Photo by tdomingos. Workshop dé-construction. Judith Raum - judithraum.net. Karen Koltermann. Theaster Gates. Thomas Feichtner - FX10 Lounge Chair. In der Absicht, einen Sessel mit einer geschlossenen und kompakten Form frei von Nähten zu schaffen, entwarf Thomas Feichtner den FX10 Lounge Chair. Der abstrakte Name FX10 ist eigentlich die Produktbezeichnung einer Skibindung, die Thomas Feichtner zuvor für den österreichischen Skihersteller Fischer entworfen hatte. Aus der starken Ähnlichkeit der formalen Zugänge beider Entwürfe und als eine kleine Reminiszenz an die zahlreichen Skier und Skibindungen, die Thomas Feichtner entworfen hat, trägt der Sessel heute denselben Produktnamen wie seine Skibindung.
Der FX10 Lounge Chair besteht aus einzelnen Flächen, die separat voneinander gepolstert und mit Leder bespannt wurden. Jede Fläche wird – ähnlich den Eisblöcken eines Iglus – zu einem Ganzen zusammengesetzt. Durch das Wegfallen der sonst üblichen Nähte und zeitaufwändigen Näherei ist der Lounge Chair schnell produziert und bei Beschädigungen durch einfaches Austauschen einer Fläche leicht zu reparieren. STEVEN CLAYDON | DAVID KORDANSKY GALLERY. Jane Bustin. News Info Contact. Adelheid Mers. Série fotomódulos. Chryssa Tsampazi. Sem Pé (diálogo com Mauro Cerqueira)-2011. Sam Durant. The PARK - Ueli Etter. Rosário, Arthur Bispo do (1911 - 1989) Rosário, Arthur Bispo do (1911 - 1989) BiographyArthur Bispo do Rosário (Japaratuba, Sergipe, 19111 - Rio de Janeiro, 1989).
Visual artist. Moved to Rio de Janeiro in 1925, where he served in the Brazilian Navy and the electric utility, Light. In 1938, after a mystical delirium, he presented himself to a monastery, which sent him to the Hospital dos Alienados in the suburb of Praia Vermelha. Diagnosed as a paranoid schizophrenic, he was admitted to the Colônia Juliano Moreira, in the suburb of Jacarepaguá, in Rio de Janeiro. Between 1940 and 1960, he spent alternating periods at the hospice and carrying out tasks in various Rio households. Critical CommentaryArthur Bispo do Rosário's past is a virtual blank.
The works of Bispo are diversified between the juxtaposition of objects and embroideries. In 1995, Bispo represented Brazil at the Venice Biennale with a large selection of works and achieved international recognition. Deutsche Kinemathek | Heinrich Breloer | Mediathek. Iannis Xenakis - Biography. Biography by A.S. Barthel-Calvet May 29 : Iannis is born in Braïla, Rumania to Clearchos Xenakis and Photini Pavlou, members of the Greek Diaspora (his actual birthday is uncertain: it may have been June1st, and the year may have been 1921). He is the eldest of three boys : his brother Cosmas became a painter and Jason became a professor of philosophy in the United States.
Their father, a son of a farmer from Evvoia, was the director of an English import-export firm. Their mother, who spoke fluent French and German, was a good pianist. While pregnant, his mother contacted the measles and died after giving birth to a baby girl who also did not survive. Iannis leaves Rumania for Greece : his father enrolled him in an English-Greek academy on the island of Spetsai. Fall : Xenakis leaves for Athens where he enrolled in a prep school in order to prepare the competition for entering the Athens Polytechnic Institute.
