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The Moment Being Together Being Together Myth of the Flat Earth Twilight Dreams of a Papilio Demoleus Erasure Blind Spot Remembering Strangers Self Reflection Guilt Me and Friends Time My Twilight Window Wall Street October 2008 Strangers NYC 64.1 N 21.9 W Fear Of Losing The Existence Beon Sleeps Open Wound Existence Of Being Ground Zero Beijing NYC Out of Context

|| Jon Uriarte || jon uriarte news Daniel Temkin Daniel Temkin makes still and interactive pieces stemming from different forms of miscommunication, often built as uneasy collaborations with the computer. I'm featuring two of his projects which are related with glitches and errors produced by the use of basic softwares such as Photoshop. The first one is called Glitchometry, Daniel describes; each image begins as one or a few black squares or circles. Glitchometry (recommend click images to enlarge) Dither Studies "A collaboration with Photoshop. Daniel only used the indexed color mode from Photoshop to make this series, see the full series here.

Metamorphose DANDY DIARY - Männer Mode Blog - DANDY DIARY - Men's Fashion Blog - DANDY DIARY Álvaro Sánchez-Montañés | Portfolio portfolio Landnemar Indoor desert De sur a sur Sez Unprepared and Unshorted Alter Hafen Visions Photographs Do Not Bend: contemporary photographers Archives Research: Sam Taylor Wood, Still Life (video stills), 2001 In the arts, vanitas is a type of symbolic work of art especially associated with Northern European still life in Flanders and the Netherlands in the 16th and 17th centuries though also common in other places and periods. The word is Latin, meaning "emptiness" and loosely translated corresponds to the meaninglessness of earthly life and the transient nature of Vanity. Common vanitas symbols include skulls, which are a reminder of the certainty of death; rotten fruit, which symbolizes decay like ageing; bubbles, which symbolize the brevity of life and suddenness of death; smoke, watches, and hourglasses, which symbolize the brevity of life; and musical instruments, which symbolize brevity and the ephemeral nature of life.

Liddy Scheffknecht Scaffolding (2006-2007) by Liddy Scheffknecht. All architectural elements except the scaffolding were removed from the photograph of a building under renovation. The result is an autonomous “drawing“, which suggests the form of the erased building. The scaffolding, normally a temporary urban structure, was retained whereas the building, a permanent urban structure, was eliminated. See more; Cada día un fotógrafo / Fotógrafos en la red Photography - Peter Granser Man Ray official digital photographic library manray-photo.com, Man Ray official digital photographic library

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