Accueil Play La Fouine est un gamer à l'ancienne. Plus à l'aise sur les jeux-vidéo de plateforme super facile avec 2 boutons et la direction. Un bon vieux Sonic semble faire l'affaire. Ground Control To Major Tom Depuis 1997, le festival LES FEMMES S’EN MELENT milite et met en valeur les plus belles voix féminines de la scène musicale indépendante. Cette année encore, pour sa 17éme édition, le festival ne déroge pas à ses deux règles qu’il s’était fixées dès le début, à savoir l’éclectisme et l’exigence dans ses choix musicaux. Au départ juste une soirée parisienne, le festival a su s’agrandir avec des soirées satellites en province et même à l’étranger (Göteborg, Montréal). Cette année, le festival s’arrête une nouvelle fois aux Trinitaires de Metz avec comme affiche Cults, Emily Wells et Leonie Pernet. Cults est un duo élevé à San Diego et domicilié à New-York. Avec un faux détachement, une vraie persévérance et deux albums au compteur (Cults en 2011 et Static en 2013), Madeline Follin et Brian Oblivion ont dressé une cathédrale de sons et d’images uniques sur la scène américaine.
VAGUE SPACE Having moved to Hoboken in May, I'm much closer to the hub of indie rock concert activity -- NYC -- only a 10 minute train ride away. Of course, I'm now much further from Philly, where I used to go frequently, but all in all the exchange allowed me to see a grand total of 34 concerts this year. Unfortunately, I had tickets to probably 50 shows but due to work and other responsibilities I was not able to attend them, leaving me short of my goal of 40 shows this year. Also, the legendary Maxwell's in Hoboken, which is only a 10 minute WALK away, closed down in July, just after I moved here, so I didn't get to feast very long on the amazing feeling of walking to a concert and then walking home. So it's been a bit of a mixed bag. But this has been a pretty great year of concerts that was quite difficult to cull down to a top 20 list.
Brooklyn Street Art Posted on April 7, 2014 “After photographing in the mosh pits for awhile I began to get familiar with patterns in the music. Eventually it got to the point where I could sense the moment coming when things would really cut loose and go berserk,” says painter Dan Witz about his process and method for catching the moment when the roiling mass of hardcore music fans hit the perfect state of frenzy. “NY Hardcore Paintings”, opening this past Saturday night and on view currently at The Jonathan Levine gallery in Chelsea, presents Witz with his new body of convulsing bodies and to say they are a revelation is only part of the story. When we saw his first mosh pit paintings a few years ago we were struck by the raw thrilling chaotic energy and calculated abandon in them – and reminded of many such nights in the 80s and 90s in lower Manhattan when we also joined in the fray.
Echappées culturelles #Psychovinyle #Trackshare #Replay Zegut Super Touch Art Abstrait ≠ Concret — ≠ Une actualité originale. Mais pas seulement… We Are Hunted - The Online Music Chart THE STREET ART BLOG Crumb magazine You Ain't No Picasso ***** espvisuals.blogspot La Quenelle Culturelle