October 12 : the Germans evacuate Greece. Xenakis meets Françoise. the series; Sinta Werner. Thorsten Hümpel - Fotografie. Barbara Kasten. Joel shapiro. Manuel Lima. His first book Visual Complexity: Mapping patterns of information has been translated into French, Chinese, and Japanese. His latest The Book of Trees: Visualizing Branches of Knowledge, published in April 2014 by Princeton Architectural Press, covers over 800 years of human culture through the lens of the tree figure, from its entrenched roots in religious medieval exegesis to its contemporary, secular digital themes. With more than twelve years of experience designing digital products, Manuel has worked for Codecademy, Microsoft, Nokia, R/GA, and Kontrapunkt. He holds a BFA in Industrial Design and a MFA in Design & Technology from Parsons School of Design. During the course of his MFA program, Manuel worked for Siemens Corporate Research Center, the American Museum of Moving Image, and Parsons Institute for Information Mapping in research projects for the National Geospatial-Intelligence Agency.
BARBARA ENGELHARD. HANS SCHABUS. João Pedro Vale. Fiona Banner. Jovan. Artforum 2004. Techniques of Today - Bennett Simpson on Bernadette Corporation (Artforum, September 2004) It is the summer of 2001, and the New York--and Paris-based collective known as Bernadette Corporation has temporarily merged with Le Parti Imaginaire, a faction of post-Situationist militants and intellectuals with links to the burgeoning antiglobalization movement. The two groups have their own distinct practices and motivations, but, for the moment, they are united by the idea of making a film, which is to be set in the seaside Italian city of Genoa, amid the protests and stultifying inconclusiveness that will engulf the G8 Summit that July. The film resists knowing what it is or wants to be. And so its makers improvise, exploring what they call the "potential of community based on a radical refusal of political identity.
" What results is Get Rid of Yourself, an hourlong cine-tract-cum-documentary centering on the experiences and reflections of the so-called Black Bloc. Am I possible? Everything’s gonna be alright, Julien Berthier. Das Pop - The Game. RACHEL SCHRAGIS IS: MIRCEA CANTOR. Tom burr. Brief Epigrams. Www.garlandfielder.com | 2007 portfolio. Untitled (Yellow Contortion) wood & paint, 12"x12" sliced 2007 Untitled (Aqua Contortion) wood & paint, 12"x12" sliced 2007 Untitled (Blue Contortion) wood & paint, 12"x12" sliced 2007 Untitled (Blue & Red Contortions) wood & paint, each 12"x12" sliced 2007 Untitled (Red Contortion) wood & paint, 12"x12" sliced 2007 Untitled (Aqua & Blue Contortions) wood & paint, each 12"x12" sliced 2007 Untitled (Yellow Contortion) wood & paint, each 12"x12" sliced 2007 Spindle 1 Acetate on Mylar & magnets, 18"x18"x1" 2007 Spindle 2 Acetate on Mylar & magnets, 18"x18"x1" 2007 Spindle 3 Acetate on Mylar & magnets, 18"x18"x1" 2007 Untitled wood & paint, 50 "x47" 2007 Untitled wood & paint , 15"x13" 2007 Untitled wood & paint, 17"x17" 2007 Untitled wood & paint, 17"x12" 2007 Untitled wood & paint, 11"x18"x9" 2007 Untitled wood, Vinyl & paint, 50"x66"x24" 2007 Untitled (two pieces) wood, Vinyl & paint, 21"x18"x5" 2007 Untitled (Black Contortion 01) Acrylic on canvas, mounted on wood, 42" x 42" 2007.
Images « hunter stabler. Jean-Marie Straub et Danièle Huillet - des films et leurs sites - Ilya / Emilia Kabakov. Renate Wolff / Räume. Toril Johannessen. Taryn Simon. Renée Green. Renée Green (born 1959, Cleveland, Ohio) is an artist, writer, and filmmaker. Her pluralistic practice spans a broad range of media including sculpture, architecture, photography, prints, video, film, websites, and sound, which normally converge in highly layered and complex installations. Green studied art at Wesleyan University, with an intermediary year at the School of Visual Arts in New York. Green also attended the Radcliffe Publishing Procedures Course, at Harvard University, Cambridge, MA.
