Perdu type Co-op Typopassage Article Michel Bouvet Thinking with Type | Home Video / minute 1 / le travail du vide entre les Type Worship Colourful messages transform the winding favela streets Earlier this year Boa Mistura, an urban art collective formed in Madrid, worked on a vibrant community project near São Paulo, Brazil The collective worked with the children and other residents of Brasilândia Vila, a poor suburb on the outskirts of São Paulo, to fill the narrow streets with colour and words: beleza, amor, doçura, firmeza and orgulho (beauty, love, sweetness, firmness and pride). These one-point perspective messages are carefully painted to reveal themselves to passers-by as they reach a certain part of the the street. I Like It. This new print by Anthony Burrill made me smile. 51 x 77 cm, Gold Hot Foiling on Black Colourplan stock. Design with Beauty • Build in Truth Fantastic stationery for The Architectural Association, produced by master stationers, Downey (more about them and their work to follow). Beautiful. Light Writing These hard-won photos were then used in an advertising campaign for US medical device company.
Jerome Peignot, poete, ecrivain, essayiste Au fil de la lettre, par Anne-Marie Lallement (2010) © A.-M. Lallement Les jeux de l'amour et du langage, par D. H © Les productions de l'escargot Président du FAP (1972) Intervention d'artistes lors de l'exposition 60-72, douze ans d'art contemporain en France, ORTF, Journal télévisé de 13 H. 17 mai 1972 Critique des travaux de Piero Gilardi (1967) « Art Actualité », ORTF, 29 janv. 1967 Critique des Parapluies de Cherbourg (1964) Tribune sur le film de Jacques Demy, Les parapluies de Cherbourg, ORTF, émission « Jugez vous-même », 24 février 1964
75 top typography tutorials | Typography The web is brimming with typography tutorials, but many are low quality and others are very out of date. So we’ve trawled the internet to uncover the diamonds in the rough, in the form of 50 top-quality typography tutorials, to bring your knowledge and skills up to speed. Get Creative Cloud Perhaps you’re looking for a good introduction to the fundamentals of typography? Or perhaps you want to develop and push your type abilities further? We’ll be adding to this list as time moves on, so make sure you bookmark this fantastic resource, and come back from time to time to see what’s new in the world of typography tutorials. We'll start by looking at tutorials to help you with mastering the fundamentals of typography – skip through to another page if you're after something more advanced. 01. Not sure exactly what typography terms mean? Six further terms (tracking, widows and orphans, serif fonts, sans-serif fonts and script & cursive fonts) are explained in part two, which you can watch here.
fr Formations ecoles, metiers , interviews: La Typo dans tous ses états Comment la typographie investit notre environnement, affiches mais aussi murs peints et génériques de films. Le concept de l'exposition est aussi simple que bienvenu: montrer la richesse de la typographie et de ses utilisations en rassemblant dans l'Ecole des Gobelins un échantillon des meilleurs savoir-faire dans tous les domaines d'application de la discipline. De quoi montrer aux élèves et visiteurs que la typographie n'est pas une science ésotérique, réservée à quelques techniciens et praticiens érudits, mais qu'elle est présente partout, et qu'un peu tout le monde en fait d'une façon ou d'une autre, comme Monsieur Jourdain faisait de la prose sans le savoir. C'est d'ailleurs ce que démontrait Michel Bouvet lors de la conférence inaugurale de l'exposition le 31 janvier 2012. Gonzalo Garcia Borcha A sa suite, Gonzalo Garcia Barcha a détaillé ses travaux pour adapter littérature et surtout poésie à de nouveaux supports comme les applications pour tablettes. Paul Schmitt, février 2012
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Design & Typo, le site The Difference Between Font and Typeface | Hoban Cards Terminology surrounding typography has morphed and found its place in our modern day vernacular. The terms "typeface" and "font" are used interchangeably today, but how did we get there? Have you ever wondered if a font is the same thing as a typeface? Or is typeface just a term that historians and academics use? Maybe one refers to digital media and the other to analog? A typeface is a particular set of glyphs or sorts (an alphabet and its corresponding accessories such as numerals and punctuation) that share a common design. Two examples of font comparisons from the A. The reason for this distinction isn't as important today as it was historically when a page of text was set by hand before printing, and meticulous organization of thousands of small pieces of metal was essential. Regular vs. Because a font was in a job case of its own, apart from the other sizes and weights in its family, using the term “font” had a distinct meaning from the word “typeface.” Thanks for Reading!
Pierre Faucheux Un article de Wikipédia, l'encyclopédie libre. Pierre Faucheux (né le et mort le à Suresnes, Hauts-de-Seine[1]) est un typographe et graphiste français. Avec Robert Massin, Jacques Daniel et Jacques Darche, il fut l'un des acteurs principaux du graphisme français moderne. Biographie[modifier | modifier le code] Élève de l’École Estienne, Pierre Faucheux entre chez Flammarion en 1942, où il assiste Paul Faucher au Père Castor. En 1946, il devient directeur artistique du Club français du livre, lequel, sous son impulsion créatrice, modifia profondément le graphisme éditorial français. Faucheux collabore ensuite aux projets ambitieux des Éditions K, fonde ou anime des revues d’art et d’architecture, conçoit des expositions. Bibliographie[modifier | modifier le code] Notes et références[modifier | modifier le code] Liens externes[modifier | modifier le code]