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Copyfraud. Copyfraud is a form of copyright misuse.


The term was coined by Jason Mazzone, a Professor of Law at Brooklyn Law School, to describe situations where individuals and institutions illegally claim copyright ownership of content in the public domain and other forms of overreaching by publishers and others who claim rights that the law does not give them; these actions carry little or no oversight by authorities or legal consequences. Mazzone pointed out ways in which copyright overreaching interferes with the public's legitimate use and reproduction of works, discourages innovation and free speech, and creates costs.[1]:1028 Definition[edit] Mazzone describes copyfraud as: Mazzone argues that copyfraud is usually successful because there are few and weak laws criminalizing false statements about copyrights, there is lax enforcement of such laws, and few people are competent to give legal advice on the copyright status of commandeered material.[1]:1029–30 In the U.S.

Notable cases[edit] Copyfraud. Un article de Wikipédia, l'encyclopédie libre.


Copyfraud: Poisoning the public domain. High performance access to file storage Special report The public domain is the greatest resource in human history: eventually all knowledge will become part of it.

Copyfraud: Poisoning the public domain

Its riches serve all mankind, but it faces a new threat. Vast libraries of public domain works are being plundered by claims of "copyright". It's called copyfraud - and we'll discover how large corporations like Google, Yahoo, and Amazon have structured their businesses to assist it and profit from it. Copyfraud first came to my attention nearly two years ago in my scholarly research.

But Hearn's books also have commercial value as public domain works. Upon hearing the news of Hearn's work appearing on Google Books, I searched for Hearn's classic Glimpses of an Unfamiliar Japan. Another public domain classic disappears. Kessinger made the document useless to scholars, to force them to purchase the full hardcopy edition for $25. We can see the publishers' motivation.

Copyfraud. Réclamer des droits d'auteurs (ou plus largement de propriété intellectuelle) sur des ouvrages qui sont dans le domaine public, est-ce bien légal ? Les éditeurs de reprint, les institutions de conservation, les éditeurs de collections numérisées ou microfilmées anciennes pour la presse par exemple, ont-ils vraiment le droit de se rémunérer sur le dos du domaine public ? Ou bien est-ce de la "copifraude"...

Une réponse par Jason Mazzone dans un gros article en PDF de plus de 80 pages... en libre accès. Il y est bien sûr question de droit américain mais ça ne nous interdit pas de réfléchir. Merci à Digitization blog . Copyfraud by Jason Mazzone. Création d'un copyright spécial pour le Pape, Sociét&eacu. Pope passes special Vatican copyright giving him exclusive right. The Pope has created a special (and weirdly incoherent) copyright in his name, image and symbols.

Pope passes special Vatican copyright giving him exclusive right

This "copyright" appears to prohibit using these words and symbols to denote goods or services ("Pope Secondary School," "Pope Soap," "Pope Burgers"), all of which are covered already under trademark and fraud laws, and need no copyright to protect them. The statement cited a "great increase of affection and esteem for the person of the Holy Father" in recent years as contributing to a desire to use the Pontiff's name for all manner of educational and cultural institutions, civic groups and foundations. Due to this demand, the Vatican has felt it necessary to declare that "it alone has the right to ensure the respect due to the Successors of Peter, and therefore, to protect the figure and personal identity of the Pope from the unauthorized use of his name and/or the papal coat of arms for ends and activities which have little or nothing to do with the Catholic Church... " Copyright Cops Go After Town For Creating Little Mermaid Statue.

Dan sends in yet another story about copyright gone wrong.

Copyright Cops Go After Town For Creating Little Mermaid Statue

Apparently the small town of Greenville Michigan has a strong Danish heritage, and wanted to show that off with some artifact representing Denmark. It chose the iconic Little Mermaid statue, based on Hans Christian Andersen's story, and a similar iconic statue in Denmark. Apparently, however, the family of the artist who created the statue in Denmark is trying to clamp down and is demanding a lump sum payment or that the statue be taken down. The actual artist died in 1959... but thanks to recent extensions in copyright (yippee), copyright now lasts life plus seventy years.

Of course, I'm wondering if the statue even violates the copyright at all. At about 30 inches high, it's half the size of the original and has a different face and other distinct features, including larger breasts. Wikipedia A Thief? Wikipedia, the Free Encyclopedia, is without a doubt accepted as one of the most amazing sources of information on the internet. This is where people turn to for any information they need. The English language version was brought out in 2001 and has experienced great popularity since then.

But over the years, Wikipedia has had its share of controversies. There have been academics who deemed suspect some entries, as it is an encyclopedia that can be edited by anyone. Many feel that just as too many cooks spoil the broth, too many contributors/editors can also confuse the information. More attacks on institutional copyfraud. 1.

More attacks on institutional copyfraud

In writing about the Max Planck study on use of images that I discussed earlier, copyright litigator Ray Dowd rips into the licensing practices of libraries, archives, and museums: In recently researching a case of Nazi looted art, I have been frustrated by non-profit institutions blocking access to copies of documents necessary to trace Nazi-art looting practices in Switzerland. One institution was the Getty blocking access to an official government report, another a German museum claiming that I had to get copyright permission from a deceased Swiss art dealer to make copies of his correspondence with the Nazi regime.

Each institution was informed that the documents were for use in an impending court case.