
Low light test of 5D Mark III raw vs H.264 The 5D Mark III is already a very capable low light camera. In its factory guise whilst not quite as clean as the Canon C300 or Sony FS100, it is the best DSLR for low light shooting (though the Nikon D5200 puts up a good fight). But that was before the latest developments with ML Raw. Has low light improved even further? The answer is a resounding yes. The image is cleaner in low light with raw, with even exposures I rated ISO 12,800 coming out perfectly usable. The power of raw is that you can fully exploit the dynamic range of the image, and in low light that means going into the shadows and giving them a lift, or crushing them back for more contrast and less noise. First an important note – don’t judge noise from the Vimeo streaming embedded clip. RAW (click it to enlarge) Download the DNG and grade it yourself in Photoshop Note on warm cast – that is on purpose, creative choice to match look of scene how my eyes saw it. Also look at the poster – half of it is gone. Latitude Raw Exposure
Magic Lantern Firmware Wiki Magic Lantern Firmware Magic Lantern is a software enhancement that offers increased functionality to the excellent Canon DSLR cameras. We have created an open framework, licensed under GPL, for developing extensions to the official firmware. Magic Lantern is not a "hack", or a modified firmware, it is an independent program that runs alongside Canon's own software. Frequently Asked Questions What is it? Magic Lantern is an enhancement atop of Canon's firmware that frees your Canon DSLR, allowing you to use many useful features. Is it only for video? No. Initially, Magic Lantern was developed by independent filmmakers and tailored for video production on 5D Mark II. Where do I get it? See the Download page. Will it break my camera? As of September 2009 the software has been downloaded over two thousand times and there have been no reports of damage to the cameras. What can I do to help? Where do I report bugs? For general tech-support, join the forum. Why not just buy a video camera?
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Why I Chose to Invest in a C300 over a RED MX(or a SCARLET) - Blog - Alex Wagner After lots and lots of deliberation, I finally made the decision to invest in a new camera. To be exact, I bought a Canon C300 with EF mount. I have been agonizing for almost 2 months now over getting a C300, a used RED MX, or putting together a DIT cart. I've owned a 7D for a couple of years now and my hope was that purchasing a higher end camera would help me get better work/less run 'n' gun videography-type gigs, or at the very least, provide me with another stream of income through rentals. I considered many options but one of my main criteria is "what do people want to rent?". You may disagree that the RED MX is still a popular camera to rent but, I have to say, I know some local owner/operators of RED Camera packages and they stay pretty busy in the Dallas/Ft. I've used the C300 to shoot some BTS and was really pleased with it's ease of use and the quality of the images that came out. Some other notes: I did not consider the Scarlet because I do not like it's design.
ASTUCE CAM : débrider, améliorer le rendu sur Caméra Canon ! Restricted Areas – Danila Tkachenko’s photographs of Soviet ruins – Creative Review Danila Tkachenko’s haunting documentary series is featured in Dead Space and Ruins, the second instalment of the Calvert 22 Foundation’s Power and Architecture exhibitions series According to the Foundation, the wider season of exhibitions and events intends to focus “on utopian public space and the quest for new national identities across the post-Soviet world”. Along with Tkachenko’s images of deserted structures left to weather ice and snow, Dead Space and Ruins features the work of three other artists working within photography and film who have also been capturing the decaying architecture of the former Soviet Union: Vahram Agasian, Anton Ginzburg and Eric Lusito. Tkachenko’s project examines the “utopian strive of humans for technological progress,” he says, and involved visiting long-forgotten, deserted sites across the country. It includes memorials and monuments, observatories, disused aircraft and numerous abandoned buildings (the full series is here).
Understanding your GoPro Part 2 Stemming from the amount of interest on my first post – Understanding your New GoPro - I decided to dive a little deeper into some of the other aspects of the GoPro HERO3 Black Edition. There’s a lot of little things that are a bit harder to really know what’s going on inside that little box of ours. I’ll dive right in. Battery Life As you’ve probably noticed – this is one of the weakest areas of the HERO3. Stand-by Mode Battery Life in Stand-by Mode = 6 Hours Stand-by mode kicks in after the camera has been idle in any state (except recording) after 5 minutes. Wifi Battery Life w/ WiFi On (APP) = 15-20% Reduction in Battery LifeBattery Life w/ WiFi On (Remote Connected) = 10% Reduction in Battery Life Let’s start with wifi ON for the app. Next is the Remote. Should you Turn Off Wifi? Other Settings As you can see in the list of battery life, frame rate has a large effect on battery life. Photo Settings For best results always keep it on 12MP Wide Video & Photo Simultaneously Loop Recording
Thomas Barbey