séparation que l’on fait entre un poème et un roman. Ils utilisent tous les deux des mots, mais l’un se déploie dans la narration, quand l’autre condense une idée.

Ici, vous n’êtes plus seulement dans la narration, mais aussi dans l’histoire contemporaine… Je pense que j’avais besoin, alors qu’on me donnait l’opportunité de réaliser un premier film narratif, de me raccrocher à quelque chose qui avait existé, à des faits, à une expérience humaine et peut-être plus encore à la présence physique de cette expérience humaine. Voir comment j’allais pouvoir mêler l’histoire et l’Histoire, exposer les faits et jouer de la présence physique. Hunger a-t-il rouvert le débat ? Non. Non, c’est interdit. Jamais. A Noise Within will move to Pasadena. The former Masonic Temple in downtown Glendale is an old, decrepit and some say haunted building -- a venue perhaps more suited to Hollywood horror flicks than the plays of Shakespeare, Beckett or Molière.

For nearly 17 years, the nine-story structure on Brand Boulevard has served as home to the classical theater company A Noise Within. And for most of that time, the building has lived up to its horror-movie image: Electrical blackouts, mysterious drifters and dead birds in the attic are just some of the problems that have plagued the critically acclaimed theater company during its residency. After years of looking for a more hospitable location -- and one that could accommodate its growing audience -- A Noise Within says it has secured half of the $16 million needed to build a new space in East Pasadena.

A Noise Within will construct a three-floor facility at the west end of the mixed-use complex. Feud with City Council "When we came back, it was a different climate. David.ng@latimes.com. Silent Movies. 4T fluXus - 40 ans de mouvement - 10+10+10+10=40. Lignes de fuite. Read The Works of George Berkeley ? - 1 by Alexander Campbell Fraser, George Berkeley. The Works of George Berkeley D. D.; Formerly Bishop of Cloyne Including his Posthumous Works With Prefaces, Annotations, Appendices, and An Account of his Life, by Alexander Campbell Fraser Hon. D.C.L. Oxford Hon. LL.D. Glasgow and Edinburgh; Emeritus Professor of Logic and Metaphysics in the University of Edinburgh In Four Volumes Vol. Oxford At the Clarendon Press mdccci -iii- Questia, a part of Gale, Cengage Learning. www.questia.com Publication information: Book title: The Works of George Berkeley.

This material is protected by copyright and, with the exception of fair use, may not be further copied, distributed or transmitted in any form or by any means. Read Deconstruction in a Nutshell: A Conversation with Jacques Derrida by Jacques Derrida. Alfredo jaar. 30 things about art and life, as explained by Charles Saatchi | Art and design | The Observer. You've been successful at discovering new artistic talent. But are there not always great artists who go undiscovered? By and large, talent is in such short supply that mediocrity can be taken for brilliance rather more than genius can go undiscovered.

You have been described both as a "super-collector" and as "the most successful art dealer of our times". Looking back on the past 20 years, how would you characterise your activities? Who cares what I'm described as? Art collectors are pretty insignificant in the scheme of things. What matters and survives is the art. Charles Saatchi with his wife, the broadcaster and cookery writer Nigella Lawson. Your practice of buying emerging artists' work has proved highly contagious and is arguably the single greatest influence on the current market because so many others, both veteran collectors and new investors, are following your lead, vying to snap up the work of young, relatively unknown artists. I hope so. "Consider" isn't quite how it was.

Frieze Foundation | Talks. Schools on the Move Thursday 17 October: 1.30pm In recent years, alternative academies and artist-led education projects have proliferated. How do these endeavours reflect on conventional art education—and what can we learn from them? Pablo Helguera (Artist, Mexico City)Wael Shawky (Artist, Alexandria)Sally Tallant (Director, Liverpool Biennial)Chair: Sam Thorne (Associate Editor, frieze, London) Meredith Monk Thursday 17 October: 5pm Since the mid-1960s, Meredith Monk has been a pioneer of interdisciplinary performance and of what is now called ‘extended vocal technique’. Meredith Monk (Composer, Singer, Director/ Choreographer and Filmmaker, New York) Sexuality, Politics and Protest Friday 18 October: 1.30pm It has been 20 years since ACT UP, Gran Fury and queer activism reshaped the power of contemporary art and protest.

Bruce Altshuler in conversation with Vivian Sky Rehberg Friday 18 October: 5pm John Akomfrah in conversation with Kodwo Eshun and Mark Fisher Saturday 19 October: 1.30pm. Poezibao. Among the archives: A Database | Art and design. Eva Hesse, Studiowork, Fruitmarket gallery, Edinburgh | Art review | Culture | The Observer. Parution de "Diplopie", par Clément Chéroux. Interesting Giorgio Agamben Video « Theory. 06 : Sources : Le guide du patrimoine sonore et audiovisuel français. Le Collège de Philosophie. ART PAPERS. Chris Marker and the Archival Imperative: La Jetée: ciné-roman and Staring Back by Chris Marker and Chris Marker by Sarah Cooper.

Le Bleu du ciel. Www.rendezvous09.fr. Ryoji Ikeda @ Territorios Sevilla (26.05.2007) Ryoji Ikeda - Data.Microhelix. Art:21 | Roni Horn. Playing violin on my laptop. ECE-2: Gilbert & George: On Living Sculpture. Dukeupress.typepad.com/dukeupresslog/2009/04/eve-kosofsky-sedgwick-19502009.html. Current Exhibitions. Steve REICH: The Cave. Ovation TV | Close Up: Gregory Crewdson. Ciné tract 23. Art Review - David Goldblatt - At the New Museum, Silent Cries From a Beloved Country. Visions and Images: Duane Michals.