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Pop art

Pop art
Pop art is an art movement that emerged in the mid-1950s in Britain and in the late 1950s in the United States.[1] Pop art presented a challenge to traditions of fine art by including imagery from popular culture such as advertising, news, etc. In pop art, material is sometimes visually removed from its known context, isolated, and/or combined with unrelated material.[1][2] The concept of pop art refers not as much to the art itself as to the attitudes that led to it.[2] Pop art employs aspects of mass culture, such as advertising, comic books and mundane cultural objects. It is widely interpreted as a reaction to the then-dominant ideas of abstract expressionism, as well as an expansion upon them.[3] And due to its utilization of found objects and images it is similar to Dada. Pop art and minimalism are considered to be art movements that precede postmodern art, or are some of the earliest examples of Post-modern Art themselves.[4] §Origins[edit] Eduardo Paolozzi. §United States[edit]

Pierre Restany Pierre Restany (24 June 1930 – 29 May 2003), was an internationally known French art critic and cultural philosopher. Restany was born in Amélie-les-Bains-Palalda, Pyrénées-Orientales, and spent his childhood in Casablanca. On returning to France in 1949 he attended the Lycée Henri-IV before studying at universities in France, Italy and Ireland. From their first meeting in 1955, Restany maintained a strong tie with Yves Klein (to whom is attributed Klein-blue). Conceptions of New Realism / Nouveau Realisme[edit] In 1960 Pierre Restany created the idea and coined the term "Nouveau Réalisme"[1] with Yves Klein during a group show in the Apollinaire gallery in Milan. Pierre Restany died in Paris in 2003 and is buried in the Montparnasse Cemetery. See also[edit] Bibliography[edit] Pierre Restany. References[edit] Sources[edit] External links[edit]

Origin Raymond Hains Raymond Hains (9 November 1926 - 28 October 2005) was a French artist and photographer. Biography[edit] Hains was born in Dinard. In 1945, he briefly enrolled in the sculpture course at the École des Beaux-Arts, Rennes and met Jacques de la Villeglé that same year. In the 1950s, together with fellow affichiste Jacques de la Villeglé he started using collage and found, torn posters from street advertisements in creating Ultra-Lettrist psychogeographical hypergraphics. For Documenta X, invited by curator Catherine David in 1997 to return to Kassel, Hains exhibited in a Kassel shop rather than at the Fredericianum and organized a street parade that traveled through the city, led by a larger-than-life-size mannequin of the late Iris Clert, Hains's gallerist and a towering figure in the Paris art world of the 1960s. Hains won the Kurt Schwitters prize in 1997. External links[edit] Raymond Hains : " Mon Encyclopédie Clartés website conceived for the Centre Pompidou exhibition in 2001

Artists Jacques Villeglé Jacques Villeglé Jacques Villeglé, born Jacques Mahé de la Villeglé (27 March 1926, Quimper, Brittany) is a French mixed-media artist and affichiste famous for his alphabet with symbolic letters and decollage with ripped or lacerated posters. He builds posters in which one has been placed over another or others, and the top poster or posters have been ripped, revealing to a greater or lesser degree the poster or posters underneath. He is a member of the Nouveau Réalisme art group (1960–1963). His work has primarily focused on the anonymous and on the marginal remains of civilization. Villeglé first started producing art in 1947 in Saint-Malo by collecting found objects (steel wires, bricks from Saint-Malo's Atlantic retaining wall).

Robert Rauschenberg Robert Rauschenberg (October 22, 1925 – May 12, 2008) was an American painter and graphic artist whose early works anticipated the pop art movement. Rauschenberg is well known for his "Combines" of the 1950s, in which non-traditional materials and objects were employed in innovative combinations. Rauschenberg was both a painter and a sculptor and the Combines are a combination of both, but he also worked with photography, printmaking, papermaking, and performance.[1][2] He was awarded the National Medal of Arts in 1993.[3] He became the recipient of the Leonardo da Vinci World Award of Arts in 1995 in recognition of his more than 40 years of fruitful artmaking.[4] Rauschenberg lived and worked in New York City as well as on Captiva Island, Florida until his death from heart failure on May 12, 2008.[5] Life and career[edit] Rauschenberg was born as Milton Ernest Rauschenberg in Port Arthur, Texas, the son of Dora Carolina (née Matson) and Ernest R. Canyon (1959) Death[edit] Combines[edit]

