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View topic - The Dubstep Production Bible (updated 2009-06-03) hardware, software, tips and tricks Forum rules By using this "Production" sub-forum, you acknowledge that you have read, understood and agreed with our terms of use for this site. Click HERE to read them. If you do not agree to our terms of use, you must exit this site immediately. Quick Link to Feedback Forum daft cunt Posts: 1702 Joined: Thu Feb 01, 2007 8:58 pm Location: Toulouse, France The Dubstep Production Bible (updated 2009-06-03) Quote Post by daft cunt » Fri Feb 09, 2007 11:30 am Large thanks to everybody who contributed, Futures Untold, Johnny Beat, Klimaxx, Deadly Habit & Junglist/Rendr in particular. The old version of the bible is still available there. Plz help with the unlinked chapters. 1. 2. 3. 4. 5. 6. Last edited by daft cunt on Fri Dec 11, 2009 6:12 pm, edited 46 times in total. vonboyage Posts: 6736 Joined: Fri Dec 29, 2006 5:18 pm Location: SMH :: UK Contact: Re: The Dubstep Production Forum Bible Post by vonboyage » Fri Feb 09, 2007 11:46 am & Bass-Compression EDIT: Sticky !!!!!!!

Jam and a Half: Q-Tip feat. Busta Rhymes, Raekwon, & Lil' Wayne-Renaissance Rap (Remix) Turn this song up and imagine yourself walking down the street, turning the corner, and stumbling on a rap cypher by four of the greatest rappers alive. With a syncopated flow that only gets better with age, Q-Tip starts off the festivities, rapping about coming up in New York, honing his skills, rapping on the A train, and battling other rappers for days. Probably the most technical of the four, Q-Tip ends his verse with a gem: When in the heat of the cipher, I was not libel For all the casualties of the dutty MCs' I split the train car like Moses did the Red Sea Get it in ya head, we gon' rock the dead Night of the living MCs', the weak ones fled Busta Rhymes is next. With his trademark energy and vigor, Busta throws in enough animal noises for a screening of Planet Earth. With four different flows, four different approaches, and four different subjects, this song showcases the diversity of rap.

MP3Juices - Free MP3 Downloads & Top Music Search Leçon de house music à ceux qui se prennent pour des DJ de génie | Rue89 Culture Maintenant, quasiment tout le monde peut faire de la musique. Il suffit d’avoir un iPhone, en gros, et un ordinateur. Ce n’est pas une raison pour massacrer le genre : les Blacks et les folles ne l’ont pas élevé au rang d’art pour en arriver là. Comme j’en ai marre d’écouter les merdes pondues par ces DJ blancs hétérosexuels qui se prennent pour de grands compositeurs, j’ai décidé de leur révéler ce que j’ai appris ces dernières années sur la house. Un boum-boum bien placé Une des grosses différences entre la musique de gros bourrins et la house élégante est que la grosse caisse, aussi omniprésente soit-elle, n’est pas forcément une machine à concasser les oreilles. En anglais on l’appelle « bass drum », mais ça ne veut pas dire qu’elle doit couvrir toutes les basses : il faut de la place pour la basse elle-même, qui va donner le groove au morceau. Surtout, la grosse caisse n’est jamais aussi désirable que quand on l’attend. Le swing, ça donne envie de danser, ça allège plein de choses.

The worlds most Ableton Tips in one Video Blog! The most Ableton Live Tips, tricks and shortcuts packed into 1 video! If you are new to Ableton or just want 1 resource to increase your knowledge, this should help quite a bit. Feel free to add to this list in the comments section. Enjoy! 1. If these tips have helped you, please consider making a Donation or picking up one of my Full collections. P.S. – Don’t forget to comment & tweet (down below) & “like” (up above).All your feedback & support is appreciated! This Template is the result of 100's of hours of passionate work. Randal Helm (aka @MrBitterness) has REALLY outdone himself with this sampled synth. Ultimate Ableton Collection 1 A must for anyone new to Ableton or wanting to dive deeper into the depth of this program. Ultimate Ableton Collection 2 This collection makes an incredible companion to the first collection and gets into the newest features in Ableton. Advanced Warping Collection This collection is a must for DJ's and remixers! Producer's Deluxe Collection Comments comments

View topic - Skrillex Interview (Computer Music) hardware, software, tips and tricks Forum rules By using this "Production" sub-forum, you acknowledge that you have read, understood and agreed with our terms of use for this site. Click HERE to read them. If you do not agree to our terms of use, you must exit this site immediately. Quick Link to Feedback Forum wub Posts: 34156 Joined: Tue Feb 26, 2008 3:11 pm Location: Madrid Contact: Re: Skrillex Interview (Computer Music) Quote Post by wub » Fri Oct 28, 2011 7:23 am Although it's a short interview, fair play to him. RandoRando Posts: 3042 Joined: Fri Jan 07, 2011 10:26 am Location: CA, United States of America Killamike49 Posts: 863 Joined: Mon May 02, 2011 2:26 pm Location: Houston, Texas Re: Skrillex Interview (Computer Music) Post by Killamike49 » Fri Oct 28, 2011 1:08 pm There was also an interview with him in beat(i think that's what it was). Datsik ft snak the ripper- Fully Blown (Team Americuh remix) Soundcloud Dance EditSoundcloud Call me Mike blinx Posts: 931 Joined: Thu Aug 12, 2010 3:17 pm AxeD

