Fiction Writing Tips - How to Write Fiction Below, you'll find some fiction writing tips to help you create characters that come alive. At the bottom of the page, you'll also find more creative writing resources, including our free online writing courses. Are you losing your mind when a fictional character starts to seem real to you? A friend of mine was heartbroken when X died in Harry Potter 6 (we'll call him X to keep from spoiling the book if you haven't read it yet). Advertisement: Fiction writing tips - Inventing your characters Where do fictional characters come from? Some places to start: Someone you see on the street or in the supermarket. Fiction writing tips - Getting to know your characters To convince readers that your character is a real person, the first step is to convince yourself. The writer Patricia Highsmith confessed to being a little bit in love with her own character, Tom Ripley. Writing character profiles is a great way to get to know your characters so that they start to come to life for you. A warning
Writing Characters | Creative Writing Course In this fifth session in my free creative writing course, we will be looking at writing characters. In creative writing we become, in a way, like God. In short stories, novels and poems, we construct a world then fill it with people who take on a life of their own. Iris Murdoch described a novel as ‘a fit house for free characters to live in’. Character, Plot and Message There are three kinds of stories: those that start from character, from plot or from message. A message-driven story is one where a writer starts with an idea or theme (enviromentalism, religion, anti-war etc) then crafts a plot and populates it with types who will best illustrate the message. A character-based story is when the characters are so memorable and well-drawn that the story would not exist without them. The key of course if to have all three elements in balance. Exercise 16: Think of your own writing. Starting from Character That being said, I still think the best way to write is to start with character.
Writing Masculine Characters There's nothing quite so jarring as reading a male character who speaks and behaves more like a teenage girl. Whether the differences are biological or sociological in cause, there are definitely some common differences in the way males and females tend to speak and behave that (at least at this point in time - in the future, as societal norms change, who knows?) typically need to be accounted for. Please note that I am writing this as a general guide, and not as a guide (let alone a rulebook!) for all male or "masculine" characters everywhere, since there will always be justified exceptions - not every man or "masculine" persona finds slapstick hilarious, for example. That said, if you're writing or roleplaying a male character who is presented as or is supposed to be a relatively conventionally masculine male, you should definitely keep many of these in mind. (And no, if you are female and you feel that any of these apply to you, I am not implying you are male.
Guide for Writers: Characters Most stories are remembered for their characters, not specific plot points. If you want to write a memorable story, create memorable characters. They do not need to be believable — they need to be dramatic. It Takes Two Often, the best stories are deceptively simple: there are two main characters for the reader to follow. The central character is the character a reader or viewer “follows” through the story. The opposition character can be “good” or “evil” depending on the role of the central character. Grand Central Characters A grand central character is a complete character. What is the character’s active goal? An active goal is a specific, measurable goal. While the goal is known to the character, his or her emotional need seldom is. The reason the character fails to see a need is usually a character flaw. Finally, as the story progresses you should reveal the backstory of the central character. Creating Characters Character creation — and development — requires the hubris of Dr.
The Universal Mary Sue Litmus Test Stuck with a case of massive writer's block? Has your muse gone on indefinite hiatus? Or are you just bored? Check out the random generators - with a click of a button, you can create characters, names, settings, items, and more for your creative works! The Universal Mary Sue Litmus Test How to use this test: First, if you're unsure of what a Mary Sue is, please read this page. Answer all questions for which the answer is 'yes' or 'technically yes' unless the item mentioned is so commonplace in the universe you are writing for that it doesn't really make your character remarkable or unusual. If your character is a role-playing character and the only reason you can answer 'yes' is because of other players acting of their own free wills (IE, everyone has their characters throwing themselves at your character's feet and you've done nothing to force this) do not answer yes to the corresponding question. Part 1 - All Characters Questions that pertain to all characters everywhere.
