Gypsies in England. Beauty Icons of the Century. Beauty Icons of the Century: A painfully beauteous photoblog Style.com has this amazing feature called Beauty Icons, a monthly look at the faces that have made history. the most stylish, inspiring and unforgettable beauties of our time. that page is probably my most frequented part of the whole site. the chosen women are undoubtedly icons, and are in no way conventional. many have had a palpable effect on how we now perceive beauty and personal style. here are my absolute favorite photos of the entire series. click on the photos for their stories.
Amelia Earhardt “Indeed, her slight frame and boyish crop of tousled hair led to comparisons with Charles Lindbergh—her generation’s other great pilot. But behind those goggles “Lady Lindy” was a true beauty, with silver-dollar eyes, a slender neck, and freckles scattered across a button nose.” Björk “Björk’s striking appearance is as singular as her sound. Sophia Coppola “‘She is young and sweet and beautiful,’ Marc Jacobs has said. Swick ? 12 Of The Most Iconic Photographs Ever Taken.
Timothy H. O’Sullivan – Battle of Gettysburg This photograph has become synonymous with The Battle of Gettysburg, which was the most bloody battle of the American Civil War. Photographer Timothy H. O’Sullivan documented and recorded the battlefield, and this picture became a sensation. For many, this was their first chance to see, first hand, the true extent of the Civil War. Lawrence Beitler – Lynching Lawrence Beitler took this iconic photograph on August 7, 1930, showing the lynching of Thomas Shipp and Abram Smith. Joe Rosenthal – Raising the Flag on Iwo Jima Raising the Flag on Iwo Jima is an historic photograph taken on February 23, 1945, by Joe Rosenthal. Alberto Korda – Che Guevara Alberto Korda’s well known photograph of Marxist revolutionary Che Guevara, titled ‘Guerrillero Heroico’ or ‘Heroic Guerrilla’ has become a symbol of the 20th centry. Eddie Adams – Nguyễn Ngọc Loan executing Nguyễn Văn Lém If you like this, check out all our other posts Moon Landing.
Shooting Strangers in Orchard Road. When I’m out on the streets, I often encounter faces that make me look twice; faces that stand out in the crowd without trying; faces that are out of the ordinary.
They range from the exquisitely beautiful to the strangely wonderful. I started to approach these strangers for permission to take a photo of them. Some said no, but most said yes. After taking their portrait, I’d say ‘thank you’ and walk on along. I didn’t ask for their names, or where they came from, or what they do, because I wanted the viewers to see them how I saw them: as beautiful strangers. Read more about the project here. To view all the other photos, please visit my facebook set here or my flickr set here. I saw her sitting on the stairs outside of a mall, talking with her friend. Фото и рисунки, арт и креативная реклама. Photographersrights. 1.
You can make a photograph of anything and anyone on any public property, except where a specific law prohibits it. e.g. streets, sidewalks, town squares, parks, government buildings open to the public, and public libraries. 2. You may shoot on private property if it is open to the public, but you are obligated to stop if the owner requests it. e.g. malls, retail stores, restaurants, banks, and office building lobbies. 3. Private property owners can prevent photography ON their property, but not photography OF their property from a public location. 4. Anyone can be photographed without consent when they are in a public place unless there is a reasonable expectation of privacy. e.g. private homes, restrooms, dressing rooms, medical facilities, and phone booths. 5.
Фото и рисунки, арт и креативная реклама. Jonathan Hobin is an Ottawa-born art director and photographer.
In the Playroom is a metaphor for the impossibility of a protective space safe from the reach of modern media. The quizzical disposition of youth and the pervasive nature of the media are symbolically represented in images through tableau-vivant re-enactments of the very current events that adults might wish to keep out of their child’s world. The photographs in this new series are visual echoes of iconic media imagery that has had an immeasurable effect on our culture. The images are deliberately staged constructions full of arresting detail designed to underscore the infiltration of modern media into the corners of the everyday. With children cast as the central players, Jonathan Hobin hopes to prompt viewers to think about the first time they heard about or saw the aftermath of current events and to imagine how a child with limited context and experience might perceive the same event.
28317-1287430350-3.jpg (JPEG Image, 600x432 pixels) Netherlands_water_H1.jpg (JPEG Image, 1606x1706 pixels) - Scaled (37%) Festival of Colors.