In 1989 she was a participant in the Whitney Museum of American Art Independent Study Program (ISP). Green wrote Discourse on Afro-American Art as her graduating thesis from Wesleyan University, a “textual analysis of criticisms, which were written by both Black and White critics from the 1920s and the 1960s.[1]” A seminal influence was Green’s participation in cataloging Sol LeWitt’s donated collection to Wadsworth Atheneum. Work[edit] Projects[edit] Secret (1994). Elsewhere? Awards[edit] : Iñigo Manglano-Ovalle. Selected Work - Doug Aitken Workshop.
Vincent ganivet / expos / lumière noire. FRONT WINDOW : JORGE SANTOS. Michael Hansmeyer - Computational Architecture. Artist's books by Laurent Sauerwein. Amadeo de Souza Cardoso. Amadeo de Souza-Cardoso (14 November 1887 – 25 October 1918) was a Portuguese artist. Life[edit] Amadeo was born in Mancelos, a parish of Amarante.
At the age of 18, he entered the Superior School of Fine Arts of Lisbon and one year later (on his 19th birthday) he went to Paris, where he intended to continue his studies but soon quit the architecture course and started studying painting. By then, he was especially experienced in caricatures. In 1913, Amadeo de Souza Cardoso participated in two seminal exhibitions: the Armory Show in the USA, that travelled to New York City, Boston, and Chicago, and the Erste Deutsche Herbstsalon at the Galerie Der Sturm in Berlin, Germany, directed by Herwarth Walden. Amadeo met with Antoni Gaudí in Barcelona in 1914, and then left for Madrid, where the shock of World War I was already underway.
Work[edit] In 1925, a retrospective exhibition in France of the painter’s artwork was well received by the public and critics. Selected artworks[edit] Main : PRISCILA FERNANDES. Florian Wüst_Homepage. Alexandra Schumacher (Artist) in Berlin (Germany) from Re-title.com. Thomas kilpper | drowning hercules | 2001. Parisart-15-Perrotin-Gabellone-01G-76815.jpg (JPEG-Grafik, 383x500 Pixel) Www.frieze.com/uploads/images/back/guis. S_GG_F_4.jpg. Edwin van der Heide - Home. ChristianMeinke.com. Paintants Corporation - Fabian Marcaccio. Paintants Studio. Georg-Friedrich Kühn: Theater Bremen. Ai Weiwei als Opernausstatter für Alexander von Zemlinskys Einakter-Doppel „Eine Florentinische Tragödie“ & „Der Zwerg“ 04.Oktober 2009 Mit der Oper hatte er bisher keine Berührung – außer mal als Statist bei Zefirelli während seiner Studienzeit in New York.
Dennoch ließ Ai Weiwei auf dieses Experiment sich ein, in Bremen, wo man an der Oper immer mal wieder den Kontakt zur Bildenden Kunst sucht, einen Opernabend auszustatten, sprich die Entwürfe dafür zu zeichnen (Realisation: Monika Gora). Vorgeschlagen hatte die Opernleitung dafür zwei Einakter eines von den Nazis ins Exil Getriebenen, Alexander von Zemlinsky.
In den Spielplänen sind diese Werke nach wie vor nicht heimisch: Zum einen „Eine Florentinische Tragödie“, die Geschichte eines Mordes aus Eifersucht. Ein Kaufmann kommt heim von einer Geschäftsreise, erwischt seine Frau mit einem herzoglichen Liebhaber, und ersticht den nach längerem Hin und Her. Für beide Stücke hat Ai Bilder aus seinem persönlichen Umfeld gefunden. Underwater love : Pedro Guimaraes | Photographer | Copenhagen | Lisbon | London. Reportagens | reportages > últimas reportagens | recent work by fernando guerra - fotografia de arquitectura | architectural photography. Obras de arquitetos como Álvaro Siza, Eduardo Souto de Moura ou Fernando Távora serão exibidas no Museu de Arquitetura e Design Triennale di Milano, em Itália, entre 13 de setembro e 27 de outubro de 2013, no âmbito da exposição Porto Poetic, apoiada pelo Camões, IP.
