ARCHZINE andDESIGN [If] Design - Association île-de-France Design - accueil Neil Denari Wins Keelung Harbor Building Competition - Architecture The best scheme won. That is easy to say when you have completed a jury for an architecture project, though history often proves you wrong (see: the Chicago Tribune Competition’s 1922 second place award to Eliel Saarinen). But in the case of the Keelung Harbor Building competition, which I had the honor of helping to judge this last week, I believe that statement is true. I write this with a fair amount of trepidation, as my years in architecture have resulted in a fair amount of self-doubt, which is more acute because I know so many of the architects who enter international competitions. It became clear to all of us jury members—five Taiwanese and two Americans—that two schemes were considerably more developed, appropriate to the site, and smart, than the other three. Studio Asymptote proposed two ovoid structures backed by an elongated mastaba housing offices and a rooftop restaurant. The design showed how smooth Asymptote’s designs can be.
Studio O+A Interiors Index - design report Presentation - Know us The Public Institution of Cultural Co-operation (EPCC) Cité du design - Higher School of Art and Design, brought together, in January 2010, the Cité du design and the Saint-Etienne Higher School of Art and Design, on the same site, the former Arms Manufacture of Saint-Etienne. Supported by the City of Saint-Etienne, the Saint-Etienne Metropole, the Rhone-Alps Region, and the State (Ministry of Culture), it is a platform of higher education, research, economic development and promotion of art and design. The principal missions of the Cité du Design are: The raising of public awareness of design the development of innovation through design design researchthe organization of major events such as the International Biennial of Design of Saint-Etienne, or annual exhibitions both in Saint-Etienne and abroad.The Cité du design raises public awareness of design
Collection of photographs of everyday interiors from a new perspective | Maxi design - online magazine Německý fotograf Menno Aden nafotil sérii berlínských interiérů, ovšem úhel, který si vybral, nebyl zdaleka klasický. Všechny místnosti jsou totiž foceny kolmo shora, tedy z perspektivy mouchy, která se vám usadí přímo uprostřed stropu. Ačkoliv na fotkách jsou jen známé prostory, výsledek je až překvapivě vizuálně velmi zajímavý. Kolekce „The room portraits" (v překladu něco jako „Portréty pokojů") zahrnuje snímky zachycující bar, školní třídu, obchod s botami, samoobsluhu, park, hotel, parkoviště a množství rozličných bytů. Ve všech případech byl fotoaparát umístěn zcela přesně do středu stropu, a to přímo kolmo k podlaze, což ve výsledku dává vzniknout zploštělému obrazu. Ty nejběžnější prostory, jaké nejspíš znáte z každodenního kontaktu do posledního detailu, převedl Menno Aden do dvojrozměrné abstrakce, díky čemuž byste možná i známé prostory na první pohled nepoznali. Zdroj a foto: mennoaden.com/room_portraits.html
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