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Channel. Symbolism of Color: Using Color for Meaning. Famous & Major Historical Events in World History. THE MUSIC LESSON by Johannes Vermeer. Comparing the girl with her reflection we can notice that the back of her head, directly seen, is more conventionally perceived, more recognizable, perhaps more touching, her reflected face, its detail dissolved, its humanity suspended in light, has a deeper kind of completeness.

THE MUSIC LESSON by Johannes Vermeer

The face is reflected not only in the mirror but also in the painter's temperament. For the first time we have the sense that he has a use, however oblique, for the whole of human appearance. Lawrence Gowing, Vermeer, 1952 signed lower picture frame at right IVMeer (IVM in monogram) c. 1662-1664 - Arthur K. C. 1662-1663 Walter Liedtke Vermeer: The Complete Paintings, New York, 2008) The plain-weave linen support has a thread count of 15 x 14 per cm2.

The light brownish gray ground contains lead white, chalk, and a little umber, with aggregates of lead white particles. The bottom half of the painting has a strong blue cast. Image thanks to Mike Buffington (?) "A Toye" [1.30 MB] Giles Farnaby (c. 1563-1640) Department of History of Art. Making Sense of Marcel Duchamp. The Art History Online Reference and Guide. Conceptual Art. First published Thu Jun 7, 2007 The philosophy of art has confronted myriad issues relating to an equally diverse subject matter.

Conceptual Art

From primeval painting to postmodern poetry, and from the problem of how music can convey emotion to that of nature of the existence of fictional characters, the whole spectrum of artistic activity has been considered by philosophers of art, and the questions they have sought to answer extend far into neighbouring philosophical realms and beyond. To date, however, philosophical interest in what may broadly-speaking be called conceptual art has been notably sparse. And this seems surprising. After all, both philosophy and the diverse kinds and styles of art and art-making that fall under the conceptual tradition all have one thing in common: they are both intended to make you think. 1. 1.1 Introduction Few artistic movements are surrounded by so much debate and controversy as conceptual art.

This divisive character is, however, far from accidental. 2. 3. Strawberige: the back story (part 1) Female Nudeby Jean-Auguste-Dominique Ingres, 1807 In the Stillness by Bryce Cameron Liston Nude in front of a mirrorby Serge Ivanoff, 1945 Nude with Calla Lilies by Diego Rivera, 1944 Nude in a Chair by Pierre Auguste Renoir Denial by Colette Calascione, 2004 Nudo seduto di schiena by Felice Casorati, 1930 Mutus Liberby Dino Valls, 1996 The Bather of Valpinconby Jean-Auguste-Dominique Ingres, 1808 La Grande Odalisqueby Jean Auguste Dominique Ingres, 1814 Odalisque by Jules Joseph Lefebvre, 1874 Nude Woman Holding a Mirror by Francisco Goya, 1796-97 Gala Nude From BehindLooking in an Invisible Mirrorby Salvador Dalí, 1960 Sitting Nude on Chair by Georges Lemmen, c.1910 Sitting Nude with Cushionsby August Macke, 1911.

Strawberige: the back story (part 1)

Art History/Classics Library - Art History Resources. Ten Must-See Art Documentaries.