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CPS – The Rest is History? 9. Nafas Art Magazine Manifesta 8 In Dialogue with Northern AfricaApril 2010 The 8th edition of Manifesta, the European Biennial of Contemporary Art, takes place in the Spanish cities of Murcia and Cartagena. It is being curated by Alexandria Contemporary Arts Forum, Chamber of Public Secrets and Tranzit.org. From 9 October 2010 to 9 January 2011, in dialogue with Northern Africa, Manifesta 8 will explore the idea of Europe in the 21st century, focussing on the boundaries of the continent, and thus strengthening its international and intercontinental character. More specifically, the aim of Manifesta 8 will be to engage with Europe's present-day frontiers and its interrelation with the Maghreb region. The South of Spain, specifically Al-Andalus, has been a historical blend of Islamic, Judaic and Christian cultural influences co-existing together. Curatorial team: Alexandria Contemporary Arts Forum (Egypt, US) Chamber of Public Secrets (Denmark, Lebanon, UK, Italy) Venues of Manifesta 8 >> Photos

EXHIBITIONS « PERPETUUM MOBILƐ : ВЕЧНЫЙ ДВИГАТЕЛЬ : IKILIIKKUJA THE RAW, THE COOKED AND THE PACKAGED The Archive of Perestroika Art KIASMA, Museum of Contemporary Art, Helsinki 2007 “The best exhibition on Perestroika since Perestroika” Vladimir Shinkarev, Originator of the Mit’ki Group “Probably the best exhibition I have ever seen at Kiasma” Ekaterina Andreeva, Senior Curator (Russian Museum) and Critic, St. Petersburg Kiasma's Invitation Card using Evgeny Kozlov "Timur on Horseback" THE RAW, THE COOKED AND THE PACKAGED – The Archive of Perestroika Art The Museum of Contemporary Art, KIASMA 30.11.2007 – 6.1.2008 Table of Contents – More detail in the NEWSPAPER-CATALOGUE Special Events Opening of Studio K & Foyer Balcony, including: another cage (a performance of John Cage’s 4″33′ by the choir of the Russian Gardes Marines and the audience mediated by Sergei “Afrika” Bugaev and the curators) Kiasma Foyer, 16 November 2007 Opening of the “THE RAW, THE COOKED AND THE PACKAGED” Kiasma, 29 November 2007 Short video:

The ARTS ASSEMBLY (AA) « PERPETUUM MOBILƐ : ВЕЧНЫЙ ДВИГАТЕЛЬ : I What is an Arts Assembly? An Arts Assembly is a reflexive model for co-operation in the creative field. It unites a diversity of actors in new “formats” based on participatory action through peer-to-peer platforms. There are several Chambers of the Assembly. The Value Chamber (aka the Auction Chamber): This chamber was first conceived (during the collapse of casino-style markets) after the fashion of auctions: through bids and counter-bids according to a procedure. The determination of the modus operandi will be the work of a ‘Constituent’ Chamber, whose deliberate on the ‘Constitution’ of the Value Chamber. In any given locale or geo-cultural field, a different Membership of the Chamber, its Constitution, and Procedures, and Representation (which may be delegated to the Chamber of Public Secrets, below) will be the subject of a Valuation, which is clearly performative in character. The Chamber of Public Secrets: Many ideas, histories or movements are public, but not known. Like this:

THE FIRST PILOT FOR AN ARTS ASSEMBLY « PERPETUUM MOBILƐ : ВЕЧНЫЙ The First (Pilot) Arts Assembly The First (Pilot for a) ARTS ASSEMBLY took place 20-22 November, 2009 on the Island of Suomenlinna, and at an Open Door Session (Bar Llamas). For Detailed and Updated Information, go to this page: What is an Arts Assembly? An Arts Assembly is a reflexive model for co-operation in the creative field. The Value Chamber (aka the Auction Chamber): This chamber was first conceived (during the collapse of casino-style markets) after the fashion of auctions: through bids and counter-bids according to a procedure. The Chamber of Public Secrets: Many ideas, histories or movements are public, but not known… The Chamber of Diversity and Pre-Universalism: The Copyist Chamber: The Arts Assembly’s Open Door Party Random Shots from the Pilot: The AA in Gallery Augusta, Suomenlinna Like this: Like Loading... Leave a comment No comments yet.

Parfyme » Index PEALELEND Miks oli vaja tulla möödunud Veneetsia biennaalil välja projektiga „Mustlaste püsiv paviljon”? „Mustlaste püsiv paviljon” („Perpetual Gypsy Pavilion”) Veneetsias oli vastus kahekordsele kriisile. Esiteks, planeeritud „Roma paviljon”, mida esmakordselt eksponeeriti 2007. aasta biennaalil, otsustati ära jätta paar nädalat enne 2009. aasta biennaali. Kuid mustlaste ehk roma kunstnike näitus oli erakordselt vajalik, sest Veneetsia (ja seetõttu ka biennaal) oli sattunud mustlaste inimõiguste rikkumise keskpunkti nii Itaalias kui ka laiemalt Euroopas. Kuigi Euroopa parlament mõistis selle situatsiooni hukka, ei teinud seda teised Euroopa kõrged ametlikud institutsioonid. Kas teie projekt jätkab 2007. aasta mustlaskunsti paviljoni „Kaotatud paradiis” („Paradise Lost”) ideid? 2007. aasta näitus oli esimene, kus mustlaste kunst oli biennaalil väljas. Kuidas teie ettevõtmine vastu võeti? Meie, projekt koosnes Veneetsia postkaartidest, millel oli aadress ning mark. Küsinud Reet Varblane

Perpetual GYPSY Pavilion Aleksanteri Conference 2007 Parallel to the Academic Conference, a series of cultural events were organised in Helsinki and other capitals around the Baltic. These Aleksanteri Cultural Fora were open to conference participants. 0. The Raw, The Cooked and The Packaged The Archive of Perestroika Art Kiasma, Museum of Contemporary Art >> "The Raw, The Cooked and The Packaged" excavates the choices and power mechanisms involved in ‘making history' by manifesting this process as lived (installation), mediatized (archival and audio-visual documents) , made scientific (archival categorization) and reflexively absorbed into society (socio-cognitive maps). , ‘accusation', ‘assertion', ‘predication'), applying concepts, and thus the writing of history. (Opening of the "Archival Room" at KIASMA MUSEUM during the 7th Annual Conference) I. Kiasma, Museum of Contemporary Art >> Partner Institutions/Events (more to be confirmed): II. III. A memory of the totalitarian past reigns over many of the period's important works. IV. Read more

S.a.L.E. Docks, Venice THE ARTS ASSEMBLY