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Brody Associates Design You Trust. Design, Culture & Society. niklaus troxler interview niklaus troxler was born in willisau, switzerland in 1947, where he formed his eponymous studio at the age of 26 after studying graphic design at the art school of lucerne. since then he has become renowned for his poster designs, which can be found in the collections of the museum of modern art new york, toyama museum of modern art japan and the stadedeljk museum amsterdam among others. he told designboom about his design process and influences. DB: what was the thing that initially made you want to be a graphic designer?NT: when I was around fifteen years old I was very impressed by all the posters I saw in the streets of willisau and they made me want to design posters myself. the greatest influence on me at that time the work of herbert leupin and hans falk. DB: how would you describe your work to someone unfamiliar with it? DB: which project or period of your career have you enjoyed the most thus far? left: european jazz unity, 1972right: don pullen, 1978
MAREK OKON : DESIGN + ART DIRECTION Lovely Package | Curating the very best packaging design Mr CUP : Inspiration . Creation . Emotion / The work, the shop & the blog of Fabien Barral paone design associates : poster illustrations - troxlerart.ch click for details illustrations 2016-Ilustration for WOZ: Soundtracks for computer games2016-Ilustration for WOZ: Black Protestsongs2016-Illustraton for WOZ: Soundtracks for fitness and aerobic2016-Illustration for WOZ: Soundtracks in Shopping Centers2016-Illustration for WOZ: Soundtracks in Films2014-Wachtmeister Studer2014-Family 32014-Family 22014-Family 12013-Landscape. Water color2013-Drummer2013-Dreaming in the park. Water color2013-Berlin, park. Water color2013-Berlin street.
Book Cover Archive leonardo sonnoli 2001, 98 x 68, two side, offset. Poster-tribute to Gianfranco Grignani one of the most influential italian graphic designer of the post war, made in occasion of a lecture on his work. He was the author of the pure wool mark, and was deeply interested in visual perception. 2002, 98 x 68, two side, offset. Poster-tribute to albe steiner made in occasion of the exhibition in bolzano. The poster was made for the students as info tool 2005, 98 x 68, offset, 3 colors front and back. poster printed front and back for a lecture in Ljubljana (Slovenia) on history and letters as method to design. 2004, 68×98, series of 3+1, offset + kraft paper putted up. series of three posters for an exhibition on the italian architect Lina Bo Bardi in Venice. 2004, Offset + varnish + dry cutted letters. “a letter takes on the meaning of the word it composes and the content it relays. typography without content is not even an exercise in style; it is simply an “unaesthetic” exercise. 2003, 96×98, offset. S.