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Indonesian folk music

Indonesian folk music

KLEZMER MUSIC Klezmer music originated in the 'shtetl' (villages) and the ghettos of Eastern Europe, where itinerant Jewish troubadours, known as 'klezmorim', performed at joyful events ('simkhes'), particularly weddings, since the early middle age till the Nazi and Stalinian prosecutions. It was inspired by secular melodies, popular dances, 'khazones' (khazanut, Jewish liturgy) as well as by the 'nigunim', the simple and often wordless melodies, intended by the 'Hasidim' (orthodox Jews) for approaching God in a kind of ecstatic communion. In (mutual) contact with Slavic, Greek, Ottoman (Turkish), Gypsy and -later- American jazz musicians, using typical scales, tempo and rhythm changes, slight dissonance and a touch of improvisation, the 'klezmorim' acquired the ability to evoke all kinds of emotions, through a very diversified music. back home "Klezmer: it's not just music - it's a way of life!" A klezmer kapelye (~1910) Attention, please: Pronounce 'kleZmer' and not 'kleTzmer'! Feidman Although

Great Highland Bagpipes History When one thinks of Ireland, its national symbol, the Celtic harp, springs immediately to mind. In the case of Scotland, the same can be said of the Great Highland Bagpipes. Across all continents, more than 200 different varieties of bagpipes are being played today. In every corner of the world where Celtic people have settled, the bagpipes or Piob have been absorbed into and become an important part of the culture. Over the centuries, as people have migrated from country to country along the major trade routes, the bagpipes made the journey with them. Earliest Origins The earliest physical evidence for the existence of the bagpipes is an engraved rendering in Chaldean sculptures dating back to 4000 B.C. The earliest forerunners of the Great Highland Bagpipes—simple, mouth-blown reed pipes—had emerged in the Near East and Egypt by 2500 B.C. Instrument of War Among classical civilizations, the Romans are the best-known advocates of using pipes in battle. Scotland: The Early Centuries

traditional musical instruments indonesia ~ AejicShare Angklung is a musical instrument multitonal (double pitched) is traditionally grown in theSundanese-speaking community in the western part of Java Island. This musical instrument made ​​of bamboo, sounded shaken by the way (the sound caused by impactbodies of bamboo pipes) so as to produce a vibrating sound in the arrangement of tones2, 3, and 4 tones in every size, both large and small. Angklung is listed as Masterpieces ofthe Oral and Cultural Heritage of UNESCO Human Nonbendawi since November 2010. Calung is a Sundanese musical instrument which is a prototype (prototype) of theangklung. Unlike the angklung is played by shaken, beating calung way is to hit the rod(wilahan, blades) of the joints (bamboo tubes) are arranged according to the barrel titi(scales) pentatonic (da-mi-na-ti-la) . Gamelan is a musical ensemble that usually highlight metallophones, xylophone, drums, and gongs. Rebana (Java Language: Fly) is a round drum-shaped and flat. Sasando is a stringed musical instrument.

Note Michael Blake (composer) Michael Blake (b. 1951 in Cape Town) is a South African contemporary classical music composer. The composer studied at the University of the Witwatersrand in Johannesburg and lectured at Goldsmiths College, University of London. He returned to South Africa in 1998 and settled in Grahamstown where he teaches composition and is director of the annual contemporary music festival, New Music Indaba. At the 1999 meeting of the International Society for Contemporary Music held in Bucharest, Blake made a successful bid for South Africa’s re-entry into the ISCM after an absence of nearly four decades. His music, based on 20th-century music, is also influenced by African music.[1] Kwela (1992) First version: string orchestra, Second version: elastic scoringOut of the Darkness (1993-94) for piano and small orchestraRemix (1998) for two solo violins and string orchestra

Russmus: About Russian Traditional Music Russian music includes a variety of styles: from ritual folk song, to the sacred music of the Russian orthodox church, and also included the legacy of several prominent 19th century classical and romantic composers. Major contributions by 20th century Soviet composers as well as various forms of popular music are also part of the make-up of Russian music. 18th and 19th century: Russian Classical music Russia has a history of classical music innovation. 20th century: Soviet music After the Russian Revolution, Russian music changed dramatically. Film soundtracks produced a significant part of popular Soviet/Russian songs of the time, as well as of orchestral and experimental music. Music publishing and promotion in Soviet Union was a state monopoly. 21st century: Modern Russian music Russian pop music is well developed, and enjoys mainstream success via pop music media such as MTV Russia, Muz TV and various radio stations. From: Music of Russia

Search Detail The music of Indonesia is as profoundly diverse and magnificent as its geography, religion, and culture. "Bhinneka Tunggal Ika" is a national motto in the old Javanese language that means, "Unity in Diversity." Diversity of styles is a trademark of Indonesian music. The role of the gamelan orchestra throughout the Indonesian archipelago is quite extensive and important. Gamelan music is associated with social events that serve as an important transitional point in a person's life or community rather than simply serving as entertainment. For example, gamelan music is employed to commemorate a day of ritual importance. Throughout Indonesia, it is common to find the gamelan orchestra used for similar purposes from one island to the next. Although Indonesian vocal and instrumental music have obvious cross-regional similarities, the large disparity among music-cultures from one island to another or with various regions on one island has also become socially and culturally problematical.

Klezmer Music 101 - Jewish Traditions By Megan Romer Updated October 04, 2016. Originally, the word "klezmer," from the Yiddish language, meant "vessel of song" and later, simply "musician." What Does Klezmer Music Sound Like? Klezmer music is intended to replicate the human voice including sounds of crying, wailing and laughing. Non-Traditional Influences on Klezmer Music Klezmer music draws on centuries-old Jewish traditions and incorporates various sounds of music from European and international traditions, including Roma (gypsy) music, Eastern European folk music (particularly Russian music), French Cafe music and early jazz. continue reading below our video Dancing to Klezmer Music Klezmer music is made for dancing. These klezmer pieces are meant for dancing, including fast and slow tempos: Freylekhs are the most popular klezmer dances and they are done in a circle while the piano, accordion or bass plays an "oom-pah" beat. Klezmer Music and the Holocaust Recommended Klezmer Music Starter CDs

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