background preloader

The Knife - A Tooth For An Eye - Official video

The Knife - A Tooth For An Eye - Official video
Related:  2017 Janvier

L'Imagination, reine des facultés chez Baudelaire (1) Réalisation : Christine Robert Lecture des textes : Anne Brissier Elle est l’analyse, elle est la synthèse ; et cependant des hommes habiles dans l’analyse et suffisamment aptes à faire un résumé peuvent être privés d’imagination. Elle est cela, et elle n’est pas tout à fait cela. Elle est la sensibilité, et pourtant il y a des personnes très sensibles, trop sensibles peut-être, qui en sont privées. 1. Ce contenu n'est plus disponible au téléchargement. Extraits musicaux : – Hildur Gudnadottir, « Erupting light » – Hildur Gudnadottir, « Circular » – Léo Ferré, « A une passante » – Debussy, « Passante n°1 » – La Tordue, « A une mendiante rousse » Pour aller plus loin : les cours de philosophie générales et de philosophie esthétique de Jacques Darriulat. Et aussi : Le Journal des Nouveaux chemins, avec Patrice Maniglier, professeur de philosophie à l’Université d’Essex, pour La Perspective du diable.

Video Inspiration #2 – Wiggle Stereoscopy | Tommy Sawkins First 3D Camera-Shift Music Video: This music video for the song “Doubtful Comforts” by Blue Roses is the first music video to use this wiggle stereoscopy technique to create a 3D effect that does not require special glasses to view. Rather than use special glasses to provide two perspectives, wiggle stereoscopy alternates quickly between two perspectives in the image or video itself. While it’s probably the simplest 3D technique, many find it nauseating. For the first video using this effect I think A Nice Idea Every Day (company behind the makings of the music video) have really pulled this off very well and something that interests me a lot! Below is another music video made by A Nice Idea Every Day using the same camera effect, again this video really appeals to me. Like this: Like Loading...

5 Doctor Strange Comics to Read Before You See the Movie Doctor Strange has never been a conventional superhero. You could even make a strong argument that he isn’t one — though he wears a cape (more of a cloak, really) and fights evil, his mystic abilities and demonic foes place him more in the traditions of horror and fantasy. Nevertheless, he’s tightly woven into the tapestry of the Marvel universe, right alongside Spider-Man, Captain America, and other spandex-wearers. Doctor Strange Omnibus, Vol. 1 “The first story is nothing great, but perhaps we can make something of him.” In this omnibus edition, you can see Strange’s earliest adventures, in which the exotically dressed Master of the Dark Arts confronts extradimensional foes and protects the innocent. Doctor Strange Epic Collection: A Separate Reality Though Ditko abandoned his creation when he left Marvel over disputes with Lee, the doctor was put in good hands. Doctor Strange: Way of the Weird Never let it be said that Marvel doesn’t understand brand synergy.

INFRAMEN by Nir Arieli To be a dancer is to work your body to the breaking point. In my project “Inframen”, I created a series of portraits using an infrared technique that reveals details that are under the subject’s abused skin. I am taking the dancers out of their roles as performers and revealing personal intimate individuals. Through these subtle and surreal portraits, I aim to continue my studies of contemporary male dancers, peeling the physical shield and exposing fragile human beings – The scars show on their skin and through their eyes. Visit Nir Arieli You might also like Comments Michael Dachstein Inspiration junkie :)

Films & Architecture: "Inception" This time we want to share a very contemporary film. An amazing story stunningly described by Christopher Nolan, in which dreams within dreams can be manipulated by “architects” who can construct an imaginary reality. Imagine: being able, as architects, to create whole environments, just using our minds as the resource. Original title: Inception Year: 2010 Runtime: 148 min. Former dream architect Dominic “Dom” Cobb and business partner Arthur perform corporate espionage using an experimental military-developed machine to infiltrate the subconscious of their targets and extract information while dreaming, their latest target being Japanese businessman Saito. Saito wishes to break up the energy conglomerate of his ailing competitor Maurice Fischer, by planting the idea in his son and heir Robert Fischer to disintegrate his father’s company. Saito succumbs to his wounds, and Cobb’s projection of Mal sabotages the plan by killing Fischer, sending them both into Limbo.

Illuminated Code from Space L’artiste italienne Haari Tesla fait le lien entre l’infiniment petit et l’infiniment grand en confrontant deux univers qui se ressemblent quand on les observe : celui des micro-organismes et de l’espace. Le rendu donne l’impression de voir des nébuleuses, supernovas et galaxies. Une plongée astrale à découvrir. What Inspired Doctor Strange’s Visual Effects? -- Vulture Spoilers for Doctor Strange below. Opinions about the plot, characterization, and racial politics of Doctor Strange have been mixed, but one point has been more or less unanimous among critics: It’s freaking gorgeous. As we here at Vulture have said, the CGI in Marvel’s latest are among the best of any film in the past 15 years, seamlessly merging human figures with reality-warping landscapes and objects that feel hallucinogenic without looking hokey. Cityscapes fold in on themselves while heroes and villains slide along skyscraper walls; miniature wormholes open up, taking people from one gravitational locus to another. Though Benedict Cumberbatch may be playing the titular mage, the wizard at the postproduction keyboard was visual-effects supervisor Stephane Ceretti. When the Frenchman began his work on Strange, back in 2014, he was fresh off of another Marvel victory, having supervised the Oscar-nominated VFX in Guardians of the Galaxy. Of course, they also looked at Inception.

Using GoPro Camera Arrays For A Live Bullet-Time Effect Marc Donahue from Permagrin Films has been busy since his production of Dream Music, which got over 2 million views on YouTube. Most recently, Marc has been experimenting with GoPro camera arrays for a unique effect, most similar to bullet-time like in the Matrix. Click on to see the final video and read an interview with the man behind the lens. You can follow more of Marc’s work at his Vimeo page, where he has plenty of interesting videos, as well as behind the scenes pieces on his productions using Dynamic Perception motion timelpase rigs and other fun stuff. Here is the final video: Fstoppers: What GoPro models were you using, and did you use the GoPro app to control them? Marc: GoPro sent me 15 Hero 2‘s that had hero 3 processors in them. Fstoppers: How many GoPros were in your main array? Marc: I used 15 GoPros. Fstoppers: What did you do to sync your cameras together? Marc: I used Pluraleyes to sync the audio. Fstoppers: Post production must have been tedious! Related In "Gear"

Debut: Prefuse 73’s Video Brings M. C. Escher’s Work to Life If you know the work of Prefuse 73, you know the producer tends to make song-within-a-song kind of tracks that intertwine many different layers. Now he has a music video to go along with that sound—so much so that it looks like a M. C. Escher image. But, it turns out, the inspiration for the video for “Still Pretending” wasn’t a Dutch artist. “The concept of a constant zoom with animation was an idea I had for a long time. Using that space gave lilfuchs a lot of freedom since the park is rather large and filled with basketball courts, gardens, and playgrounds (you can see their influence in the video). “Based on the zoom I had to work completely backwards and that was a great challenge but carefully blocking out the park’s redundant facilities allowed me to be pretty creative,” lilfuchs says. Check out the premiere of “Still Pretending,” from Prefuse 73’s Forsyth Gardens, above. Click to Open Overlay Gallery Go Back to Top.

Related: