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Jewish Klezmer Music

Jewish Klezmer Music

Klezmer Music 101 - Jewish Traditions By Megan Romer Updated October 04, 2016. Originally, the word "klezmer," from the Yiddish language, meant "vessel of song" and later, simply "musician." What Does Klezmer Music Sound Like? Klezmer music is intended to replicate the human voice including sounds of crying, wailing and laughing. Non-Traditional Influences on Klezmer Music Klezmer music draws on centuries-old Jewish traditions and incorporates various sounds of music from European and international traditions, including Roma (gypsy) music, Eastern European folk music (particularly Russian music), French Cafe music and early jazz. continue reading below our video Dancing to Klezmer Music Klezmer music is made for dancing. These klezmer pieces are meant for dancing, including fast and slow tempos: Freylekhs are the most popular klezmer dances and they are done in a circle while the piano, accordion or bass plays an "oom-pah" beat. Klezmer Music and the Holocaust Recommended Klezmer Music Starter CDs

Klezmer Bands | List of Best Klezmer Artists/Groups Klezmer artists list, with photos, ranked best to worst by votes. List of good klezmer bands includes a filter so you can sort by the groups’s label and what albums they've put out. This list of the top klezmer bands in the world includes all musicians who have released recordings that have gotten distribution, and is an up-to-date list. You can click on the klezmer band names to see more information about that particular notable klezmer group. This list has a variety of artists in it, from Itzhak Perlman to Tim Sparks. All important, significant and iconic names in klezmer music history deserve your votes, so make sure to choose wisely. The list includes all new klezmer bands, and if there are any missing on the list, you can always add them yourself. This list answers the questions "who are the best klezmer bands of all time?"

Note Celtic Music Radio 1530 AM | Kelzmer Klezmer Klezmer (Yiddish: כליזמר or קלעזמער (klezmer), pl.: כליזמרים (klezmorim), כליזמר from Hebrew: כלי זמר‎ — instruments of music) is a musical tradition of the Ashkenazi Jews of Eastern Europe. Played by professional musicians called klezmorim, the genre originally consisted largely of dance tunes and instrumental display pieces for weddings and other celebrations. In the United States the genre evolved considerably as Yiddish-speaking Jewish immigrants from Eastern Europe, who arrived between 1880 and 1924,[1] met and assimilated American jazz. During the initial years after the klezmer revival of the 1970s, this was what most people knew as klezmer, although in the current century musicians have begun paying more attention to the "original" pre-jazz traditions as revivalists including Josh Horowitz, Yale Strom, and Bob Cohen have spent years doing field research in Eastern/Central Europe. Etymology[edit] Style[edit] History[edit] Klezmer musicians in Jerusalem Repertoire[edit]

What Instruments Are Played in Klezmer Music? Klezmer music is a Yiddish folk music that developed during the renaissance in Eastern Europe. The style features mainly acoustic instruments, though modern American takes on the style incorporate drums and vocals into the blueprint, as well. Because of its origins, klezmer is still considered a form of Jewish music, and is frequently heard at Jewish weddings and other functions. Violin The violin sits at the heart of klezmer music. Hammered Dulcimer An ancient instrument different from the picked Appalachian dulcimer present in bluegrass sounds, the hammered dulcimer is a large stringed-instrument that musicians play by striking strings with drumstick-like hammers. Accordion Although it's a more recent addition to klezmer music, accordions provide another layer of melodies. Clarinet American klezmer revivalists embraced the clarinet's steadfast sound and octave range as the genre found a home in America. Drums Drums are a modern and recent addition to the klezmer band. Brass Upright Bass

Australia Beiguan (music) Beiguan (北管; pinyin: Běiguǎn; Taiwanese: Pak-kóan) is a type of traditional music, melody and theatrical performance between the 17th and mid-20th centuries. It was widespread in Zhangzhou (the southern part of China's Fujian province) and Taiwan. By the early 21st century its popularity had declined precipitously. Beiguan usually uses the following instruments: two suona (oboes), bangzi (woodblock), daluo (large bossed gong), xiaoluo (small gong), bangu (high-pitched drum), tonggu (small drum), xiaobo (small cymbals), and dabo (large cymbals). Article about Beiguan Nanguan

Indonesia Music Introduction to Traditional Music-Beiguan Among the four subcategories of pak-koán, first is the percussion and wind ensemble music which is also called guchuiyue (鼓吹樂, lit. music of drums and wind instruments) in Mandarin. It is played by an ensemble that consists of gongs, drums, and cymbals which accompany the chhue (吹, a double-reed wind instrument), or suona (嗩吶) in Mandarin. However, the ensemble of gongs, drums, and cymbals is also included in this category. The double-reed wind instrument features a loud and penetrating sound that is suitable for festivals and outdoor music. Probably percussion and wind ensemble music is the style of music most often heard in Taiwan. Pak-koán practitioners learn percussion music by using a mnemonic device for percussion in which rhythmic patterns are chanted in onomatopoeia words. Another category of instrumental music of pak-koán is the silk and bamboo ensemble music.

The term klezmer comes from the Hebrew words "kley zemer", referring to the musical instruments themselves; gradually, the identities of the musician and his instrument merged to be covered by the one term. References to klezmer bands are found in surviving town records, memoirs, and historical accounts as early as the 15th century. Paintings and woodcuts from those times show Jewish musicians playing instruments similar to those of their non-Jewish neighbors.

The connections between secular and liturgical Jewish music are evident in klezmer scales and ornamentation, which derive from prayer modes and vocal styles used in cantorial music. This sets Jewish music apart, but there was also much cross-fertilization with non-Jewish music of the regions. Jews and non-Jews, especially Gypsies, often played together. Jewish musicians preferred for their wide traveling, broad repertoire, modesty, and sobriety were often hired to play at non-Jewish weddings.
by amadolazyr May 6

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