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Grupo Bilderberg
Hotel de Bilderberg, Oosterbeek, Países Bajos — escenario de la primera Conferencia Bilderberg en 1954. El club, conferencia, grupo o foro Bilderberg es una reunión anual a la que asisten aproximadamente las 130 personas más influyentes del mundo, mediante invitación.[1] Objeto de diversas teorías conspirativas, los miembros se reúnen en complejos de lujo ubicados en Europa y Norteamérica donde la prensa no tiene ningún tipo de acceso. Su oficina está en Leiden (Holanda) y el nombre procede del primer hotel en el que tuvo lugar la primera reunión, en los Países Bajos. Historia[editar] El 29 y 30 de mayo de 1954 tuvo lugar la primera reunión, propuesta por el consejero político polaco Jozéf Retinger y Patric Reis. Éste, preocupado por el antiamericanismo que estaba causando el Plan Marshall en Europa, decidió reunir a los líderes europeos para promover el entendimiento entre ellos. El éxito del encuentro animó a los organizadores a preparar una conferencia anual. Algunos asistentes[editar]
How to Rapidly Learn to Play the Acoustic Guitar Yourself - WikiHow
Edit Article Edited by Jace, Tom Viren, Josh Hannah, James Quirk and 131 others Successfully learning how to play guitar is within the grasp of most people, yet many beginners give up too quickly. Frequently, quitting beginners will blame their lack of time to practice and that playing hurts their fingers. The problem is that they just don't practice enough. This page can't give you more time to practice, but it will show you how to successfully become an adequate guitar player without the expense of paid instruction. Ad Steps 1Research and choose instruction websites online. 15Enjoy your new guitar playing skills! Tips Rather than practicing in longer and less frequent sessions, try practicing in shorter more frequent sessions. Warnings Don't be embarrassed to play in front of other, more accomplished guitarists.
Calvin and Hobbes at Martijn's - Bill Watterson
Here's the text of a speech Bill Watterson gave at Kenyon College, Gambier Ohio, to the 1990 graduating class. SOME THOUGHTS ON THE REAL WORLD BY ONE WHO GLIMPSED IT AND FLED Bill Watterson Kenyon College Commencement May 20, 1990 I have a recurring dream about Kenyon. In it, I'm walking to the post office on the way to my first class at the start of the school year. Suddenly it occurs to me that I don't have my schedule memorized, and I'm not sure which classes I'm taking, or where exactly I'm supposed to be going. Experience is food for the brain. In the middle of my sophomore year at Kenyon, I decided to paint a copy of Michelangelo's "Creation of Adam" from the Sistine Chapel on the ceiling of my dorm room. The picture took me months to do, and in fact, I didn't finish the work until very near the end of the school year. It's surprising how hard we'll work when the work is done just for ourselves. We're not really taught how to recreate constructively. Boy, was I smug. Bill Watterson
Tagxedo
Experimento de Milgram
El experimento de Milgram fue una serie de experimentos de psicología social llevada a cabo por Stanley Milgram, psicólogo en la Universidad de Yale, y descrita en un artículo publicado en 1963 en la revista Journal of Abnormal and Social Psychology bajo el título Behavioral Study of Obedience (Estudio del comportamiento de la obediencia) y resumida en 1974 en su libro Obedience to authority. An experimental view (Obediencia a la autoridad. La perspectiva experimental). El investigador (V) persuade al participante (L) para que dé lo que éste cree son descargas eléctricas dolorosas a otro sujeto (S), el cual es un actor que simula recibirlas. Los experimentos comenzaron en julio de 1961, tres meses después de que Adolf Eichmann fuera juzgado y sentenciado a muerte en Jerusalén por crímenes contra la humanidad durante el régimen nazi en Alemania. Milgram resumiría el experimento en su artículo "Los peligros de la obediencia" en 1974 escribiendo: Método del experimento[editar]
The Thirty-Six Dramatic Situations
The Thirty-Six Dramatic Situations is a descriptive list which was created by Georges Polti to categorize every dramatic situation that might occur in a story or performance. To do this Polti analyzed classical Greek texts, plus classical and contemporaneous French works. He also analyzed a handful of non-French authors. Publication history[edit] “Gozzi maintained that there can be but thirty-six tragic situations. This list was published in a book of the same name, which contains extended explanations and examples. The list is popularized as an aid for writers, but it is also used by dramatists, storytellers and many others. The 36 situations[edit] Each situation is stated, then followed by the necessary elements for each situation and a brief description. See also[edit] References[edit] External links[edit]
Max Ehrmann's "Desiderata"
Max Ehrmann Desiderata Go placidly amid the noise and haste, and remember what peace there may be in silence. As far as possible without surrender be on good terms with all persons. Speak your truth quietly and clearly; and listen to others, even the dull and the ignorant; they too have their story. Avoid loud and aggressive persons, they are vexations to the spirit. Keep interested in your own career, however humble; it is a real possession in the changing fortunes of time. Be yourself. Take kindly the counsel of the years, gracefully surrendering the things of youth. You are a child of the universe, no less than the trees and the stars; you have a right to be here. Therefore be at peace with God, whatever you conceive Him to be, and whatever your labors and aspirations, in the noisy confusion of life keep peace with your soul. With all its sham, drudgery, and broken dreams, it is still a beautiful world. Max Ehrmann, Desiderata, Copyright 1952.
Insultos de película - lanacion.com | Cinescalas
[ACLARACIÃN: Supongo que a esta altura no debo aclararlo pero, teniendo en cuenta cierta agresividad en algunos comentarios de post previos, quisiera hacer hincapié en que este es un post lúdico. Por ende, la idea es que respondan a la consigna limitándose a citar insultos de pelÃcula. Es decir: no nos vayamos por las ramas. Gracias y que tengan un excelente feriado] Todo surgió en Twitter. Después de preguntar cuál habÃa sido el insulto cinematográfico más efectivo del año, @romibonetto sugirió que haga un post al respecto. Mis dos insultos recientes favoritos, por el contexto y por la forma en que son dichos por los actores (quienes, curiosamente, van a trabajar juntos en el relanzamiento de El hombre araña), son los siguientes: 1. âYou abominable twatâ (“idiota abominable”), salido de la boca de Olive Penderghast en ese brillante homenaje a John Hughes que es Easy A y cuya ejecutora es Emma Stone. * De yapa: los 100 mejores insultos del cine (YouTube):
