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tags A deep bass rumble with a rhythmic element towards the end. You will only get the true effect on larger ... A tense string pattern over a deep menacing rumble. Part of my Strange and Sci-fi pack which aims to provide ... A mixture of choirs and synthesised sounds - one of many I have made for use as intros/backgrounds to give ... Deep and slow tonal horror atmosphere. Move along with the soundtrack of Metro's screechy, wailing escalators Take the west side escalators down into the guts of the Columbia Heights Metro station and you'll be swallowed by the sound - an otherworldly mewl of screeching metal, an aviary of chrome-throated ravens taunting you as you descend into your workday. But slow down a minute. Step to the right, unclench the jaw and ask yourself: Could this be music? There's a secret jazz seeping from Washington's aging Metro escalators - those anemic metal walkways that fill our transit system with a crooked approximation of Ornette Coleman.
the Royalty Free Music, 40 free tracks for anyone to use in any form 40+ completely free pieces of music (as in it's royalty free so don't email me asking permission to use it). CC-BY (Creative Commons attribution) - For each and every single song below, all you have to do is credit the songwriter - Peter John Ross (www.sonnyboo.com) and the music is your to use for free. Click Track - Listen to the winners of our Remix the Metro contest! Photo illustration by Christopher Meighan. In last Saturday's Washington Post, pop music critic Chris Richards wrote about the secret music of Washington's run-down Metro escalators. Here on Click Track, we asked you to come up with some music of your own by remixing the Metro's strange creaking sounds. The response was overwhelming. Listen to our winners and numerous honorable mentions below!
Harry Bertoia - Unfolding Harry Bertoia (1915 - 1978) was a furniture and jewellery designer who went on to explore sculpture, and its sound-making possibilities. In the 70's, he released a series of LPs under the title Sonambient, now rare collectors items. This compilation of four pieces culled from the albums was released in Japan in 1993. There are three official websites devoted to his work: Harry Bertoia Research Project, bertoiaharry.com, and Bertoia Studio. Presented in two .zip archives, download both for the full compliment of tracks.
Meet The Residents Original Mono Recording"Meet The Residents was originally released in 1974, on the Ralph Records label. The tapes were monaural recordings on home equipment and suffered further fidelity loss in the mastering and pressing stages. In 1976, The Cryptic Corporation came into legal possession of The Residents recordings, and began working on how to restore these original tapes to studio quality. Fluxus Anthology, 30th Anniversary Fluxus Anthology, 30th Anniversary George Maciunas's Seattle Interview Interviewer: William Woods Recorded at KRAB Radio, Seattle, Washington, September 1977
Various – 101 lock grooves « Continuo’s weblog Apart from musical content, the laws of physics cause two emotional moments during vinyl replay: when the needle is cued on the so called “outer groove” – producing a sound that’s akin to lighting a cigarette (hence the vinyl addiction), and when it reaches the end of the inner groove, when it locks upon itself to form a circle. At this point the music has usually ended, but on some records, sound continues, or re-appears, in an endless “lock groove”, like at the end of The Beatles 1967 Sgt. Pepper‘s LP. INTERVIEW WITH BRANDON ROSS « Roulette NYC Guitarist, composer, singer, songwriter Brandon Ross has worked with everyone from Muhal Richard Abrams, Don Byron, Bill Frisell, Leroy Jenkins, Oliver Lake, Arto Lindsay, to Joan Osborne, Henry Threadgill, and many others. Self described as “Future-folk music”, Ross’ music is at once pastoral, dissonant, intimate and avant-garde. On February 16th at Roulette, Ross will present Blazing Beauty, his acoustic-based ensemble with Stomu Takeishi (acoustic bass guitar), JT Lewis (drums), and Brandon Ross (guitar/banjo/vocal). ROULETTE: Tell us as about the work you’ll be doing at Roulette. BRANDON ROSS: The work I’ll be presenting at Roulette on the 16th is an extension of a long-standing excitement about and interest in string bands and string-percussion based “folk” music ensembles.
Paris Transatlantic Homepage SUMMER 2012: Interview with DAN WARBURTON ; In Print: Tacet No.1: Who Is John Cage? ; On Monotype: Dörner, Dafeldecker & Johansson / Toshimaru Nakamura & John Butcher / eRikm & Michel Doneda / If, Bwana & Dan Warburton / LZH+H ; Can ; On Clean Feed: Boris Hauf / Steve Lacy / Rafael Toral & Davu Seru / Elliott Sharp / Joe McPhee and Ingebrigt Haker Flaten ; On Bo-Weavil: Hession / Wilkinson / Fell ; On ESP : Frank Wright / Frank Lowe ; On Edition Modern: Iancu Dumitrescu & Ana-Maria Avram ; VINYL SOLUTION: Concern / Failing Lights / FvRTvR / Margarida Garcia / Carlos Giffoni / Ryu Hankil, Hong Chulki, Nick Hoffman / Metamono / Nicholas Szczepanik / Tomutonttu ; JAZZ & IMPROV: John Butcher & Mark Sanders / Lucio Capece / Stephen Cornford / Coppice / Cremaster / Freestyle Band / Charles Gayle / Glacial / Anna Homler & Sylvia Hallett / Andrea Neumann & Bonnie Jones / Alan Silva & Burton Greene / Fukushima! Who are we?