Phasing A phaser is an electronic sound processor used to filter a signal by creating a series of peaks and troughs in the frequency spectrum. The position of the peaks and troughs is typically modulated so that they vary over time, creating a sweeping effect. For this purpose, phasers usually include a low-frequency oscillator . [ edit ] Process
John, Welcome to the forum. You've received some excellent advice from wrench45us. Having some experience with synthesizers and my search for the "perfect" digital/acoustic piano, I wouldn't expect either Dimension or Rapture to fill this role--that's not where their strengths lie. Dimension is excellent for looping and dance music. Great piano sounds?
best piano soft synth Electronic Musician picked Akoustik Piano as the best in their review of soft pianos (a year ago, though) - over Ivory. I'm sure Ivory is great, but Akoustik price dropped to $199 this year (NI seems to be getting more aggressive on pricing), so the difference in price is meaningful. Lots of pros seem to swear by Ivory, though. If you're lucky, you'll have friends who have the various software packages so you can try them out. If you're like most, though, you'll just to have to weigh the reviews and jump for one, for better or for worse.
At the center of a core of rhythmic traditions within which the composer conveys his ideas is the The is a simultaneous use of contrasting rhythmic patterns within the same scheme of accents or meter. In Anlo-Ewe cultural understanding, the is a highly developed systematic interplay of varying simulating the dynamics of contrasting moments or emotional stress phenomena likely to occur in actual human existence. As a preventive prescription for extreme uneasiness of mind or self-doubt about one's capacity to cope with impending or anticipated problems, these simulated stress phenomena or cross-rhythmic figures are embodied in the art of dance-drumming as mind-nurturing exercises to modify the expression of the inherent potential of the human thought in meeting the challenges of life. The Myth of Cross-Rhythm
From the earliest times, repertoires of cross rhythmic textures have been developed from which the composer draws in expressing his ideas. We will begin with the two most useful textures, six against four (6:4) and three against four (3:4), since they have the greatest use in the thematic development of dance-drumming. The student should learn to construct and discover the character of these cross rhythms and make them part of his way of thinking by the following exercises. i. Construct the main beats in the proper metrical grouping bearing in mind the inherent pulsations of each main beat. Cross-Rhythmic Textures
The term "Pareto principle" can also refer to Pareto efficiency .
In economics , diminishing returns (also called diminishing marginal returns ) is the decrease in the marginal (per-unit) output of a production process as the amount of a single factor of production is increased, while the amounts of all other factors of production stay constant. Diminishing returns
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Editing To BPM : Sony Vegas
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Musical Composition, Theory and Songwriting: Minor Keys = Sad, dorian mode, raags Expert: Clare Redfarn - 12/14/2007 Question Why do we associate minor keys with sadness? Do non-Westerners hear minor keys the same way?
John Zorn programme on the BBC. Part 1
A long time ago in a scratch galaxy far away existed a written guide with audio to all the scratches there ever were in existence. This has been resurrected and can be found again: Online viewable version: Asisphonics The Ever Downloadable version: Via zShare Posted originally by mobolegumes on Skratchworx Forums Thanks! Ricci Ruccer had some pretty strong views on the teaching of scratching, tutorials, video tutorials, selling information etc as you will see at the top of The Ever page. Asisphonics – The Ever Scratch Tutorial
Additive rhythm and divisive rhythm Additive and divisive meters. In music , additive and divisive are terms used to distinguish two types of both rhythm and meter . A divisive (or, more commonly, multiplicative ) rhythm is a rhythm in which a larger period of time is divided into smaller rhythmic units or, conversely, some integer unit is regularly multiplied into larger, equal units; this can be contrasted with additive rhythm , in which larger periods of time are constructed by concatenating (joining end to end) a series of units into larger units of unequal length, such as a 5/8 meter produced by the regular alternation of 2/8 and 3/8 (London 2001, §I.8). When applied to meters, the terms "perfect" and "imperfect" are sometimes used as the equivalents of "divisive" and "additive", respectively (Read 1964, [ page needed ] ).