Ravi Shankar - Mangalam. El Sonido y la Palabra dentro del Hinduismo. BAIN: A Pythagorean tuning of the diatonic scale. Occult Music Correspondence Tables. I.
Celestial, Planetary and Astrological correspondences. Planetary Notes: C - Mars D - Sol E - Mercury F# - Venus G# - Moon A - Saturn A# - Jupiter Astrological Notes: C - Aries C# - Taurus D - Gemini D# - Cancer E - Leo F - Virgo F# - Libra G - Scorpio G# - Sagittarius A - Capricorn A# - Aquarius B - Pisces Planetary Tempos: Saturn 69.3 BPM Moon 98.6 BPM Mercury 66.2 BPM Venus 103.7 BPM Sun 118.3 BPM Mars 67.8 BPM Jupiter 86.1 BPM Nepturne 99.1 BPM Pluto 65.7 BPM Uranus 97.2 BPM II.
Hebrew Letters: Aleph E Air Beth E Mercury Gimel G# Moon Daleth F# Venus Heh C Aries Vav C# Taurus Zayin D Gemini Cheth D# Cancer Teth E Leo Yod F Virgo Kaph A# Jupiter Lamed F# Libra Mem G# Water Nun G Scoprio Samekh G# Sagittarius Ayin A Capricorn Peh C Mars Tzaddi A# Aquarius Qoph B Pisces Resh D Sun Shin C Fire Tav A Saturn Elemental Notes: C - Fire E - Air G# - Water A - Earth Alchemical Notes: C - Sulfur E - Mercury G# - Salt.
BAIN: A Pythagorean tuning of the diatonic scale. The Rediscovery of Esoteric Music - PrimaSounds. From the beginning of time in most cultures there has been two fundamentally different types of music: extroversive and introversive.
Extroversive music is communicative and brings people together from the outside through dance, singing and intensive listening. Introversive music is self absorbing and tunes the individual into the depths of Original Being, the inexhaustible Source of the Universe. Pythagoras called the first type of music Exoteric Music. He found its basis in the cycle of fifths and in the diatonic scale. He called the second type of music Esoteric Music and kept it secret. Today there is still some distinction maintained between the two types of music in the differentiation between serious and popular music.
We have lost the tradition of Esoteric Music from our culture. The seventh harmonic, and brain wave research, allowed me to re-discover this Esoteric music in 1971. The creation of music with these new tones, however, was an entirely different matter. The Pentachronic - The Phora. NOTE: All references to the "Pentatonic scale" in this post should actually read "Diatonic major scale", i.e. tone-tone-semitone-tone-tone-tone-semitone.
I really need to brush up on my music theory . Thanks to *Nick* for pointing this out. In this thread I'm going to try to show applications of the Pentatonic scale to myths regarding the "Ages of Man" across several cultures and religious traditions, and to try to elaborate on exactly where I'm going with all this, and the discussion I'm trying to stimulate. Background: This is an overview of some of the hypothesis surrounding this speculation, and some of the theoretical underpinnings.
Naturaleza Musical del Ser Humano - Naturaleza Humana y Astral de la Música. Los primeros trabajos del hombre han sido promovidos por la necesidad y por lo tanto han sido utilitarios, es decir, puramente objetivos: La necesidad de ponerse al abrigo de la intemperie y de los ataques de las fieras, obligó al hombre a construirse refugios, lo que dio origen a la arquitectura.
La necesidad de la caza y la defensa personal, le obligó a ingeniarse en la construcción de objetos de piedra y madera, armas, utensilios diversos, cada vez más trabajados, más artísticos, lo que dio origen a la escultura. La necesidad de fijar sus experiencias para perpetuarlas de otro modo que no fuese transmitirlas verbalmente le hizo imaginar la escritura jeroglífica, origen del dibujo y la pintura y de la escritura fonética. Todo ello pudiera parecer que nos aleja del aserto de que el hombre es un ser musical por naturaleza, puesto que antes de la música surgen estas tres artes físicas y objetivas. Que no pueden librarse sin causar enfermedad o muerte. Y vigilia, etc).