Female Characters and Their Stories The following is a list of tropes and elements that are lacking in female characters in fiction (particularly in the Internet fiction I find) these days that would be nice to see more often. Now, I want to clear one thing up - don’t think that a character or story must embody each and every one of these items to be good, or that incorporating these items will automatically make a story or character good, or that any story that fails any of these points is automatically bad. They’re just elements that right now are woefully uncommon in female characters and stories about female characters. Female characters with plot-progressing skills and traits that actually exist in the real world. Even in fantasy stories. Consider this: when you create a character with admirable traits and skills that actually exist in the real world, you create a character who can potentially give others something positive to aspire to. Female characters with meaningful duties and responsibilities.
How to Write Characters Try Dramatica & StoryWeaver Risk Free* *Try either or both for 90 days. Not working for you? Return for a full refund of your purchase price! About Dramatica and StoryWeaver Hi, I'm Melanie Anne Phillips, creator of StoryWeaver, co-creator of Dramatica and owner of Storymind.com. What They Do Dramatica is a tool to help you build a perfect story structure. How They Do It Dramatica has the world's only patented interactive Story Engine™ which cross-references your answers to questions about your dramatic intent, then finds any weaknesses in your structure and even suggests the best ways to strengthen them. StoryWeaver uses a revolutionary new creative format as you follow more than 200 Story Cards™ step by step through the story development process. How They Work Together By itself Dramatic appeals to structural writers who like to work out all the details of their stories logically before they write a word. Try Both Programs Risk Free! We have a 90 Day Return Policy here at Storymind.
So You Wanna Write/Play A Powerful/Talented Character That Probably Won't Be Perceived As A Mary Sue? Many, many, many times I've seen people complain that they can't write or play powerful characters without these characters being labelled as Mary Sues. I really have only one thing to say to this: it's probably either because your characters are Mary Sues, or because you're presenting your character the wrong way. Sure it's not the former? Okay, then let's get on to how you can present your character so people probably won't grab the torches and pitchforks. This article is largely intended for fan characters, though most of it applies to other character types as well. Start by describing what makes your character tick, not what makes xir special. When you begin your character profile/pitch, leave out your character's appearances, superpowers, and canon connections as long as you possibly can. If you have a well-developed character, you should be able to describe xir without mentioning xir powers, abilities, or canon connections quite easily. Remove irrelevant specialness.
Mind-Blowing Heroines What Jane Eyre Can Teach You About Mind-Blowing Heroines How to craft a three-dimensional, empowered, compelling heroine? It’s a buzzing question, even among female authors. But what does all that really mean? What are the requirements for a strong female character? For tips on creating female characters who are strong, empowered, and compelling in their own right, let’s take a look at one of our earliest examples of a mind-blowing heroine: Charlotte Brontë’s Jane Eyre (whose character arc I analyze in-depth in my book Jane Eyre: The Writer’s Digest Annotated Classic). 1. The first requirement in creating a fabulous character (of either sex) is making sure you’ve given her both phenomenal strengths and staggering weaknesses. And yet, I also read almost as many books about women who are unrealistically empowered—both physically and spiritually. In creating a memorable female character, it’s important to make sure she acts like a woman. Jane Eyre is such a beautiful example of this. 2. 3.
Introducing Characters - First Impressions Introducing Characters - First Impressions by Melanie Anne Phillipscreator StoryWeaver, co-creator Dramatica When your reader/audience first meets your characters in a story, it has the same effects as when you are introduced to someone in real life. First impressions have a tremendous impact that you can use either to establish or mislead your reader/audience as to the true nature of each character. You might tell your reader/audience all there is to know about a particular character right up front. Then there is the question of who shows up first? Who is your Main Character? You know all about your characters while your audience knows nothing. Sometimes an author may want to have a character with a dark side, or a hidden side that will be revealed only later in the story. Remember, first impressions are lasting, and an audience with the first impression of someone as a good guy, will resist thinking of them as a bad guy for as long as possible. *Try either or both for 90 days.