
Esperanza Spalding! Dead Man (album) Un article de Wikipédia, l'encyclopédie libre. Dead Man est un album de Neil Young sorti en 1996. C'est la bande originale issue du film du même nom. La bande originale du film est un enregistrement sur des improvisations de Neil Young à la guitare électrique, mais aussi guitare acoustique, piano et orgue. L'album comporte sept titres instrumentaux de Young, entrecoupés par des poèmes de William Blake récités par Johnny Depp. Jim Jarmush est un admirateur de Neil Young. Musique composée par Neil Young Guitar Solo, No. 1 – 5:17The Round Stones Beneath the Earth... – 3:31Guitar Solo, No. 2 – 2:03Why Does Thou Hide Thyself, Clouds... – 2:24Organ Solo – 1:33Do You Know How to Use This Weapon? Neil Young - guitares acoustique et électrique, piano, orgue Portail du rock
Roger Linn Design - Designers of Innovative Products for the Electronic Music Instrument Industry. Jean Sébastien Bach (1685-1750) (Johann Sebastian ) catalogue des œuvres || bibliographie || thèses || discographie || partitions Né à Eisenach (Thuringe) le 21 mars 1685, mort à Leipzig le 28 juillet 1750. La famille Bach est une importante dynastie de musiciens de Thuringe qu'on peut faire remonter à Veit Bach, meunier et musicien au XVIe siècle. On dénombre plus de 80 Bach musiciens de la même famille dont la moitié sont des organistes. Eisenach, le Château avec la parade de la Garde. Johann Sebastian est le huitième enfant de Maria Elisabetha Lämmerhirt (1644-1694) et de Johann Ambrosius Bach (1645-1695). Eisenach, l'église Saint-Georges, façade nord en 1750. Dès son plus jeune âge, Johann Sebastian Bach s'est peut-être familiarisé avec le violon auprès de son père et à l'orgue avec son parent, le compositeur et organiste de l'église Saint-Georges d'Eisenach. La maison natale de Johann Sebastian Bach. Le lycée d'Ohrdruf. Johann Sebastian fréquente le lycée d'Orhdruf où il est un excellent élève. L'Église « Bach » à Arnstadt aujourd'hui
Kubicki.com / Home The Weather Report Annotated Discography | In-depth description and analysis of Weather Report's albums in the words of the musicians themselves www.stick.com - Stick Enterprises Inc. Yael Naim — Older — Site officiel Tony Levin's Road Diary Larry Graham Official Website - Home Progressive rock Progressive rock, also known as prog rock or prog, is a rock music subgenre that originated in the United Kingdom, with further developments in Germany, Italy, and France, throughout the mid-to-late 1960s and 1970s. It developed from psychedelic pop (rather than psychedelic rock, as is often stated). and originated, similarly to art rock, as an attempt to give greater artistic weight and credibility to rock music. Bands abandoned the short pop single in favor of instrumentation and compositional techniques more frequently associated with jazz or classical music in an effort to give rock music the same level of musical sophistication and critical respect.[4] Songs were replaced by musical suites that often stretched to 20 or 40 minutes in length and contained symphonic influences, extended musical themes, philosophical lyrics and complex orchestrations. Characteristics[edit] Musical aspects[edit] Form[edit] Instrumentation[edit] Electronic keyboards[edit] Synthesizers[edit]
Electric guitar Invented in 1931, the electric guitar became a necessity as jazz musicians sought to amplify their sound in the big band format. During the 1950s and 1960s, the electric guitar became the most important instrument in pop music.[1] It has evolved into a stringed musical instrument that is capable of a multitude of sounds and styles. It served as a major component in the development of rock and roll and many other genres of music. History[edit] The "Frying Pan", 1932 The need for the amplified guitar became apparent during the big band era as orchestras increased in size, particularly when guitars had to compete with large brass sections. Gibson Les Paul Custom 1954 The first solid body "Spanish" standard guitar was offered by Vivi-Tone no later than 1934. Gibson's first production electric guitar, marketed in 1936, was the ES-150 model ("ES" for "Electric Spanish"; and "150" reflecting the $150 price of the instrument, along with matching amplifier). In 1945, Richard D. Construction[edit]
Music theory Music theory considers the practices and possibilities of music. It is generally derived from observation of how musicians and composers actually make music, but includes hypothetical speculation. Most commonly, the term describes the academic study and analysis of fundamental elements of music such as pitch, rhythm, harmony, and form, but also refers to descriptions, concepts, or beliefs related to music. Because of the ever-expanding conception of what constitutes music (see Definition of music), a more inclusive definition could be that music theory is the consideration of any sonic phenomena, including silence, as it relates to music. Music theory is a subfield of musicology, which is itself a subfield within the overarching field of the arts and humanities. The development, preservation, and transmission of music theory may be found in oral and practical music-making traditions, musical instruments, and other artifacts. History of music theory[edit] Fundamentals of music[edit] Play .
Digital audio Digital audio is technology that can be used to record, store, generate, manipulate, and reproduce sound using audio signals encoded in digital form. Following significant advances in digital audio technology during the 1970s, it rapidly replaced analog audio technology in most areas of sound production, sound engineering and telecommunications. A microphone converts sound to an analog electrical signal, then an analog-to-digital converter (ADC)—typically using pulse-code modulation—converts the analog signal into a digital signal. A digital-to-analog converter performs the reverse process, converting a digital signal back into an analog signal, which analog circuits amplify and send to a loudspeaker. Overview of digital audio[edit] An analog audio system captures sounds, and converts their physical waveforms into electrical representations of those waveforms by use of a transducer, such as a microphone. Conversion process[edit] History of digital audio use in commercial recording[edit]