Transmedia
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By Edward Nawotka Transmedia is more than a fad and is becoming an popular storytelling option for content creators. Many believe that book publishing can no longer operate in a silo and must conceive of new stories with transmedia practices in mind right from scratch. At SXSW Interactive several panels offered ideas of how publishers can extension of traditional storytelling — either in print, audio, or online. This can range from launching Facebook and Twitter profiles for fictional characters, to creating entire alternate online storylines, films or, as discussed in today’s feature story, alternate reality games . Each new platform requires specific skill sets.
Which Transmedia Practices are Best Suited to Publishing? | Publishing Perspectives
Transmedia Lab
imaginez que la lecture de la Mémoire Génétique ne soit pas une pure invention de votre jeu favoris mais fonctionne réellement … Au même titre que la couleur de la peau, des yeux ou des cheveux notre héritage génétique inclus aussi des traces de nos vies antérieures jusqu’à l’origine de l’humanité. Nous pouvons réellement parler de réincarnation du savoir dans une même famille et dans une même lignée et cela se traduit par des compétences ou des capacités héritées du passé qui apparaissent souvent afin d’aider à résoudre un problème à la demande parfois inconsciente de la personne et dans des conditions spécifiques. Il n’y a pas de limite et on constate que dans certains cas des sujets accèdent régulièrement aux compétences de plusieurs ancêtres en fonction de la problématique ou de la situation.You Suck at Transmedia
I finally met Lucas in person at the Storyworld Conference . He is a lovely and intelligent young man with a lot of passion for his craft. Although we could tell this with his active postings at his company blog, Silverstring Media , he is even better in person. Now Lucas has generously offered to share some crucial lessons he has learned from his first major jump into creating a reactive story online here.
Henry Jenkins III (born June 4, 1958 in Atlanta, Georgia ) is an American media scholar and currently a Provost Professor of Communication, Journalism, and Cinematic Arts, a joint professorship at the USC Annenberg School for Communication and the USC School of Cinematic Arts . [ 1 ] Previously, he was the Peter de Florez Professor of Humanities and Co-Director of the MIT Comparative Media Studies program with William Uricchio . He is also author of several books, including Convergence Culture: Where Old and New Media Collide , Textual Poachers: Television Fans and Participatory Culture and What Made Pistachio Nuts?: Early Sound Comedy and the Vaudeville Aesthetic .
Henry Jenkins - Wikipedia, the free encyclopedia
Confessions of an Aca-Fan: The Official Weblog of Henry Jenkins
April 3, 2012 Last fall, I was asked by a USC dorm which was planning a field trip to Los Angeles' NuArt Cinema to see the Rocky Horror Picture Show if I might share some reflections with them to stimulate thought and discussion about the experience. As someone who had been a Rocky Horror fan in the 1970s, I approached this task with some bemusement, but I also saw it as a chance to think a bit more deeply about the "cult film experience" as it has evolved over time. Here's what I shared with those students: From Wikipedia: The Rocky Horror Picture Show is the 1975 film adaptation of the British rock musical stageplay, The Rocky Horror Picture Show , written by Richard O'Brien.
I’m on a early flight this morning what made me skip to publish another series of pictures from Iceland but instead use the time and share with you some thoughts on the concept of transmedia I got pretty obsessed about recently after hearing about it . The concept is simple, actually that simple that it barely feels as new information. But I think it is something what we often forget about. And it is also a bit scary when you think of labels like photojournalist. One of the basic concepts always has been cross-media , what more or less means to take your produced material, let’s say pictures and publish it in as many channels as possible, for instance a book, magazine, newspaper, web, you name it. Multimedia is now another way of expressing the story.
Transmedia – it’s about the story, not the tools | FLOW MEDIA ::: multimedia I photography I motion
The Black Operatives Department - Filed under 'transmedia'
Hello. I’m a big fan of Inception and spotted that Amir and Björn were having a bit of a tiff about the film. They have a blog and Amir wrote the following text [German version here ]. Obviously I like the text because I have translated it for you. I’ve done my best with the translation and I think I’ve done the original justice.The Black Operatives Department - Filed under 'storytelling'
So, for those of you that have created a character , it’s time to move onto the next stage of our little workshop. What I’d like you to try and do now is build a framework for your character to live in; something a little like this. Building an Online Character There are places that your character must inhabit; they must have an Email and must be on twitter, but other places such as last.fm, facebook, googlemaps, friendfeed, delicious and all the other things I tend to use, depend on you and your character. Once you have set up your characters framework let us all know where to find them by popping links into the comments section of this post. I’ll then set something up which will help us all in the next workshop.
Transmedia storytelling - Wikipedia, the free encyclopedia
Transmedia storytelling (also known as Multiplatform Storytelling) is the technique of telling stories across multiple platforms and formats using current digital technologies, not to be confused with traditional cross-platform media franchises , [ 1 ] sequels or adaptations. From a production standpoint, it involves creating content [ 2 ] that engages an audience using various techniques to permeate their daily lives. [ 3 ] In order to achieve this engagement, a Transmedia production will develop stories across multiple forms of media in order to deliver unique pieces of content over multiple channels. Importantly, these pieces of content are not only linked together (overtly or subtly), but are in narrative sync with each other. [ edit ] Academic Discussion
The Rise of the Corporate Transmedia Storyteller - The Steve Rubel Stream
The Clip Report: An eBook on the Future of Media In the early 1990s when I began my career in PR there were clip reports. These were physical books that contained press clips. It seems downright archaic now but that’s how I learned about the press - by cutting, pasting up and photocopying clippings. My fascination with the media never abated.