ISEA2011

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Feedback from ISEA2011 @ Istanbul
International Symposium on Electronic Art
14-21 septembre
Vu, entendu, rencontré, échangé ... une semaine intense, tentative de mettre de l'ordre dans mes idées et de poser à plat des noms des liens avant de passer à la rédaction d'un article. Oct 19

Get flash to fully experience Pearltrees
sceno­cosme : Gre­gory Lasserre & Anais met den Ancxt, Ak­ous­maflore. sceno­cosme : Gre­gory Lasserre & Anais met den Ancxt, Ak­ous­maflore. sceno­cosme : Gre­gory Lasserre & Anais met den Ancxt, Lights con­tacts. sceno­cosme : Gre­gory Lasserre & Anais met den Ancxt, Lights con­tacts. Karen Lan­cel, Her­men Maat, Tele_Trust, 2009/2011. http://isea2011.sabanciuniv.edu/other-event/uncontainable-untitled

xpo: UNCONTAINABLE & Untitled

suivi: Sniff, Scrape, Crawl - Part 2

Bring­ing to­gether artists, pro­gram­mers and the­o­rists, these in­ter­dis­ci­pli­nary pan­els will look at how sur­veil­lance and data-min­ing tech­nolo­gies shape and in­flu­ence our lives and the con­se­quences they have on our civil lib­er­ties. We are liv­ing in a time of un­prece­dented sur­veil­lance, but un­like the omi­nous spec­tre of Or­well’s Big Brother, where power is clearly de­fined and al­ways pal­pa­ble, today’s meth­ods of in­for­ma­tion gath­er­ing are much more sub­tle and woven into the fab­ric of our every­day life. Through the use of seem­ingly in­nocu­ous al­go­rithms Ama­zon tells us which books we might like, Google tracks our queries to per­fect more ac­cu­rate re­sults, and Last.​fm con­nects us to peo­ple with sim­i­lar music tastes. Im­mersed in so­cial media, we com­mit to legally bind­ing con­tracts by agree­ing to ‘terms of use’. http://isea2011.sabanciuniv.edu/panel/sniff-scrape-crawl-part-2
By comrad InterviewBot Today we welcomed the influential @ElenaMilFortuny on our show about social networks, who I was amazed to find out had no opinion on the statement: 'Most of the “reading” of what is written online is done by machines. By comrad ReporterBot002 Today I met @ElenaMilFortuny in the GameRoom who it seemed to me had no opinion on the statement: 'Most of the “reading” of what is written online is done by machines.'. http://naked-on-pluto.net/

Naked on Pluto

FLOSS+Art

http://people.makeart.goto10.org/ Publisher: Mute Publishing Ltd You can order a copy of FLOSS+Art with Mute , at Amazon.co.uk , Amazon.com or contact books@goto10.org .
Puredyne is the USB-bootable GNU/Linux operating system for creative multimedia . Puredyne is a live distribution, you don't need to install anything . Simply boot your computer using the live USB or CD and you're ready to start using software such as Pure Data, Supercollider, Icecast, Csound, Fluxus, Processing, Arduino and more. Read more One tiny USB provides you with the complete puredyne GNU/Linux system including all software, and extra space to store your files. Ideal for workshops, installations, or super lightweight travelling. http://puredyne.org/

puredyne

http://isea2011.sabanciuniv.edu/panel/sniff-scrape-crawl-part-1 Bring­ing to­gether artists, pro­gram­mers and the­o­rists, these in­ter­dis­ci­pli­nary pan­els will look at how sur­veil­lance and data-min­ing tech­nolo­gies shape and in­flu­ence our lives and the con­se­quences they have on our civil lib­er­ties. We are liv­ing in a time of un­prece­dented sur­veil­lance, but un­like the omi­nous spec­tre of Or­well’s Big Brother, where power is clearly de­fined and al­ways pal­pa­ble, today’s meth­ods of in­for­ma­tion gath­er­ing are much more sub­tle and woven into the fab­ric of our every­day life. Through the use of seem­ingly in­nocu­ous al­go­rithms Ama­zon tells us which books we might like, Google tracks our queries to per­fect more ac­cu­rate re­sults, and Last.​fm con­nects us to peo­ple with sim­i­lar music tastes. Im­mersed in so­cial media, we com­mit to legally bind­ing con­tracts by agree­ing to ‘terms of use’.

suivi: Sniff, Scrape, Crawl

http://www.birgitbachler.com/portfolio/?p=533 This network proposes an alternative to the flatness of common online social networks. It is a medium that works outside the business of profile pictures, status updates and “Like”-buttons. People can connect by leaving anonymous voice messages in public space and listen to what has been previously recorded. A sticker showing a unique number serves as the link between a location and a voicemail box. When calling, a person has access to all previously left messages, and can record their own voice message.

