Kim Jung Gi Sketch Collection, News, and More!
Designing a Character’s Lifespan
In this tutorial you'll learn how to create a character that spans a lifetime. We'll learn the features that define the various life phases of a character. We'll look at lines of action, shapes, and characteristics that define: childhood, teen, adulthood, maturity, and old age. Step 1 - Childhood Line Of Action In our first example we see our line of action bends to the back, which gives the impression of energy and youth. As the years go by for our character the line of action is going to go in different directions, but since most young children have a lot of energy on them, our character's line of action is real energetic. Step 2 - Childhood Basic Shapes In my characters I like to exaggerate those special characteristics. There are no evil children, even if they ate little troublemakers, kids always have that innocent special vibe. Step 3 - Childhood Characteristics As I said earlier, in our young character the basic shapes are rounded so most of the body parts are going to be chubby.
How to Use Good Reference Photos for Landscape Painting
The problem is knowing how to choose and use a good photo. This is an important step to the success of your finished painting. Problems can arise when the artist relies too heavily on photographs for their soul inspiration because photos obviously lack the depth, value, color and saturation of reality. For instance, the beautiful colors and details of a shadow are generally lost within a photograph, as explained below in Rusty’s demonstration. My Facebook friend and talented landscape painter, Rusty Jones explains how to use and not use a photograph as reference material for a studio landscape painting. Guest artist/author: Rusty Jones Today, I finished a large 24″x36″ oil on linen landscape painting and in the process realized it represented the best and worst of using reference photos for paintings. A single stroke can represent an entire tree in a small painting however, in a larger painting the artist must clearly define that same tree. Let’s start with my setup: (detail)
Materials Guide
Pens For those starting out with their sketching, pens are a good way to getb etter faster. Using a pen makes you commit to the lines you are throwing down. To become a great athlete it requires practice and training…don’t fool yourself, its the same thing here. Here are some pens that have proven to be great for a variety of different styles and lineweights. Before you read on, know that this is by no means a comprehensive list. If you’re interested in trying out some new pens, check out Jetpens.com Basic Ballpoint Pen They all feel different, so you’re going to have to dig in, buy a few, and see what you like. Ballpoint pens are the one pen in this group with the flexibility to be applied with a varied line weight all with the same pen. Ballpoint pens tend to bleed with most alcohol based markers. there may be exceptions but I haven’t found any yet. If you’re hell bent on using ball point pens, try sketching lightly with the ballpoint pen, then applying the marker. Gel Ink Pens Pencils
surface fragments: How the Old Masters created the look of Gold in Painting
The detail (above) from Van Loo's painting, Marie Leszczinska Queen of France, is fascinating to me. I've been trying to figure out why I think his rendering of the gold table is unsuccessful. Though he's obviously a meticulous craftsman and clearly spent ages with a magnifying glass in one hand and a paintbrush in the other, there's something overwrought about the brushwork. His table looks plastic, but it took me a while to figure out why. Local color and value are notoriously hard to read, so I took color samples from the sword handle, (a) through (e) above, and then de-saturated them to get their values. The values are all gathered tightly around the bottom of the spectrum, between Value 1 and 3. I knew that medieval painters, when planning to include gilding in a painting (say, on a halo), would map out their value composition as if the gold leaf was a dark element. Why is it that Van Loo's painting is unsuccessful? Yikes! Let's look at it more closely. It's like in Spinal Tap.
Storyboard Drawing Tutorial: Line of Action | Storyboard Secrets
Line of Action: More tutorials made for the SpongeBob crew during the fourth season. LINE OF ACTION is one of the most important concepts in making your drawings come alive. Tutorial #1 on silhouettes is here:
How to Transform Your Imagination to Reality. | Digital Art Secrets | Free Tutorials for Digital Painting
Posted on 28. Apr, 2010 by DAS Team in Articles Hello, my name is Nick Deligaris. I’m 28 years old and I have studied graphic design for 4 years. However, I work professionally mostly as a freelance illustrator and 3d artist. I was keen on pencil drawing since I was a child, I came in contact with Photoshop 3 and 3ds max 2 for the first time when I was still in high school. The method, technique, or strategy if you prefer, that someone will follow in the artwork creation process play a critical role in the final outcome. My favourite software tools are Photoshop, 3ds max and ZBrush, and my hardware tools are a PC and a Wacom tablet. The first step of creation is always a rough sketch, and it is usually the most difficult and sometimes the most time-consuming part. The second step is to organize all the scene elements in layers, so that we can work on the composition more easily and efficiently. For more information, visit:
6 drawing tips from leading illustrators - Tutorials
Inkygoodness’ creative director Lisa Hassell asks six of her favourite illustrators to tell us how to get the most from drawing with real pens and pencils Am I Collective Pencil line work (such as above) can be a great tool for creating tone through manipulating pattern and texture. You don’t always have to work tone into the line itself. Rather, consider how repetition and accumulation of lines describes the form and shape. Giving specific personality to your line work is a good way to add character to an object. amicollective.com Barnaby Purdy The base for my Visitants characters is an intaglio ink. Good Wives & Warriors When it comes to pens, we buy the cheapest ones as they all seem to wear down at the same rate. Florence Blanchard I use a fine pencil to trace outlines very lightly, then I work on the details and shading with ink and a fine brush. Sarah Coleman The trick with dip pens is to use runny inks – not stodgy acrylic – and load the nib well. Uberkraaft
15 fantasy portrait tips
Fantasy portraiture is my favourite subject. Bringing an original character to life is exciting, but can be difficult to achieve. To avoid mistakes and save time I try to follow a few rules. But they're really just guidelines, so feel free to adapt, change and test other techniques that might better suit your painting process. The most important thing to bear in mind is to take your time. Take your time – nothing good comes from rushing a painting. There's more to portraits than knowing how to draw a face. The main challenge in a portrait painting is to make the character stand out. 01. Before starting an illustration, I always do some quick pencil drawings to lay down my ideas. 02. It's important to be aware of the proportions of a human face. 03. Usually the biggest mistake in a portrait painting is the skin's colour: it's never either beige or black. 04. The composition and placement of the character in the illustration is essential for introducing dynamism to the painting. 05. 06.