View topic - The Drums Thread Lots of ghost piccalo snares pon the triplets. Do this in like, every bro tune I make... Looooaaads of non-drum-percussive sounds if your writing bro too... lots of little whooshes and whishes and timestretchy things and funky gunshot percussion sounds and explosions every few bars and blehblehblehbleh... Fill the hell out of the 16s, like, bunch of little white noise hats in there... the energy is in the 16s, and the dj matches to the 16s, just make sure they arent overwhealming in the mix... In brostep, dont overdo the kick and the snare. Big mistake people make out the bat... Get some damn breakbeats in there somewhere. Lots of crashes and rides... Yeah use alot of drums though.

View topic - Skrillex reveals details on how he makes his basslines hardware, software, tips and tricks Forum rules By using this "Production" sub-forum, you acknowledge that you have read, understood and agreed with our terms of use for this site. Click HERE to read them. Quick Link to Feedback Forum Sine69 Posts: 434 Joined: Sat Apr 16, 2011 5:14 am Location: Las Vegas Skrillex reveals details on how he makes his basslines Quote Post by Sine69 » Sun Jul 31, 2011 11:05 am ... 1a78d6b/14 Just stumbled across this. Interesting read though, I've never actually read an interview where he disclosed that many details about his techniques. Here's most of what he said about his production though: I use Native Instruments Massive, I use a lot of NI's FM8, actually, and even Operator. He makes it sound like it isn't quite as difficult as we make it out to be. Fused Productions Posts: 847 Joined: Sun Mar 27, 2011 8:40 pm Location: Middle of Sweden Re: Skrillex reveals details on how he makes his basslines hasezwei wrote: The fuck!?!?! Insahn

View topic - How To Sound Like Skrillex & Make Skrillex Bass Turnipish Thoughts wrote:Brilliant work on the organization front Wub, tirelessly bringing all these threads together into one easily findable database. Must have taken you a long time and signifies a dedication to the forum, so big respect for that. See, that's the thing - it didn't. I used Advanced Search to show all threads within the Production sub forum with 'Skrillex' in the thread title. Opened up each thread in a seperate tab, weeded out a couple which weren't relevant then cut & paste the URLs of the others together with their thread titles. The google search took slightly longer, but again the search criteria I used were "skrillex bass how" and "sound like skrillex", then the same cut & paste on the search results. Turnipish Thoughts wrote:On the other hand, i can't help but notice the rhetoric of something of this nature existing, the title of the thread speaks for itself, the implications of which pointing towards a pretty (erm... lazy?) Agreed.

Dubstep Basics Technique : Composing / Arranging Like drum & bass and jungle before it, dubstep showcases the inventiveness of British urban music. We explain some of its fundamental production techniques, from ‘wobbly’ bass lines to half-time drum programming. Pete Jenkins New genres appear on an almost daily basis in electronic music, but few have had the impact of dubstep. From the grimy nightclubs of Croydon to mainstream radio airplay, via high-profile endorsement from acts as disparate as Snoop Dogg and Radiohead, its meteoric rise is unrivalled. Labels like Tempa and Hyperdub laid the foundations with artists such as Horsepower Productions, Kode9, Skream, Benga and Burial. Technical Dubstep’s main characteristics lie in its rhythms, bass and dark sound, with heavy use of spatial atmospherics, low-end frequencies and swing. Wall Of Sound A key feature of dubstep production is the use of atmospherics and textures to create a full and spacious mix. Kick & Sub There is no set method to making dubstep.

Songwriting Exercises - Handout Songwriting Exercises by Joel Mabus Scaffolding Stuck? Here’s an old trick to get you going. What a good song offers is structure, repetition, form and balance. Try this exercise: A) Take some song you like — any song at all from any era, any style — just so long as it is familiar to you. B) Write a new lyric to that song. C) Take that new lyric and write completely new music to it. D) Edit. (Or you could do A-C-B-D — write the new music to the “scaffold” song and then write a new lyric.) What remains is a new song with only a hint of the “ghost” song that acted as a scaffold for the process. Listmaking Out of ideas? A list could become a song (remember “My Favorite Things” or Tom T Hall’s “I Love...”) or could be a starting pad for an essay song, enumerating facts or feelings. Focused Imaging Similar to listmaking, but more purposeful, is putting your imagination to work in creating a scene, place or mood. Imagine a perfect day in your childhood – or the day your childhood sweetheart left you.

WaterFall Records Learning to Record Lesson Two Lesson 1 You're here: Lesson 2 Log In: You must be a 'Member" to view Lessons 3 thur 9 Using a Compressor? Hello all, Ken here. How many of you really know how to use a compressor? If you are coming here from Recording Tips 7: show me the Magic Frequencies! Using one is really easy; the trick to it is to "listen to your music" and feel the flow of the mix. To set the compressor (assuming you have a constant meter in the song like the snare Mute out all the other tracks so you can work on the track. You want the compressor to breath in time with the song. Look at a compressor as an instrument in your sound. I hope this helps all of you in your mixing and recording. Here are some Magic Frequencies Tip: Set your frequencies up as presets. Good Luck! Web Design by Michael R.

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