Mina Harker In the novel[edit] She begins the story as Miss Mina Murray, a young school mistress who is engaged to Jonathan Harker, and best friends with Lucy Westenra. She visits Lucy in Whitby on July 24 of that year, when schools would have closed for the summer. After her fiancé Jonathan escapes from Count Dracula's castle, Mina travels to Budapest and joins him there. Mina cares for him during his recovery from his traumatic encounter with the vampire and his brides, and the two return to England as husband and wife. Mina and Jonathan join the coalition around Abraham Van Helsing, and turn their attentions to destroying the Count. Dracula flees back to his castle in Transylvania, followed by Van Helsing's gang, who kill him just before sunset. In other media[edit] Mina (or a similar character) has appeared in most film adaptations of Stoker's novel. In Stoker's original novel, Mina Harker recovers from the vampire's curse upon Dracula's death. Books[edit] Film[edit] In F. TV[edit] Music[edit]
V for Vendetta Publication history[edit] When the publishers cancelled Warrior in 1985 (with two completed issues unpublished due to the cancellation), several companies attempted to convince Moore and Lloyd to let them publish and complete the story. In 1988, DC Comics published a ten-issue series that reprinted the Warrior stories in colour, then continued the series to completion. The first new material appeared in issue No. 7, which included the unpublished episodes that would have appeared in Warrior No. 27 and No. 28. Background[edit] David Lloyd's paintings for V for Vendetta in Warrior originally appeared in black-and-white. Cover of Warrior#19, highlighting the comic's conflict between anarchist and fascist philosophies. In writing V for Vendetta, Moore drew upon an idea for a strip titled The Doll, which he had submitted in 1975 at the age of 22 to DC Thomson. Plot[edit] Book 1: Europe After the Reign[edit] Book 2: This Vicious Cabaret[edit] Book 3: The Land of Do-As-You-Please[edit] V[edit]
James O'Barr James O'Barr (born January 1, 1960) is an American graphic artist, best known as the creator of the comic book series The Crow.[1] Personal life[edit] O'Barr, an orphan, was raised in the foster care system.[2] He studied Renaissance sculpture, live models and photographic still lifes. In the 1990s O'Barr was affiliated with the experimental metal band Trust Obey, which was signed briefly to Trent Reznor's Nothing label before the band was dropped. As of the mid-2000s, O'Barr resides in Dallas with his daughter.[3] The Crow[edit] O'Barr's own hope that his project would result in a personal catharsis went unfulfilled, he told an interviewer in 1994, saying, "[A]s I drew each page, it made me more self-destructive, if anything....There is pure anger on each page".[6] The Crow has sold more than 750,000 copies worldwide.[7] Acclaim[edit] O'Barr was the second American to be awarded the "Storyteller Award" by the International Comic Festival held annually in Angoulême, France. Sundown[edit]
Allan Quatermain Allan Quatermain is the protagonist of H. Rider Haggard's 1885 novel King Solomon's Mines and its various prequels and sequels. Allan Quatermain was also the title of a book in this sequence. History[edit] Allan Quatermain, having waited until the last minute, orders his men to fire in this illustration by Thure de Thulstrup from Maiwa's Revenge (1888) The character Quatermain is an English-born professional big game hunter and occasional trader in southern Africa, who supports colonial efforts to spread civilization in the Dark Continent, though he also favours native Africans having a say in their affairs. In the earliest-written novels, native Africans refer to Quatermain as Macumazahn, meaning "Watcher-by-Night," a reference to his nocturnal habits and keen instincts. Appearance and character[edit] The series spans 50 years of Quatermain's life, from 18 to 68; at the start of the foundation novel King Solomon's Mines, he has just turned 55. Series[edit] Allan Quatermain (1887)[edit]
Nineteen Eighty-Four History and title[edit] A 1947 draft manuscript of the first page of Nineteen Eighty-Four, showing the editorial development. The Last Man in Europe was an early title for the novel but in a letter dated 22 October 1948 to his publisher Fredric Warburg, eight months before publication, Orwell wrote about hesitating between The Last Man in Europe and Nineteen Eighty-Four.[14] Warburg suggested changing the main title to a more commercial one.[15] Copyright status[edit] The novel will be in the public domain in the European Union and Russia in 2021 and in the United States in 2044.[21] It is already in the public domain in Canada;[22] South Africa,[23] Argentina[24] Australia,[25] and Oman.[26] Background[edit] The banner of the Party in the 1984 film adaptation of the book (I) the upper-class Inner Party, the elite ruling minority, who make up 2% of the population. As the government, the Party controls the population with four ministries: Plot[edit] Characters[edit] Principal characters[edit]
M. John Harrison Early years[edit] Harrison was born in Rugby, Warwickshire in 1945 to an engineering family.[1] His father died when he was a teenager and he found himself "bored, alienated, resentful and entrapped", playing truant from Dunsmore School (now Ashlawn School).[1] An English teacher introduced him to George Bernard Shaw and he was immediately "hooked on polemic".[1] He left school in 1963 at age 18; he worked at various times as a groom (Atherstone Hunt), a student teacher (1963–65), and a clerk for the Royal Masonic Charity Institute, London (1966). His hobbies included dwarfs, electric guitars and writing pastiches of H. H. Munro.[2] His early interest in dwarfs continued through various of his novels, via characters such as Arm the Dwarf in The Committed Men, Choplogic the dwarf in the Viriconium series, and so on. The New Wave science fiction movement[edit] The 1970s[edit] Harrison's first novel of the Viriconium sequence (see below), The Pastel City also appeared in 1971. The 1980s[edit]
