Flute and Piccolo Fingering Charts - The Woodwind Fingering Guid Below is a list of all available fingering charts for Boehm-system flutes, which are the modern, most common type used today in bands and orchestras. The fingerings apply to all sizes (piccolo, concert flute, alto flute, and bass flute) of closed-G# flutes (the common option, as opposed to the rarer open-G# models) unless specified otherwise. Each fingering chart is split up by acoustic octaves, whose ranges are notated and clickable. Virtual Flute/Flute Acoustics (Joe Wolfe et al.) · A complete and remarkable study of flute acoustics and responses for all fingeringsNew Sounds for Flute (Mats Möller) · A printable quarter tone fingering chart and an overview of modern flute techniqueQuarter-tone fingering chart for French model flute (Herbert Lindhom) · Another printable quarter tone fingering chartAuxiliary Piccolo Fingerings (John Krell) · Useful alternate fingerings for piccolo.Practical Alternate Fingerings for Flute (Wayne Hedrick) · Useful alternate fingerings for concert flute.
The Nyle Steiner Homepage PATCHMAN MUSIC Presents... The official Nyle Steiner Homepage is brought to you and maintained by PATCHMAN MUSIC. Please forward any problems, comments, or contributions to this site to matt@patchmanmusic.com. We have created this site in cooperation with wind controller pioneer Nyle Steiner to keep you up to date on the activites of the inventor of the EVI and EWI wind controllers. The Nyle Steiner Homepage is the place to go for the latest information on Nyle Steiner's projects as well as personal notes from Nyle Steiner himself. For those unfamiliar with Nyle Steiner here is a short bio. "I developed my own transducer using whatever- I tried a lot of things out. His early instruments were individually hand made by Nyle Steiner himself. In 1979 Steiner-Parker dissolved but Steiner continued on making electronic music products and continuing to develop the EVI and EWI. Nyle Steiner is also an experienced 'legit' trumpet player having worked with the Utah Symphony in the 1960s.
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