Arduino Cantafora - A.A.M. Galleria Roma. Teatro, 1978,Olio su tavola, 30x20 cm. Studio per portici, 1979,Penna su foglio di block-notes, 21x15 cm, incollato su cartoncino 30x21 cm. Recto: Assonometria per la casa dell'Acqua, 1979,Verso: Piante per la casa del Sole nascente, 1979. Recto: Pianta di due portici contigui, 1979,Verso: 4° Studio per un piccolo atrio, 1979. Recto: Vari studi per la casa dell'acqua, 1979,Verso: Studio per un locale, 1979.
Pianta per un ospedale, 1979,Penna su foglio di block-notes, 17x22,5 cm, incollato su cartoncino 21x30 cm. Pianta per un'Arena, 1979,Penna su foglio di block-notes, 17x23 cm, incollato su cartoncino 21x30 cm. Spaccato dell'Arena, 1979,Penna e pennarelli su foglio di block-notes, 17,3x22,7 cm, incollato su cartoncino 21x30 cm. Casa del Sole nascente + Casa dell'Acqua, 1979,Penna e pennarelli su foglio di block-notes, 17,2x22,9 cm, incollato su cartoncino 21x30 cm. 1° studio per un portico, 1979,Penna e pennarelli su foglio di block-notes, 15,6x21,4 cm, incollato su cartoncino 30x21 cm. Jasper Johns: An Allegory of Painting, 1955–1965. Motifs This exhibition explores the first decade of the work of Jasper Johns. It is not, however, a survey of Johns’ painting between 1955 and 1965. Instead, it concerns groups of works that intersect through Johns’ use of four related motifs: the target (a readymade image); the “device” (the pivoted slat used to scrape paint); the stenciled naming of colors; and the cast or imprint of the body.
Each motif manifests or stands for a quasi-mechanical procedure: rotation (target); appending an object (device) and scraping paint; stenciling language (naming of colors); imprinting the face, feet, and above all, the artist’s hand. These motifs appear either alone or together in various combinations, and they constitute an inventory of operations for art-making through which Johns can be said to have evaded conventions of both abstraction and figuration, while engaging elements of both. In Periscope (Hart Crane) Johns combined all four motifs. Jasper Johns Paintings - ArtinthePicture.com. Erro. Horst Egon Kalinowski. The Collection | Sophie Taeuber-Arp. (Swiss, 1889-1943)
The Collection | Sophie Taeuber-Arp. Échelonnement désaxé. (1934. The Collection | Horst-Egon Kalinowski. (German, born 1924) 8,541 Artists and 51,682 Works Online SaveNot on view Number or Germ? 1963 SaveNot on view Lunar Code 1963 If you are interested in reproducing images from The Museum of Modern Art web site, please visit the Image Permissions page (www.moma.org/permissions). For additional information about using content from MoMA.org, please visit About this Site (www.moma.org/site). © Copyright 2011 The Museum of Modern Art. La collection en ligne du Centre Pompidou - Mus e national d'art.
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