Cheat Sheet Friday: what your camera captures at every lens' focal length. Knowing how much of your scene you can capture at each lens’ focal length is a conundrum every photographer has come up against. In our earlier post earlier answering the question, ‘What is Focal Length? ,’ we looked at some of the differences and capabilities of using a telephoto vs wide-angle lens. A wide-angle lens exaggerates perspective, while using a telephoto lens gives the effect of compressing perspective, bringing elements closer together in the frame. In the latest of our ongoing photography cheat sheet series we aimed to illustrate some of the differences a different lens focal length can have both in terms of how your image looks and how much of your scene your camera is able to include. In our infographic below you can see just how much of a scene your camera can capture at different focal lengths starting from an ultra-wide 10mm all the way up to 400mm. The Sports Photo Guy — Reviews, Technique, Portfolio, Prints.
Mastering the Nikon D300/D300S - Darrell Young - Google 图书. Creative Watermarking - How to Integrate Your Signature into Your Photos - farbspiel photography. Take Pictures of Fireworks You Can Be Proud Of from Adorama Learning Center. What you need A camera. An SLR or Mirrorless Interchageable Lens Compact are best because these cameras give you the most control over exposure. Some point-and-shoot cameras have a "Fireworks" mode, so look for that if you have a compact camra. Ideally your camera should have both exposure and aperture controls.
A lens. A tripod. Zoom out and show your location: Water's a great way to add an extra dimension to your fireworks photos, and if the fireworks are being launched on the water, you'll be able to see the rockets streaking skyward and smoke below, which adds another element of interest. Where to Stand Before the fireworks start, find out where the fireworks will be taking place, and scout around the area. Good: An unobstructed view of the sky, upwind of the action. Better: An unobstructed view with water. Best: An unobstructed view with a landmark. Exposure tips Aperture: Most photographers use ISO 100 and an aperture of between f/8 and f/16. What about auto-everything cameras? Software. Software Repository Star Trails Photoshop Action. Download Action Here Purpose: To stack a directory of images (not RAW) to make a composite equal to one long exposure. Directions for use: Create a blank all black image, the same size as the images you wish to stack.
July 9, 2006 You are visitor number since June 17, 2001 FastCounter by bCentral Return to Main Page. The best photography websites - Photo hosting - Sell photography. The Photoletariat - Helping photographers find success on their own terms. Focus Stacking in Photoshop: How to Get Pin Sharp Macro Shots « Light Stalking. The HDR trend has come and, for many, gone, but what came of it is the easy-to-digest concept that creating one photograph may actually require several images, then blend them together. For HDR photography it’s the need of multiple exposures to compensate for what a digital sensor cannot do on it’s own – properly expose both highlights and lowlights in an wide range photograph without sacrifice. With the same concept, focus stacking is also possible. Like HDR, focus stacking comprises of two main components; series of photos of the same subject and some creative post processing.
That’s about where the similarity ends. What Exactly is Focus Stacking? Focus stacking is taking multiple photos at the same exposure but at different focal lengths and is best applied for macro photography. Zero Gravity by ecstaticist, on Flickr The photographer says these three water drops are on a piece of moss only about one inch in height. What Gear Do You Need for Focus Stacking? How Do You Shoot Your Stack? » How & When To Use Aperture Priority Mode. It dawned on me yesterday that I’ve written about shooting modes, and I’ve written about exposure, but I’ve never written about how and when you might use certain modes. Treat this topic as if you’ve just moved from full-auto or program mode, into aperture priority, and I’ll walk you through everything you need to know.
Full-auto mode allows you to change only the image format, and the burst fire mode. It will even use the pop-up flash if it thinks it needs to. Program mode is similar to a priority mode, in that you can change the likes of metering, white balance, etc., but you can’t change the shutter speed or aperture (you can change the ISO). OK, now we’ve seen the difference, lets have a look at what it can do. When you switch to aperture priority, it does exactly what it says on the tin. As you can see, there would be plenty of situations where you might want to use aperture priority over shutter or even manual. When you should use Aperture Priority Mode Situation 2 – Portraits.
How to Scan a Book With a Digital Camera: 6 steps (with pictures) Scott Kelby's Digital Photography Tips: How the Pros Focus for Sports | Scott Kelby shows you that by separating the focus from the shutter button, you'll get more shots in focus. If you want to get more shots in focus, you’ve got to switch to back focusing (where you focus by pressing a button on the back of your camera body with your thumb, rather than focusing by pressing your shutter button). This makes a bigger difference than you’d think, because by separating the focus from the shutter button, your camera no longer focuses, then shoots—you’ve already focused on your subject with the button on the back, so now your shutter button just shoots.
This back focusing helps to keep the autofocus from jumping off your subject when someone walks into your frame (which is a real struggle when shooting team sports), because if someone does walk into your frame (like a ref), you just take your thumb off the back focus button until they’re gone (but keeping shooting) and when they’re out of your frame, just hit the back focus button again.