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Photographs that changed photography Eugene Atget's Rue de Seine, 1924 Rue de Seine is one of the most reproduced images by the French photographer from his important archive of Paris. His pictures would pave the way for a generation of photographers who took to the streets of Paris in the early Twentieth Century, including Brassai and Cartier-Bresson. William Eggleston's Tricycle, Memphis 1969-71 Like Atget, Eggleston pictured everyday objects and places. However, rather than archives of historic interest, they deliberately set out to monumentalise the banal. Portraiture August Sander's Secretary at a Radio Station circa 1930 German photographer Sander set out to catalogue ‘types’ in society. Diane Arbus' Child With a Toy Hand Grenade in Central Park, 1962 Diane Arbus’ subjects are shot with a similar cold objectivity to Sander's. Photograph as art Edward Weston's Excusado, 1925 Wolfgang Tillmans' Concorde, 1997 Glamour Cecil Beaton's Maralyn Monroe, 1956 Cindy Sherman's Unititled: Film Still Series, 1978 America Discovery
Strings of Life Series of lightboxes that combine two different text elements. Initially I was exploring how text worked when removed from its original setting (presenting a line from a song on its own for example), plus of course, how this new setting (a lightbox typically used in advertising and shop fronts) influences the meaning we get from the phrases. This is typical of my work, namely, how the setting and combination of already existing ideas can cause us to re-question what we had previously assumed to know about them. Also I am interested in how the two phrases influence each other. Deliberately I have combined phrases that have no obvious connection. Lightbox, perspex and cut vinyl 97 x 27 x 17cm Each an edition of 7 and 2APs Signed and numbered on verso Click here for availability
10 Fascinating Art Installations Banksy’s Telephone Booth To parody the decline of the famous London Telephone Booths, infamous British guerilla artist Banksy puts an axe through this one. Reymond's Real Life Transformer One of the most famous works of french artist Guillaume Reymond, this series of performances, "TRANSFORMERS", brings together different types of vehicles, gathering them according to a precise choreography, and creating what looks from the sky like gigantic robots. Dougherty's Branchworks Artist Patrick Dougherty makes fantastic sculptures and huts from saplings, branches, and twigs. Havel's Tunnel House Houston artists Dan Havel and Dean Ruck turned them into an art installation known as ‘Inversion.’ Azevedo's Ice Sculptures of Melting Men Brazilian artist Nele Azevedo created hundreds of sitting figures out of ice. Mortimer's Public Prayer Booth Combining a telephone booth and a prayer station, Kansas City-based artist Dylan Mortimer created this installation called "Public Prayer Booth".
kbx< Kobas + Laksa > En images : cinq œuvres de Yayoi Kusama, artiste au point Célèbre surtout pour son obsession des pois, dont elle pastille des surfaces entières jusqu’à créer de véritables environnements pointillistes, l’artiste japonaise Yayoi Kusama, 82 ans, bénéficie d’une rétrospective serrée au Centre Pompidou. Parcours en images, à la découverte de divers aspects moins connus de son travail. No. Passionnante découverte de cette rétrospective consacrée à Yayoi Kusama, les premières années de travail sont marquées par l’influence de l’expressionnisme abstrait. Accumulations, vue de l’exposition au Centre Pompidou. Au tout début des années 1960, Yayoi Kusama entame une série de sculptures, glanant dans les rues de New York des objets qu’elle hérisse de formes phalliques blanches confectionnées en tissu. Yayoi Kusama dans l’installation Infinity Mirror Room – Phalli’s Field, « Floor Show », Castellane Gallery, New York, 1965. Anatomic Explosion-Anti-War Happening, 1968, courtesy Yayoi Kusama Studio, Tokyo.
A Woman’s Eye: How Imogen Cunningham broke through gender barriers to help redefine modern photography "So many people dislike themselves so thoroughly that they never see any reproduction of themselves that suits. None of us is born with the right face. It's a tough job being a portrait photographer." -- Imogen Cunningham In her long life, Imogen Cunningham was one of America's finest photographers and one of a handful of our great portrait artists. Throughout her long photographic life one thing remained constant: She photographed the world with a woman's eye, from a viewpoint far different than that of the male dominated photographic world of her time and ours. Boy selling newspapers, 1950Photo by Imogen Cunningham, courtesy of the Imogen Cunningham Trust I was lucky to meet Imogen when she had come to Seattle in 1973 for an exhibition of her photographs. Independent and self-reliant Born in Portland, Oregon, on April 12, 1883, Imogen was just 6 years old when her parents moved to Seattle. Imogen purchased her first camera when she was 18 years old. Roi Partridge on Mt.
Motion Studies - leonid keller Motion Studies is of an ongoing series based on German gymnast photography from the 1920s – 1940s. The series is concerned with the collective perception of a visual language, that was taken as a metaphor of power by the Nazi regime, as well as possible forms of it's re-narration. Exceed, 2020screenprint and spraypaint on paper 122,5 x 158 cm (edition of 3 + 2AP)porcelain object Motion Study, after Rudolf Bode (II), 202031 x 25 cm (framed)lacquer on book page Motion Study, after Dora Melzer, 2020Concrete, digital print on ceramics, lacquer120 x 90 x 3 cm Motion Study, After Rudolf Bode II, 2020digital print, lacquer on wood 142 x 158 x 8,2 cm Motion Study, After Rudolf Bode I, 2019 digital print, lacquer on wood 130 x 96 x 8 cm Motion Study, Deutsche Turnzeitung, 2018lacquer on newspaper pages, 35 x 50 cm eachlacquer on painted canvas, 300 x 200 cmvideo projection on Honey Onyx, 40 x 60cm, loop Cycle 1, 2019 lacquer on digital print 90 x 90 cm
Understanding Installation Art Installation art is difficult to describe. In principal, it means taking a large interior (the exterior can be part of an installation, too) and loading it with disparate items that evoke complex and multiple associations and thoughts, longings, and moods. It's a huge three-dimensional painting, sculpture, poem, and prose work. One of the premier artists working in the medium is the American Ann Hamilton, who was chosen to install a work in the nation's neo-classical pavilion in Venice, which is used every two years for an international art exhibition. Ms. Hamilton called her piece Myein, which comes from the ancient Greek word for mystery and initiation and also refers to an abnormal contraction of the eye's pupil. "It's the eve of the millennium," Hamilton explained. It was truly mystifying, perhaps wonderful, and definitely installational.
Man Ray Don't let big businesses strip you of your privacy rights! | Naked citizens – protect our privacy The History of Photojournalism and Its Lasting Impact on Society Photojournalist James Nachtway on duty in Rwanda during the genocide of 1994. (Photo: Christian Fei) Using images to communicate the news, photojournalism has shaped the way we view the world since the mid-19th century. What began as war photography has slowly spread to other newsworthy events, including sports, and even long-form storytelling through photo essays. While some say its heyday has long passed with the closure of photo-magazines like LIFE, photojournalists are adapting, using new technology and outlets to continue telling the important stories of contemporary society. War Photography and the Origins of Photojournalism Photojournalism has its roots in war photography, with Roger Fenton pioneering the field during the Crimean War. Illustrating news stories with images was only possible due to advances in technology. During the American Civil War, photographer Mathew Brady captured scenes of camp life and the battlefields for Harper’s Weekly. Photojournalists of the Golden Age
Collages 2016–17 – Isabel Reitemeyer