New York School The New York School (synonymous with abstract expressionist painting) was an informal group of American poets, painters, dancers, and musicians active in the 1950s, 1960s in New York City. The poets, painters, composers, dancers, and musicians often drew inspiration from Surrealism and the contemporary avant-garde art movements, in particular action painting, abstract expressionism, Jazz, improvisational theater, experimental music, and the interaction of friends in the New York City art world's vanguard circle. The poets[edit] Concerning the New York School poets, critics argued that their work was a reaction to the Confessionalist movement in Contemporary Poetry. Their poetic subject matter was often light, violent, or observational, while their writing style was often described as cosmopolitan and world-traveled. The poets often wrote in an immediate and spontaneous manner reminiscent of stream of consciousness writing, often using vivid imagery. The Beats[edit] The composers[edit]

Andy Warhol Andy Warhol (/ˈwɔrhɒl/;[1] August 6, 1928 – February 22, 1987) was an American artist who was a leading figure in the visual art movement known as pop art. His works explore the relationship between artistic expression, celebrity culture and advertisement that flourished by the 1960s. After a successful career as a commercial illustrator, Warhol became a renowned and sometimes controversial artist. The Andy Warhol Museum in his native city, Pittsburgh, Pennsylvania, holds an extensive permanent collection of art and archives. It is the largest museum in the United States dedicated to a single artist. Warhol's art encompassed many forms of media, including hand drawing, painting, printmaking, photography, silk screening, sculpture, film, and music. Early life (1928–1949) In third grade, Warhol had Sydenham's chorea (also known as St. As a teenager, Warhol graduated from Schenley High School in 1945. 1950s 1960s Campbell's Soup I (1968) Attempted murder (1968) 1970s 1980s

Henri de Toulouse-Lautrec Henri Marie Raymond de Toulouse-Lautrec-Monfa or simply Henri de Toulouse-Lautrec (French: [ɑ̃ʁi də tuluz lotʁɛk]; 24 November 1864 – 9 September 1901) was a French painter, printmaker, draughtsman and illustrator whose immersion in the colourful and theatrical life of Paris in the late 19th century yielded a collection of exciting, elegant and provocative images of the modern and sometimes decadent life of those times. Toulouse-Lautrec is among the best-known painters of the Post-Impressionist period, a group which includes Cézanne, Van Gogh and Gauguin. In a 2005 auction at Christie's auction house, a new record was set when La blanchisseuse, an early painting of a young laundress, sold for US$22.4 million.[1] Early life[edit] After the death of his brother his parents separated and a nanny took care of Henri.[3] At the age of eight, Henri went to live with his mother in Paris where he drew sketches and caricatures in his exercise workbooks. Disability and health problems[edit] Mr.

Roy Lichtenstein Roy Fox Lichtenstein (pronounced /ˈlɪktənˌstaɪn/; October 27, 1923 – September 29, 1997) was an American pop artist. During the 1960s, along with Andy Warhol, Jasper Johns, and James Rosenquist among others, he became a leading figure in the new art movement. His work defined the basic premise of pop art through parody.[2] Favoring the comic strip as his main inspiration, Lichtenstein produced hard-edged, precise compositions that documented while it parodied often in a tongue-in-cheek humorous manner. His work was heavily influenced by both popular advertising and the comic book style. He described pop art as "not 'American' painting but actually industrial painting".[3] His paintings were exhibited at the Leo Castelli Gallery in New York City. Whaam! Early years[edit] Career[edit] Cap de Barcelona, sculpture, mixed media, Barcelona Lichtenstein entered the graduate program at Ohio State and was hired as an art instructor, a post he held on and off for the next ten years. Later work[edit]

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