List of The League of Extraordinary Gentlemen characters Overview[edit] Character's name Original source/authorAppearances or mention in the League universeBrief biography/overviewNotes The appearances key is: V1I1: Volume I, Issue #1 (example)V1C: Volume I cover (example)V1I2BC: Volume I, Issue #2, Back Cover (example)V1S: Volume I supplemental materials (example)ASV: Allan and the Sundered VeilNTA: The New Traveller's AlmanacBD: The Black DossierMIM: Minions of the MoonNHI: Nemo: Heart of IceNRB: Nemo: The Roses of BerlinT: Tales of The League of Extraordinary Gentlemen An italicised appearance is either a graphic novel or film appearance where the character is only mentioned in dialogue or otherwise referenced but not shown or a text story appearance where the character is mentioned either briefly or indirectly. A[edit] Alice's Adventures in Wonderland and Through the Looking-Glass, Lewis CarrollNTAMentioned in The New Traveller's Almanac, which suggests that Wonderland is somewhere underneath England and/or in a parallel universe. Ayesha[edit]
George Orwell English author and journalist (1903–1950) Eric Arthur Blair (25 June 1903 – 21 January 1950), better known by his pen name George Orwell, was an English novelist, essayist, journalist, and critic.[1] His work is characterised by lucid prose, social criticism, opposition to totalitarianism, and support of democratic socialism.[2] Blair was born in India, and raised and educated in England. After school he became an Imperial policeman in Burma, before returning to Suffolk, England, where he began his writing career as George Orwell—a name inspired by a favourite location, the River Orwell. He lived from occasional pieces of journalism, and also worked as a teacher or bookseller whilst living in London. From the late 1920s to the early 1930s, his success as a writer grew and his first books were published. Life[edit] Early years[edit] Blair family home at Shiplake, Oxfordshire In January, Blair took up the place at Wellington, where he spent the Spring term. Policing in Burma[edit] Andrew N.
Alasdair Gray Gray's works combine elements of realism, fantasy, and science fiction, plus clever use of typography and his own illustrations. He has also written on politics, in support of socialism and Scottish independence, and on the history of English literature. He has been described by author Will Self as "a creative polymath with an integrated politico-philosophic vision",[5] and as "a great writer, perhaps the greatest living in this archipelago today"[6] and by himself as "a fat, spectacled, balding, increasingly old Glasgow pedestrian".[7] Life[edit] Book cover designed and illustrated by Alasdair Gray. Gray was born in Riddrie, east Glasgow. Gray illustrates his books himself, and has produced many murals as well as paintings. He has been married twice: firstly to Inge Sorenson (1961–1970), and since 1991 to Morag McAlpine. He produced the ceiling mural for The Auditorium of the Oran Mor on Byres Road in Glasgow, one of the largest works of art in Scotland. [1] Quotes[edit] "That's suicide!"
Griffin (The Invisible Man) Dr Jack Griffin is a fictional character, also known as The Invisible Man, who appears as the protagonist in H.G. Wells' 1897 science fiction novela The Invisible Man. In the original novel, Griffin is a scientist whose research in optics and experiments into changing the human body's refractive index to that of air results in his becoming invisible. The character has become an iconic character, particularly in horror fiction, and versions of it have appeared throughout various media. Griffin is a gifted young university medical student with albinism, who studies optical density. He believes he is on the verge of a great scientific discovery, but feels uncomfortable working under his professor. To finance his experiments, Griffin robs his own father. Now driven insane by his inability to reverse the experiment, Griffin seeks assistance from a tramp named Thomas Marvel. Furious, Griffin vows to kill Kemp. Jack Griffin works for Dr. The Invisible Man appears in Mad Monster Party?
DÉFINITION Developing a Solid Third Person Point of View | Ellen Brock Point of view is one of the biggest issues I see in my client’s manuscripts. Writers working in first person tend to do pretty well, but those writing in third person tend to have a problem – they blend third person limited with omniscient. Now last week I went over the differences between head hopping and omniscient POV, but today I want to look at how writers can blend third limited and omniscient without even realizing it. This blending can keep your work stuck at an amateur level and could be a red flag for agents and editors. Let’s start by looking at an example: Jane couldn’t take it anymore. So this excerpt blends omniscient and third person limited pretty badly. Here’s the same passage again with the third person limited in blue, omniscient in orange, and neutral lines in black: There is a lot of jumping in this passage between third limited and omniscient. So how can you fix it? If you want to write in omniscient: If you want to write in third limited: Like this: Like Loading...