M&CSAATCHI.GAD Snack Planning Vol.7 View more... 50 Best Free Fonts From 2009 Every designer needs a good collection of free fonts, when working on design projects weather your designing for the web or for print its always essential to have a good collection of fonts. Fonts can be very expensive especially when working on a design project with a small budget. This is a collection of the best free fonts created in 2009. I hope you enjoy this post. If your a logo designer or if you just instantly fall in love with cool fonts then this is the perfect post for you. You can never have too many fonts so why not take a look through this awesome hand picked collection of awesome fonts. 1. 2. tiza 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. cedar 15. chewedkandi_font_weknow 16. portal 17. 18. 19. 20. 21. 22. 23. 24. 25. 26. 27. 28. 29. 30. 31. 32. 33. 34. 35. 36. 37. 38. 39. 40. 41. kylie baker 42. 43. 44. 45. 46. 47. 48. 49. 50.
Custom Tattoo Designers | Create My Tattoo Présentation PEO - UM paris - dataluxe DoubleYou Welche Crowdsourcing-Modelle gibt es? | grassgreenmedia Bei der Betrachtung der verschiedenen Crowdsourcing Modelle erscheinen die Erkenntnisse der Arbeit von Christian Papsdorf, der dies aus sozialwissenschaftlichen Aspekten betrachtet, besonders geeignet. Dabei stellt Papsdorf fünf Modelle zur Einbindung der Kundenarbeit dar. Um diese zu ordnen und zu analysieren wurde auf die Art der Ansprache, sowie die Möglichkeit zur Aktivität der User geachtet. Offener Ideenwettbewerb Als Kern wird hier der öffentliche Aufruf an alle Internetnutzer gesehen, Ihre Ideen zu einer bestimmten Fragestellung einzureichen. Wettbewerbe dieser Art finden sich in verschiedenen Bereichen wieder. Ergebnisorientierte, virtuelle Microjobs Hierbei wird durch Unternehmen eine singuläre Aufgabe mit einer klaren Zielsetzung, deren Erreichen objektiv prüfbar ist, zur Erledigung angeboten. Userdesignbasierte Massenfertigung Userkollaboration basierende Ideenplattform Indirekte Vernutzung von Usercontent
in/situm - leading innovation through research Design is Kinky The 2.0 approach for cultural institutions workshops and Breakout 5.0 - Technoculture(s) From April 22nd to May 13th I have been facilitating with @ilamandarina and @esenabre a series of four very intense workshops on 2.0 practices for cultural institutions . The workshops were a proposal from Barcelona Center for Contemporary Culture as part of their collaboration agreement with Citilab. They were also one of the results of the Expolab project, an idea of Irene Lapuente (@ilamandarina, who runs the science communication company La Mandarina de Newton and acts as the coordinator of the Expolab project). So, it was all too natural that she was one of the masterminds behind the structure and dynamics of the workshops and that she had a strong facilitating role in all of them. We were assisted also by another of the creative engines of Citilab, Enric Senabre (@esenabre , who is one of the creators and coordinator of Urbanlabs at Citilab). 2. 2.0 Technological tools and their use in participation 3. 4. 5. 6. 7.
Generation Next Come back with me 40 years to the rabid spring of 1970. President Nixon announced the invasion of Cambodia, and campuses exploded. Kids who had never picked up a rock in their lives were occupying the classrooms they used to study in. When National Guardsmen shot four unarmed students at Kent State, virtually the entire system of higher education shuddered and stopped. The fabric of the country seemed to be tearing; everything about the older generation was contaminated, corrupt. And now? Yet even more young people perceive a gap. But we miss the point, warns social historian Neil Howe, if we weigh only how technology shapes a generation and not the other way around. That hunger for community further distinguishes them from the radical individualists of the baby-boom years.
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