Character and Characterisation in the Novel How to write convincing characters Characterisation - the task of building characters - isn't easy. But if you're struggling to build characters with real life and vigour, just follow these rules. If you do follow them correctly, we can pretty much guarantee that your characterisation will be just fine! Know what kind of character you are writing There are roughly two types of protagonist in fiction. The second type of character (rather less common, in fact) is the genuinely extraordinary character who would make things happen in an empty room. Either type of character is fine - don't struggle to equip your ordinary character with a whole lot of amazing skills, or try to 'humanise' your James Bond character by making him nice to old ladies and interested in baking. Empathy is about story and good writing Likewise, don't worry too much if your character is likeable. A) you write well enough that your reader is drawn in to your protagonist's world, whether they like it or not; and
Other - How to Create Realistic and Believable Characters How to Create Realistic and Believable Characters 1. Before you think of your character, you need to think of your character's purpose. Is their purpose to hinder your character? Help him? Is he the main character? 2. 3. 4. Quick Tips: · The most important thing is to treat your character like a real person. · Remember that your character is not a real person. · Make sure your main character changes through his experiences. · Give reasons for your characters' personality traits. · Stay within the boundaries of your character's personality!
6 Ways to Make Sure Your Reader’s Brain Syncs with Your Protagonist’s Brain photo by Andres Musta via Flickr Because here’s the thing: it’s not fiction. It’s fact. Except, you know, for the Vulcan part. And, okay, the part where you have to put your fingertips on the other guy’s face to do it. To figure that part out we had to wait for something that even ‘Bones’ McCoy didn’t have access to — fMRI technology, which revealed that when we’re really engaged in listening to a story, our brain synchronizes with the speaker’s brain – literally mirroring it. fMRI studies reveal that when we’re really engaged in listening to a story, our brain synchronizes with the speaker’s brain – literally mirroring it. In other words, we really are on the same wavelength, and their experiences become ours. The exact same thing is true when we’re reading a story. Cognitive psychologist and novelist Keith Oatley defines fiction as “a simulation that runs on the software of our minds. Exactly! In short, a story is about how the plot affects the protagonist. 1. 2. 3. 4. 5. 6.
Guide for Writers: Characters Most stories are remembered for their characters, not specific plot points. If you want to write a memorable story, create memorable characters. They do not need to be believable — they need to be dramatic. It Takes Two Often, the best stories are deceptively simple: there are two main characters for the reader to follow. The central character is the character a reader or viewer “follows” through the story. The opposition character can be “good” or “evil” depending on the role of the central character. Grand Central Characters A grand central character is a complete character. What is the character’s active goal? An active goal is a specific, measurable goal. While the goal is known to the character, his or her emotional need seldom is. The reason the character fails to see a need is usually a character flaw. Finally, as the story progresses you should reveal the backstory of the central character. Creating Characters Character creation — and development — requires the hubris of Dr.
25 Things You Should Know About Character Previous iterations of the “25 Things” series: 25 Things Every Writer Should Know 25 Things You Should Know About Storytelling And now… Here you’ll find the many things I believe — at this moment! — about characters: 1. Without character, you have nothing. 2. A great character can be the line between narrative life and story death. 3. Don’t believe that all those other aspects are separate from the character. 4. The audience will do anything to spend time with a great character. 5. It is critical to know what a character wants from the start. 6. It doesn’t matter if we “like” your character, or in the parlance of junior high whether we even “like-like” your character. 7. It is critical to smack the audience in the crotchal region with an undeniable reason to give a fuck. 8. You must prove this thesis: “This character is worth the audience’s time.” 9. Don’t let the character be a dingleberry stuck to the ass of a toad as he floats downriver on a bumpy log. 10. 11. 12. 13. The law of threes.
How to Write Characters Try Dramatica & StoryWeaver Risk Free* *Try either or both for 90 days. Not working for you? Return for a full refund of your purchase price! About Dramatica and StoryWeaver Hi, I'm Melanie Anne Phillips, creator of StoryWeaver, co-creator of Dramatica and owner of Storymind.com. What They Do Dramatica is a tool to help you build a perfect story structure. How They Do It Dramatica has the world's only patented interactive Story Engine™ which cross-references your answers to questions about your dramatic intent, then finds any weaknesses in your structure and even suggests the best ways to strengthen them. StoryWeaver uses a revolutionary new creative format as you follow more than 200 Story Cards™ step by step through the story development process. How They Work Together By itself Dramatic appeals to structural writers who like to work out all the details of their stories logically before they write a word. Try Both Programs Risk Free! We have a 90 Day Return Policy here at Storymind.
Creating Stunning Character Arcs, Pt. 1: Can You Structure Characters? What if there were a sure-fire secret to creating stunning character arcs? Would you be interested in discovering it? If you care about connecting with readers, grabbing hold of their emotions, and creating stories that will resonate with them on a level deeper than mere entertainment, then the answer has to be a resounding yes! But here’s the thing about character arcs: they’re way too easy to take for granted. 1. 2. 3. That’s character arc in a nutshell. Turns out: a lot. (Featured in the Structuring Your Novel Workbook.) The Link Between Character Arcs and Story Structure Too often, character and plot are viewed as separate entities—to the point that we often pit them against each other, trying to determine which is more important. We often think of plot as being about structure, but our notions of character and character arc tend toward the more airy-fairy. Surely, right? Wrong, actually. The three acts of the [story] correspond to the three stages of the hero’s outer motivation.
How Not To Write Female Characters There are already a lot of articles around on how to write female characters. That’s all well and good, but I think it’s a lot less restrictive to have an itemized list of things you shouldn’t do. It also might be easier to digest than lengthy essays. Also, this list is intended for people with more testosterone, but since I’ve seen young female authors screw up their own young female protagonists, estrogenites are perfectly allowed to read this too. Like all my advice, this is subjective, in no particular order, and should be taken with a small pile of grains of salt. I’m going to assume you’re taking your work seriously and expect your readers to do the same. Female characters should be characters first and female second. Some examples of good female characters Hermione Granger (Harry Potter series). I could keep going, and I could pick more and more nits, but I think the above is sufficient for now. Leave comments okay I will give you friendship cookies nomnomnom good.