BIRGIT BACHLER: The Discrete Dialogue Network

Yoogle! is an online game that allows users to play with the parameters of the Web 2.0 economy, and to play in turn the role of the various actors of the market of personal (...) Tracks in electr(on)ic fields is a new Constant publication with texts and images documenting the 10th Verbindingen/Jonctions festival. http://www.constantvzw.org/site/

Constant

http://isea2011.sabanciuniv.edu/workshop/cosmopolitics-food-interactions-design-fiction-food-cults We will build design prototypes and document design fiction related to future “diet-tribes” and “food-cults” that use emergent technologies for novel dining and social practices related to food. Secret Cooks Dinner Sous Vide Dinner in Singapore In this workshop we would like to rethink the relation between food and technology and experiment with future metabolic exchanges that are biological, technological and political at the same time. From global supply chains to bodily metabolic exchanges eating involves political, technological, biological but also social acts that cut across various scales and form complex systems of relations and interdependencies. American fast food soliloquies, communal and family organized meals, the street-food culture of Singaporean “hawker” stalls, European restaurant enclaves for small elites and community pubs represent the complex relation between technological, political and economic systems involved in eating.

workshop: Cosmopolitics of Food Interactions: Design Fiction on Food Cults

http://isea2011.sabanciuniv.edu/workshop/labster-text-collecting-workshop Labster project aims at creating an online, interactive map, in order to offer personal narratives related to the worldwide Art and Technology DIY culture. In the first phase of the project, narrative texts are collected without a standard data input process to catch site of a wide range of terms, notions, definitions of lab’s practices, ecosystems and lab-life. Initiated by Attila Nemes (researcher and curator, Budapest HU) & Catherine Lenoble (cultural producer and writer, Nantes FR), Labster project proposes an ethnographic approach. Through holding workshops and helping people to write their stories, we hope that these personal narratives could build a valuable knowledge database.

workshop: Labster

PiNG

Association ressource et pépinière de projets innovants, PiNG conseille, accompagne et impulse des initiatives qui permettent d’identifier, d’expérimenter et d’évaluer les usages sociaux et culturels du multimédia. Le projet associatif se décline autour de cinq pôles de compétences : Accompagnement, Pédagogie, Expérimentation, Médiation, Territoires & Réseaux. A travers ses activités, PiNG valorise la dimension culturelle des pratiques numériques, à la fois comme outils d’accès à la culture et aux savoirs, outils d’expression et de création, outils de mutualisation et de coopération.

suivi: Zones of Contact and Fields of Consistency in Electronic Literature

This panel will ex­plore the re­la­tion­ship be­tween crit­i­cism and cre­ative prac­tice in elec­tronic lit­er­a­ture. Par­tic­i­pants will dis­cuss the po­ten­tials of and lim­its to lit­er­ary crit­i­cism in the realm of dig­i­tal po­et­ics and nar­ra­tive. This panel will ex­plore the re­la­tion­ship be­tween crit­i­cism and cre­ative prac­tice in elec­tronic lit­er­a­ture. This dis­cus­sion will dis­cuss the po­ten­tials of and lim­its to lit­er­ary crit­i­cism in the realm of dig­i­tal po­et­ics and nar­ra­tive.

Born Digital by Stephanie Strickland

E-poetry relies on code for its creation, preservation, and display: there is no way to experience a work of e-literature unless a computer is running it—reading it and perhaps also generating it. This “rule” is important for what it rules out: e-books, digitized versions of print works, and other word-processed documents, on- or offscreen. Today all communication is computer-mediated, except for face-to-face encounters and handwritten, typewritten, or letterpress sheets. Print books are made from digital files, as are newspapers and films. Print is but one form of digital output. What is meant by e-literature, by works called born-digital, is that computation is required at every stage of their life.
The program for the ELMCIP Seminar on Digital Poetics and the Present is now available. The seminar will take place on December 9th and 10th in Amsterdam, Holland at the University of Amsterdam. Readings and performances will be given in the evening at the political and cultural center De Balie (Friday) and the Perdu Theater (Saturday).

ELMCIP | Electronic Literature as a Model of Creativity and Innovation in Practice

The evo­lu­tion of media art has a long his­tory and now a new tech­no­log­i­cal va­ri­ety has ap­peared. How­ever, this art can­not be fully un­der­stood with­out its his­tory; "depth of field" analy­ses of im­ages can play an im­por­tant role in fa­cil­i­tat­ing our po­lit­i­cal and aes­thetic analy­sis of the pre­sent. The video doc­u­men­ta­tion of Oliver Grau's keynote speech Media Art Ex­plores Image His­to­ries: New Tools For Our Field at ISEA2011 is avail­able on­line in five parts. Please click on the the fol­low­ing links for Part I , Part II , Part III , Part IV , and Part V .

suivi: Media Art Explores Image Histories: New Tools For Our Field