Apartamento - an everyday life interiors magazine Featuring: Trix & Robert Haussmann, Omar Souleyman, Atsuki Kikuchi, Rose McGowan, Ken Done, Scott Ewalt, Sara Sachs & Frederik Jacobi, Scott Sternberg, Christoph Ruckhäberle, Chung Eun Mo, Aurélien Arbet & Jérémie Egry, Smiljan Radic, Piero Gandini, Jolanthe Kugler, Francesco Zanot, Genesis P-Orridge With Murray Moss’ collection of work by Enzo Mari and a comic by Andy Rementer and Margherita Urbani Akademische Druck - u. Verlagsanstalt - Graz - Codices Now, courtesy of Akademische Druck - u. Verlagsanstalt - Graz, Austria, FAMSI provides access to their definitive facsimiles of the ancient accordion fold books created hundreds of years ago by Aztec, Maya and Mixtec scribes. Codices: Aztec Group Codex BorbonicusISBN: 3-201-00901-6 Codex IxtlilxochitlISBN: 3-201-00970-9 Codex MagliabechianoCL. Codex BorgiaISBN: 3-201-00964-4 Codex CospiISBN: 3-201-00762-5 Codex Fejéváry-MayerISBN: 3-201-00764-1 Codex LaudISBN: 3-201-00761-7 Codex Vaticanus 3738(Codex Vaticanus A, Codex Ríos)ISBN: 3-201-01107-X Codex Vaticanus 3773(Codex Vaticanus B)ISBN: 3-201-00780-3 Codices: Maya Group Codex Dresdensis(Codex Dresden)ISBN: 3-201-00960-1 Codex Peresianus(Codex Paris)ISBN:3-201-00760-9 Codex Tro-Cortesianus(Codex Madrid)ISBN: 3-201-00759-5 Codices: Mixtec Group Codex Egerton 2895(Codex Waecker Götter)ISBN: 3-201-00758-7 Codex Vindobonensis Mexicanus 1ISBN: 3-201-00757-9 Codex Zouche-NuttallISBN: 3-201-01350-1 Codex Becker I / IIISBN: 3-201-00756-0
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H A L L • O F • F A M E Akademische Druck - u. Verlagsanstalt - Graz - Codex Laud Codex Laud (Ms. Laud Misc. 678, Bodleian Library) Table of Contents | Index Pages: 1 | 2 | 3 | 4 Click on images to enlarge To order this beautifully bound and boxed set, please contact: Mesoamerican Heritage Institute United States Return to top of page
AisleOne - Graphic Design, Typography and Grid Systems We Make It Good Petrina Hicks Posted on Wednesday, May 9th, 2012 by Shilo Barnaby Barford Posted on Monday, May 7th, 2012 by Shilo Michael Page Posted on Wednesday, May 2nd, 2012 by Shilo Rope Masks Posted on Monday, April 30th, 2012 by Shilo Rubik Posted on Thursday, April 26th, 2012 by Shilo Kim Joon Andrew Salgado Posted on Monday, April 23rd, 2012 by Shilo Posted on Wednesday, April 18th, 2012 by Shilo April Deacon Posted on Tuesday, April 10th, 2012 by Shilo The Art of Dale Bigeni Posted on Wednesday, April 4th, 2012 by Shilo Clemens Behr Posted on Tuesday, March 20th, 2012 by Shilo Tilt Posted on Monday, March 5th, 2012 by Shilo Artist: Seo Yong-Duk Posted on Thursday, March 1st, 2012 by Tamir Sapir Takashi Murakami
Les Codex? Kezako? - Exposition de Codex Aztèques & Mayas Les fibres végétales nécessaires à la réalisation des codices viennent des écorces internes de différentes variétés d’arbres, comme le Ficus Morus ou le Maguey (sorte de cactus). Les fibres encore humides sont empaquetées (photo n°1) et prêtes à être vendues aux artisans. Ceux-ci font cuire ces fibres dans de l’eau mélangée à de la cendre et de la chaux pendant 6 heures. Avec un pierre-pilon rectangulaire (photo n°3) l’artisan écrase progressivement les fibres jusqu’à les enchevêtrer et obtenir une surface uniforme (photo n°4). Après séchage au soleil, on obtient une feuille de papier de 40 x 60 cm en moyenne.
We Make It Good Hyperspace - Chemical Experiences of a Hyperspatial Nature "As is the case with any entheogenic substance, and particularly with the short acting tryptamines which rocket the user immediately from everyday consciousness to the peak entheogenic state, set and setting is of crucial importance. DMT should not be used casually, like a sort of marijuana. One should not drive or operate machinery under the influence of DMT or other short-acting tryptamine entheogen. The psychological state of the user is crucial. DMT should never be used if one is tense, anxious, worried, tired, etc. Most users prefer to commence the experience sitting down or reclining (the alternative might be falling down!).
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