A exposição tem como principal objetivo “apoiar a internacionalização e a divulgação de obras de arquitetura de arquitetos portugueses da região norte do país, que incluem no seu método projetual o desenho de objetos e mobiliário que complementam a obra”, de acordo com a organização. Assim, serão apresentadas obras de Álvaro Siza, Eduardo Souto de Moura, Fernando Távora, Adalberto Dias, Camilo Rebelo e Tiago Pimentel, Carlos Castanheira, Francisco Vieira de Campos, Isabel Furtado e João Pedro Serôdio, João Mendes Ribeiro, José Carvalho Araújo e Nuno Brandão Costa. BEN GRASSO » Blog Archive » 2007. Marc Quinn.
Welcome to Jaume Plensa's website. PAUL THEK PROJECT. During construction. Thek standing on the bridge that aims to the entrance of the pyramid. There are three other people in the image, two men climbing onto the bridge and a woman at the entrance of the pyramid. Prepared cardboard boxes are piled up on the left shelfs above the radiator. No sand on the floor.
For the work of art © The Estate of George Paul Thek, New York. Subjects: pyramid. Ghost architecture « CUPtopia. A map is a representation of reality, not reality itself. Sometimes it is a projection of reality, a potential reality that has not happened yet. In this case, let’s call it a utopia. Lesson / Koan : Pablo Valbuena combines the best of both worlds. Just like a cartographer, Pablo Valbuena bases himself on existing spaces. Like an architect, he draws lines to expand this space. This way, he unites the actual and the virtual in one and the same reality. ‘Extension Series’ projects a virtual space onto the actual space. All of these projections form a mise en abyme. Blank walls suddenly have windows. Projections in the city – think lighthouses in the harbour, lasers at a nightclub – or in a space – think the movie theatre, home cinema – are like beacons. Trained as an architect, Pablo Valbuena has been linked to tangent fields related to art and architecture developing spatial concepts applied to virtual environments and digital architecture.
Augmented Sculpture Series. Gean Moreno, Farewell to Function: Tactical Interiors / Journal. Gean Moreno Disorientation: We Are Almost There Many of the more prominent artworks produced in the last decade or so are characterized by a recasting of what were once called installations as something closer to interiors, relegating the installation to a supportive role that places meaning in the service of activity. From an artwork spread out everywhere we turn to one that is located very precisely in the features that can be said to make up the space—the walls, the furnishings, the floor coverings, the display structures, the shelves. Whether it’s the artwork as lecture hall, museum lobby, bookshop, screening room, library, dining hall, video store, or rec room, one finds a consistent engagement with architecture’s interior spaces and conventional typologies.
But this repeated rendezvous has been mostly a dance of half steps—these “interiors” don’t so much use site as setting and material as put a new skin on it. Carsten Holler, The Double Club, 2008-2009. Archizoom, Dream Beds, 1967. Robert Wilson, Tom Waits & William S. Burroughs - The Black Rider (1992) Duration: 136'13" This is a TVRip of the Austrian broadcast of the original Black Rider musical, performed in 1990 as part of the Wiener Festwochen. There is a 7-minute introduction in German, and the dialogue and music is in both German and English. The Black Rider: The Casting of the Magic Bullets is a self-billed "musical fable" in the avant-garde tradition created through the collaboration of theatre director Robert Wilson, musician Tom Waits, and writer William S.
Burroughs. Wilson was largely responsible for the design and direction. Burroughs wrote the book, while Waits wrote the music and lyrics. Wilhelm, a file clerk, falls in love with a huntsman's daughter. Although based on folklore, the story contains strong autobiographical elements from Burroughs' own life: he accidentally shot his own wife in a drunken attempt at recreating the William Tell legend, and the story as a whole may be construed as a warning tale about the destructive powers of addiction. Project details - Amie Dicke. Zaha Hadid Architects. EXHIBITION VIEW [NANZUKA UNDERGROUND] __________________ | indivisível.
ARTHUR NESTROVSKI. Home. Www.jano3.de/berndscheffler/images/kunst_von_anderen/reinhard_mucha/das-deutschlandgeraet.1990.1. Starn Studio. Francis Picabia - The Cacodylic Eye - L'Oeil cacodylate - 1921. Filip Dujardin Photography.