
ISEA2011
Feedback from ISEA2011 @ Istanbul
International Symposium on Electronic Art
14-21 septembre
Vu, entendu, rencontré, échangé ... une semaine intense, tentative de mettre de l'ordre dans mes idées et de poser à plat des noms des liens avant de passer à la rédaction d'un article. Oct 19
Get flash to fully experience Pearltrees
scenocosme : Gregory Lasserre & Anais met den Ancxt, Akousmaflore. scenocosme : Gregory Lasserre & Anais met den Ancxt, Akousmaflore. scenocosme : Gregory Lasserre & Anais met den Ancxt, Lights contacts. scenocosme : Gregory Lasserre & Anais met den Ancxt, Lights contacts. Karen Lancel, Hermen Maat, Tele_Trust, 2009/2011.
xpo: UNCONTAINABLE & Untitled
suivi: Sniff, Scrape, Crawl - Part 2
Bringing together artists, programmers and theorists, these interdisciplinary panels will look at how surveillance and data-mining technologies shape and influence our lives and the consequences they have on our civil liberties. We are living in a time of unprecedented surveillance, but unlike the ominous spectre of Orwell’s Big Brother, where power is clearly defined and always palpable, today’s methods of information gathering are much more subtle and woven into the fabric of our everyday life. Through the use of seemingly innocuous algorithms Amazon tells us which books we might like, Google tracks our queries to perfect more accurate results, and Last.fm connects us to people with similar music tastes. Immersed in social media, we commit to legally binding contracts by agreeing to ‘terms of use’.By comrad InterviewBot Today we welcomed the influential @ElenaMilFortuny on our show about social networks, who I was amazed to find out had no opinion on the statement: 'Most of the “reading” of what is written online is done by machines. By comrad ReporterBot002 Today I met @ElenaMilFortuny in the GameRoom who it seemed to me had no opinion on the statement: 'Most of the “reading” of what is written online is done by machines.'.
Naked on Pluto
FLOSS+Art
Puredyne is the USB-bootable GNU/Linux operating system for creative multimedia . Puredyne is a live distribution, you don't need to install anything . Simply boot your computer using the live USB or CD and you're ready to start using software such as Pure Data, Supercollider, Icecast, Csound, Fluxus, Processing, Arduino and more. Read more One tiny USB provides you with the complete puredyne GNU/Linux system including all software, and extra space to store your files. Ideal for workshops, installations, or super lightweight travelling.
puredyne
suivi: Sniff, Scrape, Crawl
BIRGIT BACHLER: The Discrete Dialogue Network
Yoogle! is an online game that allows users to play with the parameters of the Web 2.0 economy, and to play in turn the role of the various actors of the market of personal (...) Tracks in electr(on)ic fields is a new Constant publication with texts and images documenting the 10th Verbindingen/Jonctions festival.
Constant
workshop: Cosmopolitics of Food Interactions: Design Fiction on Food Cults
workshop: Labster
PiNG
Association ressource et pépinière de projets innovants, PiNG conseille, accompagne et impulse des initiatives qui permettent d’identifier, d’expérimenter et d’évaluer les usages sociaux et culturels du multimédia. Le projet associatif se décline autour de cinq pôles de compétences : Accompagnement, Pédagogie, Expérimentation, Médiation, Territoires & Réseaux. A travers ses activités, PiNG valorise la dimension culturelle des pratiques numériques, à la fois comme outils d’accès à la culture et aux savoirs, outils d’expression et de création, outils de mutualisation et de coopération.suivi: Zones of Contact and Fields of Consistency in Electronic Literature
This panel will explore the relationship between criticism and creative practice in electronic literature. Participants will discuss the potentials of and limits to literary criticism in the realm of digital poetics and narrative. This panel will explore the relationship between criticism and creative practice in electronic literature. This discussion will discuss the potentials of and limits to literary criticism in the realm of digital poetics and narrative.Born Digital by Stephanie Strickland
E-poetry relies on code for its creation, preservation, and display: there is no way to experience a work of e-literature unless a computer is running it—reading it and perhaps also generating it. This “rule” is important for what it rules out: e-books, digitized versions of print works, and other word-processed documents, on- or offscreen. Today all communication is computer-mediated, except for face-to-face encounters and handwritten, typewritten, or letterpress sheets. Print books are made from digital files, as are newspapers and films. Print is but one form of digital output. What is meant by e-literature, by works called born-digital, is that computation is required at every stage of their life.The program for the ELMCIP Seminar on Digital Poetics and the Present is now available. The seminar will take place on December 9th and 10th in Amsterdam, Holland at the University of Amsterdam. Readings and performances will be given in the evening at the political and cultural center De Balie (Friday) and the Perdu Theater (Saturday).
ELMCIP | Electronic Literature as a Model of Creativity and Innovation in Practice
The evolution of media art has a long history and now a new technological variety has appeared. However, this art cannot be fully understood without its history; "depth of field" analyses of images can play an important role in facilitating our political and aesthetic analysis of the present. The video documentation of Oliver Grau's keynote speech Media Art Explores Image Histories: New Tools For Our Field at ISEA2011 is available online in five parts. Please click on the the following links for Part I , Part II , Part III , Part IV , and Part V .

