teoria
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For today's reader of Immanuel Kant's Kritik der Urteilskraft, it is striking that his discussion of the esthetic experience is not primarily concerned with works of art, but with natural phenomena -- its paradigm examples evoke flowers, crystals, landscapes, stormy seas and starry skies. As Jean-François Lyotard has pointed out, this is not a coincidence.
Towards an architecture of chance
SUPERMANOEUVRE is an architectural practice that sees computation as a means of opportunistically collaborating with the heterogeneity and flux of social, cultural and ecological substrates.
supermanoeuvre
complexitys
This post is the second of 4 posts that are going to be published weekly in the next Fridays about Digital manufacturing (fabbing) environments. In these posts I will share my research on fab labs, open innovation and smartcities, mainly in Europe and in Spain. The second post is a result of the visit to the Fab Lab León on the 27th of December when Fab Lab León had just opened its doors to the general public.Escuelab Teoría (obligatorio): Martes 16, al Viernes 19 - Febrero 2010 (10:00 a 14:00 hrs.) Horario de Práctica (opcional / flexible): 14:00 pm y 20:00 pm @ Escuelab (Belén 1044, Piso 5 - Centro de Lima) Gratuito / Cupos limitados / Con inscripción!!! Inscripciones Aqui!!
Arquitectura y Programación
Sentient City: ubiquitous computing, architecture and the future of urban space
Situated Technologies Pamphlets Series - CAST
FlowingData | Data Visualization, Infographics, and Statistics
Whoa. What did I just read? I think most of you know of Freakonomics, but in case you don't, it started as a book in 2005, by economist Steven Levitt and journalist Stephen Dubner.Relational Geometries |
Course Description This techniques seminar introduces students to the next generation of computer aided design tools that facilitate movement between modeling and material prototyping.
“The web essentially is a planetary-scale nervous system where individual minds take on the role of synapses, firing electrical pattern-signals to one another at light speed — the net effect being an astonishing increase in creative output.” “So not only is our perception of the world a construction that does not accurately represent the outside, but we additionally have the false impression of a full, rich picture when in fact we see only what we need to know, and no more.”
