Unisonic Ascension - Beyond Meditation - Solfeggio These Solfeggio meditations are a modern adaptation of the ancient Solfeggio scale. They are combined with Unisonic Ascension’s: Gamma, Alpha, Theta and Delta binaural beat brainwave entrainment, precisely tuned to these Solfeggio frequencies. Composing music in the full ancient Solfeggio scale, as these tracks are, means having to tune each musical note and frequency separately. Great care has been taken to make sure these tunings are 100% accurate. 396 Hz – Releasing emotional patterns. 417 Hz – Breaking up crystallized emotional patterns. 528 Hz – Love frequency “DNA integrity and repair”. 639 Hz – Whole brain quadrant interconnectedness. 741 Hz – Intuitive states & non-linear knowing. 852 Hz – Pure love: unconditional love and returning to Spiritual Order. Solfeggio Music User Guides The Solfeggio frequencies are from an ancient musical scale used in ancient music, chants and ceremonies. Listening to them with stereo headphones is sure to take you “Beyond Meditation”
Arthur Schopenhauer Life[edit] Schopenhauer's birthplace house, ul. Św. Ducha (formerly Heiligegeistgasse) In 1814, Schopenhauer began his seminal work The World as Will and Representation (Die Welt als Wille und Vorstellung). He finished it in 1818 and published it the following year. While in Berlin, Schopenhauer was named as a defendant in a lawsuit initiated by a woman named Caroline Marquet.[18] She asked for damages, alleging that Schopenhauer had pushed her. In 1821, he fell in love with nineteen-year old opera singer, Caroline Richter (called Medon), and had a relationship with her for several years. Schopenhauer had a notably strained relationship with his mother Johanna Schopenhauer. Grave at Frankfurt Hauptfriedhof Schopenhauer had a robust constitution, but in 1860 his health began to deteriorate. Thought[edit] Philosophy of the "Will"[edit] Schopenhauer in 1815, second of the critical five years of the initial composition of Die Welt als Wille und Vorstellung Art and aesthetics[edit] Ethics[edit]
Hans Jenny -- Cymatics -- John Stuart Reid rexresearch.com Hans JENNY Cymatics Cymatics Cymatics is the study of wave phenomena. It is typically associated with the physical patterns produced through the interaction of sound waves in a medium. A simple experiment demonstrating the visualisation of cymatics can be done by sprinkling sand on a metal plate and vibrating the plate, for example by drawing a violin bow along the edge, the sand will then form itself into standing wave patterns such as simple concentric circles. The higher the frequency, the more complex the shapes produced, with certain shapes having similarities to traditional mandala designs. History of Cymatics The study of the patterns produced by vibrating bodies has a venerable history. John S.
Kundalini Kundalini Kundalini is a Sanskrit word meaning either "coiled up" or "coiling like a snake." There are a number of other translations of the term usually emphasizing a more serpent nature to the word - e.g. 'serpent power'. The caduceus symbol of coiling snakes is thought to be an ancient symbolic representation of Kundalini physiology. The concept of Kundalini comes from yogic philosophy of ancient India and refers to the mothering intelligence behind yogic awakening and spiritual maturation. Within a western frame of understanding it is often associated with the practice of contemplative or religious practices that might induce an altered state of consciousness, either brought about spontaneously, through a type of yoga, through psychedelic drugs, or through a near-death experience. According to the yogic tradition Kundalini is curled up in the back part of the root chakra in three and one-half turns around the sacrum. This appearance is also referred to as "pranic awakening". ShareThis
Vibrational Science Library (Source Materials Studied Before Designing The ASRCR) (Title First For Easy Identification) 1. Mystery of the Seven Vowels, Jocelyn Godwin, Phanes Press, Grand Rapids, MI. 1991 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25. 26. 27. See also Brainstates (reference 7) 28. 29. 30. 31. 32. 33. 34. 35. 36. 37. 38. 39. 40. 41. 42. 43. 44. 45. 46. 47. 48. 49. 50. 51. 52. 53. 54. 55. 56. 57. 58. 59. 60. 61. 62. 63. 64. 65. 66. 67. 68. 69. 70. 71. 72. 73. 74. 75. 76. 77. 78. 79. 80. 81. 82. 83. 84. 85. 86. 87. 88. 89. 90. 91. 92. 93. 94. 95. 96. 97. 98. 99. 100. 101. 102. 103. 104. 105. 106. 107. 108. 109. 110. 111. 112. 113. 114. 115. 116. 117. 118. 119. 120. An Imaginary Tale: The Story of √-1, Paul J. 122. 123. 124. 125. 126. 127. 128. 129. 130. 131. 132. 133. 134. 135. 136. 137. 138. 139. 140. 141. 142. 143. 144. 145. 146. 147. 148. 149. 150. 151. 152. 153.Guided Imagery and Music Therapy, Helen Bonny, The Bonny Foundation, www.bonnyfoundation.com. 154.
Golden ratio Line segments in the golden ratio In mathematics, two quantities are in the golden ratio if their ratio is the same as the ratio of their sum to the larger of the two quantities. The figure on the right illustrates the geometric relationship. Expressed algebraically, for quantities a and b with a > b > 0, The golden ratio is also called the golden section (Latin: sectio aurea) or golden mean.[1][2][3] Other names include extreme and mean ratio,[4] medial section, divine proportion, divine section (Latin: sectio divina), golden proportion, golden cut,[5] and golden number.[6][7][8] Some twentieth-century artists and architects, including Le Corbusier and Dalí, have proportioned their works to approximate the golden ratio—especially in the form of the golden rectangle, in which the ratio of the longer side to the shorter is the golden ratio—believing this proportion to be aesthetically pleasing (see Applications and observations below). Calculation Therefore, Multiplying by φ gives and History
SomaEnergetics Sound Therapy Courses & Solfeggio Tuning Forks - OFFICIAL SITE! Alan Watts